Arts and Humanities Commons^™

KāRawāN, 1348-01-06, 1969-03-26, Abdul Haq Waleh, SạBahuddin̄ Kushkakī

Kārawān

The volume and issue of this edition is Kārawān, v. 2, no. 155.

The numbers in the title