Arts and Humanities Commons^™

Killers, Queers, And Cowards: Suffering And Freedom In Jean-Paul Sartre’S No Exit, Aaron Brewer

University of New Orleans Theses and Dissertations

Throughout No Exit, Sartre’s mirror is key to understanding his characters and philosophy. It is his tool for exploring ideas that are limited by the time in which he lived. Here, the play does what all great works should do: it challenges the status quo and looks beyond what can already be seen. This thesis will use his established mirror metaphor and an expanded mirror metaphor to unearth the true nature of No Exit’s characters.

In setting down the characters’ path, Sartre asks questions that humans have considered for Millenia: Why are we here? Why am I suffering? How …

Manifesting The End Of Amerikkkan Theatre: Black Theatre’S Healing Power To Eradicate Anti-Blackness, R'Myni Watson

University of New Orleans Theses and Dissertations

This thesis explores the potential of Black Theatre as a catalyst for healing anti-Blackness within American theatre. Acknowledging the limitations of systemic change, this study advocates for incremental shifts within communities to combat ingrained racial biases through narrative change and theatrical exploration. Grounded in the theory of Black Theatre's energy force, Nommo, the study proposes the framework of Acknowledge, Dismantle, Re-Educate to address and eradicate anti-Blackness. Through directing the production of Blood at the Root, incorporating Black Theatre methodologies atop eurocentric foundations, this research documents the healing experienced by participants and audiences. Key findings reveal increased community engagement, support, awareness, …

Temple Of Familiars, Madeleine Grace Kelly

University of New Orleans Theses and Dissertations

My paintings, etchings, and installation explore encounters with mystery in the natural world, especially through the flora, fauna, light, and water of the swamps around the Atchafalaya Basin. My practice explores kinship, reverence, and awe as an antidote to estrangement from the spirit of the land. I am influenced by artists and scholars engaging with the places that they inhabit and that inhabit them with a reverence and mystery of approach. My work invites viewers to engage with the memory that the water carries of our interconnectedness, and to remember that we are not separate from the natural world.

Bedeviled Beauty: My Journey Through White American Theater Institutions, J'Aila C. Price

University of New Orleans Theses and Dissertations

Game console: Oculus Quest

World: American Theater Institutions

Player: Minority

Place: United States

Level: “Ain’t no way.”

This thesis explores the contrast between the Westernized philosophies ingrained in my education and my identity as a Black female artist. It sheds light on the difficulties of pursuing higher education in the arts and the gaps that arise from limited exposure to culturally diverse Black resources, revealing the systemic issues in Western performance education. The paper also discusses the insights gained from my journey as a Black female artist, focusing on my thesis performance of Blood at the Root, which is …

The Desegregation Of Schools In Thibodaux, Louisiana: 1954-1970, Shelby L. Thibodaux

University of New Orleans Theses and Dissertations

The study of school systems in Thibodaux, the seat of Lafourche Parish, adds to research on school desegregation in Southern rural communities. This thesis highlights the untold story of the Black community's resistance to segregation in Thibodaux and efforts by white officials to maintain a segregated school system. Black resistance included a petition filed in 1955 and the Edward Hill v. Lafourche Parish School Board (1967) case. Partial integration began in 1966, but the parish did not establish a unitary system until the 1968-1969 school year. This research focuses on the Lafourche Parish public school system from first through twelfth …

Blind Spot, Paige E. Devries

University of New Orleans Theses and Dissertations

The subject matter for my paintings and photographs comes from observing the suburban landscape of my New Orleans neighborhood. My work contends this seemingly mundane environment teems with beauty, the sublime, and interactions between the human world and nature. My paintings use vibrant colors and unexpected light sources to challenge the viewer’s relationship to the plants, animals, houses, and fences we see every day. Some of the photographs I take are the source imagery for my paintings and other images are reserved for my book of photography. The book, like my paintings are images taken from when I am out …

Goostly Coumforte In God: The Rhetoric Of Mysticism In The Cloud Of Unknowing, Clinton M. Sensat

University of New Orleans Theses and Dissertations

In this paper I analyze the rhetoric of the Cloud of Unknowing by an anonymous fourteenth-century English Catholic mystic. First, I situate the Cloud in its tradition, both spiritual and rhetorical. Then, after analyzing the linguistic arts employed, I engage in a sustained examination of the Cloud’s rhetorical technique. Ultimately, I conclude that the author of the Cloud succeeds in his rhetorical goals, even if some of his strategies are less successful than he perhaps believes, and that he does so through the use of concrete language and an appeal to the ethos of Christian monastic friendship.

Termites, Bully Boys, And The Architect Of Search & Destroy: An Assessment Of General William E. Depuy As Macv J-3 And Commander Of The 1st Infantry Division, Republic Of Vietnam, 1964-67, Adam D. Coste

University of New Orleans Theses and Dissertations

As Assistant Chief of Staff for Operations (J-3) at MACV from 1964-1966, General William DePuy served as the main architect of the campaign strategy implemented by General William Westmoreland in fighting both VC and NVA units during the earliest and most critical years of the Vietnam War. Following his role at MACV, DePuy assumed command of the 1^st Infantry Division in March 1966 where he exhibited a distinct command philosophy and transformed the organizational culture of the “Big Red One” through a series of directives and tactical innovations. Most historians are critical of Westmoreland’s chosen strategy as well as …

Reading The Room: Memory, Dwelling, And The Everyday, Sara R. Hardin

University of New Orleans Theses and Dissertations

In any space, there is a residue that coats the present with a patina of memory. Creating layered imagery in dream-like paintings and prints, I use the domestic realm as a metaphor for the internal world of the mind, memories, and private thoughts, including them in compositions with symbols like the boundaries of windows, doors, and gates. These metaphorical structures also portray outward identities, which guard inner emotions. The conceptual aspects of these compositional elements weave together memories of the past and places of the present into a unified whole.

I began graduate school at the beginning of the COVID-19 …

Community In The Cell: Queer Women’S Space And Place In New Orleans, Jordan Hammon, Jordan Hammon

University of New Orleans Theses and Dissertations

This thesis examines queer women’s history and space/places of community in New Orleans using spatial analysis and feminist theory to fill the silences. The Special Citizens Committee for the Vieux Carré laid the foundation for regulating queer women and transmasculine people starting in the 1950s. Even after the committee ended, New Orleans Police Department and the Vice Squad had the power to invade and harass places of community for queer women and transmasculine people. Despite this hostility, queer women and transmasculine people resisted and made a place for themselves in New Orleans. As a result of their persistence through visibility …

The Story Of Jennie Steers: An Examination Of Race, Gender, And Lynching In Northwest Louisiana, Lauren Smith

University of New Orleans Theses and Dissertations

As the nineteenth century ended, the American South entered a new century equipped with the foundations of a Jim Crow society. Through political intimidation, segregation, and racial violence—most notoriously through the practice of lynching—white Southerners reasserted white supremacist rule. Yet the lynching of Black men in this era is more often documented than the plight of Black women at the hands of white mobs and local authorities. By focusing on Jennie Steers, a woman lynched outside of Shreveport, Louisiana in 1903, this project sheds light on the violent history of Northwest Louisiana and the ways in which Black women navigated …

Props, Bianca Walker

University of New Orleans Theses and Dissertations

In their artwork Bianca Walker takes a refreshing and historically engaging approach to the act of painting. After researching through photographic references of black people from the early 1900s the artist reimagines these photographs as painted portraits using a drip painting method purposely eliminating paint brushes from their practice. Incorporating more utilitarian materials such as drop cloth and palms, the artist’s relationship to the traditional act of paintings versus their current practice mirrors the current point of view placed upon and change of view that they would like to be seen in conversations around black working-class people from this period.

Political Religion: An Intellectual History Of Eric Voegelin And Defense Of His Thesis On Political Religion And Nazism, Stephen Gaines

University of New Orleans Theses and Dissertations

This thesis is an intellectual history of Eric Voegelin and the concept of “political religion”. Eric Voegelin was a German-Austrian political scientist whose work surrounding the field of political science has made him one of the most influential thinkers of the 20^th century. Voegelin saw the rise of Nazi Germany in 1932 and fled Austria during Anschluss in 1938 to escape Nazi persecution, coming to the United States. During this time, Voegelin published, The Political Religions (Die Politischen Religionen) in which he describes National Socialism as a “political religion”. This thesis will delve into the conceptualization of …

Voices In My Head: An Improvisers Approach To Becky Mode’S Fully Committed, Drew Stroud

University of New Orleans Theses and Dissertations

The following thesis will focus on improvisational theatre and its importance in my overall process in the creation of Becky Mode’s Fully Committed. I will explain my previous knowledge and theories that I brought to the University of New Orleans and run in tandem with the techniques and discoveries I learned during the process of my Master of Fine Arts, both in the classroom and on the stage. Fully Committed was performed in the Robert E. Nims Studio Theatre September 23^rd, 24^th, 25^th, 28^th, 29^th, 30^th, and October …

"The Freedom To Express Yourself": The National Park Service And The African Diasporic Roots Of Black Dance In New Orleans, Ariel D. Roy

University of New Orleans Theses and Dissertations

In partnership with the New Orleans Jazz National Historical Park, my project entitled “African Dance in New Orleans: The Roots of Black New Orleans Dance” exhibit will focus on the African diasporic roots of Black traditional dance practices within New Orleans’ African American community. This project aims to diversify the public and political expressions of Black dance in New Orleans. It argues that the study of dance forms and practices uncovers narratives and fragments of African and African American cultural history in New Orleans that are impossible to glean from other sources. This thesis will support three modes of African …

Perceptions Of Sub-Saharan African International Students In United States: Mental Health Concerns And Help-Seeking Behavior, Adekemi L. Ekanoye

University of New Orleans Theses and Dissertations

International students face a lot of challenges while studying abroad, with or without the supportive system that their families provide. Sub-Saharan Africa international students consists of 3.7 percent of the population, which indicates a 2.1 percent increase prior to previous year. While in the host country, this population is saddled with the self-responsibilities of maintaining their values, cultural identities, personality, language ability, self-perceptions, and attitudes. African international students adopt a masking behavior in the form of adaptive strategies that could hide the mental health concerns experienced.

The purpose of this constructivist grounded theory study was to explore the untold lived …

Shifting Images: Film And Historical Legacy Of Malcolm X, 1959-2021, Kristina M. Smith

University of New Orleans Theses and Dissertations

Malcolm X, born Malcolm Little and died el-Hajj Malik el-Shabazz, left an indelible mark on the American consciousness. Between 1952 and 1964, Malcolm X earned renown as a minister for the Nation of Islam under the guidance of the Honorable Elijah Muhammad. The first film appearance of Malcolm X himself was in the 1959 documentary The Hate That Hate Produced, a film that sent both Malcolm and the Nation of Islam onto the national, and eventually international, stage. The next attempt to immortalize the man in film would be after his death, in 1972’s Malcolm X, a documentary based on …

A Pelican's Journey To Flight: A Louisiana National Guardsman, The Development Of The United States Army Air Service, And The Human Cost Of Military Innovation, James H. Smith

University of New Orleans Theses and Dissertations

George E. Dicks deployed to the Mexican Punitive Expedition and World War I with the Louisiana National Guard. He recorded his experience in writing and photography, which reside in the Jackson Barracks Military Museum in Chalmette, Louisiana. His memorabilia reflect an officer’s perspective on early military aviation and parallel to the United States military’s experimentation with aviation. Through experimentation, Dicks became an aerial observer in World War I.

This thesis explores George E. Dicks’ memorabilia and how it both represents the development of the American Air Service and the human cost of military aviation with photographic evidence. By representing aviation’s …

U.S. Hegemonic Control In Latin America: The 1973 Coup In Chile, Seth Wilbur

University of New Orleans Theses and Dissertations

On September 11, 1973, the Chilean armed forces staged a coup d’état against their democratically elected and first socialist president, Salvador Allende. The coup ended in Allende’s death and seventeen years of military dictatorship under the auspices of General Augusto Pinochet. Although seemingly a domestic affair, the United States executive branch under the leadership of President Richard Nixon played a significant role in facilitating the coup and it is unlikely the coup would have occurred without U.S. support. While contemporary sources still point to American fears over communist incursion in the western hemisphere as the principal reason for U.S. involvement …

Girlhood And Engendered Alienation In The Heart Is A Lonely Hunter And A Tree Grows In Brooklyn, Lauren C. Dolese

University of New Orleans Theses and Dissertations

Utilizing a girls’ studies perspective and materialist feminist lens, this paper seeks to put Carson McCullers’ The Heart is a Lonely Hunter (1940) in conversation with Betty Smith’s A Tree Grows in Brooklyn (1943). Besides being published in the early 1940s, both works feature young girls navigating class struggles, exploring their identities, and struggling against dominant ideologies specific to their time and place. McCullers’ and Smith’s novels depict how a patriarchal, capitalist society imposes upon young women a narrow, misogynistic view of themselves and the women around them—facilitating the social reproduction of oppression and alienation. In depicting these realities of …

Static Evolution, Leah R. Scantlen

University of New Orleans Theses and Dissertations

In Justin Maxwell's theatrical works, the stasis and stagnation of central characters are importantly made materially evident through costuming. For instance, in the play, Marie Antoinette's Head, the stagnation of civilization and society is explored while time zigzags over two thousand years. The movement of time and epochs is told through a colorful array of costumes, also indicating the growth and evolution of characters in each period. The protagonist, Leonardo, however, remains stuck in 1793. In another of Maxwell's works, the one-man, one-act play Exhausted Paint, the painter Vincent Van Gogh experiences a similar inert characterization. In both …

Supernova, Prinsey M. Walker

University of New Orleans Thesis Films

Film making is the one of the only creative outlets that has the ability to encompass the past, present, and future. Supernova, specifically is a piece that is a reflection of the black community. The story is an analysis of the family structure, privilege, and colorism. Beyond the audience's interpretation of the story, film making is a gateway to spiritual enlightenment of the inner soul for artists. The product upon completion may not be critically acclaimed. However, it is the take away as an artist that has the most meaning for passion projects.

The Use Of Native American Literature For Teaching Native American History, Charles Democker

Senior Honors Theses

hite historians, schools, and writers have produced works that teach inaccurate and biased subjects that surround Native American history and culture. While most of this inaccurate and racist writing comes from the nineteenth and twentieth centuries, Indigenous authors, both past and present, have written works that have the potential to give more historically accurate and thorough representations of their people and culture. This thesis examines three novels written by Indigenous authors to argue for using Native American fiction to correct misrepresentation of Native culture by white writers. In contrast to both novels and histories written by white people, Native American …

An Exploration Of Bengali Identity With Material And Visual Artifacts Through Painting, Farah Billah

University of New Orleans Theses and Dissertations

Painting is and always has been, at its root, an exploration of identity for me. My current collection of work explores the stripping of Eurocentric beauty standards and presentation of the divine of the Brown Body to reveal my version of the human spirit. My drawings, paintings, and a hand-tufted rug all made with a surreal, colorful representation of the coming together of body and mind.

Crimp, Sanchavis Torns

University of New Orleans Theses and Dissertations

Throughout this submission, I look into the stigma of not dealing with mental health amongst black men and the surreal consequences of not actively maintaining it as a rock climber prepares for a climb that triggered a panic attack in him.

'The Street Scene Prologue': Holocaust Survivors, The American Nazi Party, And Exodus, Jason Van

University of New Orleans Theses and Dissertations

During the early 1960s when the American Civil Rights movement was beginning to gain momentum, another movement across the world was taking place to solidify the newly formed country of Israel as a sovereign state. To commemorate the foundation of Israel, American director Otto Preminger created the film Exodus, adapted from a book of the same name by Leon Uris. George Lincoln Rockwell, leader of the American Nazi Party, decided to take action by traveling throughout the country with his closest members to protest the film. Rockwell and his group of Nazis were outraged by the pro-Zionist depictions and the …

Rituals Of Belonging, Trecha G. Jheneall

University of New Orleans Theses and Dissertations

This ensemble is a (geo)autobiographical affirmation of the activities of water bodies, fiberboard drum barrel containers, and sound as well as their attendant rituals of belonging amongst People of Sub-Saharan African descent, particularly those belonging to the Caribbean diaspora.

Water as an ever-present life source serves as a dynamic metaphor for Caribbean people’s instinctive travel in and outside of the region’s soluble boundaries. The barrel container, often in transit analogizes the apprehension of displacement, congregation, arrival, or destination towards the desired feeling of security or place.

Elements of ritualistic practices located in migratory movement, music and labor are means of …

Puppy, Cesar Henrique Gelli Ramos

University of New Orleans Theses and Dissertations

Throughout this submission, I will discuss the overall process of creating my short thesis film, Puppy. An overall summary of my production approach and a detailed account of the specifics of how each production element occurred will also be provided along with visuals from the set. I will also discuss my education and experiences from my time at the University of New Orleans.

Creating Controversy: An In-Depth Look At The Creation Of Redux, Alexandria Miles

University of New Orleans Theses and Dissertations

The following thesis will provide a detailed account of the process by which Redux, a devised play produced by The Radical Buffoons, was created. I will explain how I developed various original characters as well as the acting choices I made along the way. I will shed light on the social climate that inspired this piece and the historical implications that influenced our work. Redux was performed on January 28^th, 30^th, 31^st, and February 4^th, 6^th, and 7^th of 2022 at The Hotel Peter Paul in New Orleans, Louisiana.

Directing A Contemporary Deconstruction Of A Chekhov Play, Margaret Anne Tonra

University of New Orleans Theses and Dissertations

When examining Stupid Fucking Bird, it is important to recognize that it is a deconstructed adaptation of Chekhov’s The Seagull. Aaron Posner’s, Stupid Fucking Bird, shakes up Chekhov’s old form with something new and, perhaps, more relevant than its original form. The thesis includes a detailed analysis of the production process and post-production analysis of Stupid Fucking Bird written by Aaron Posner and directed by Margaret Tonra at UNO, October 2021-February 2022.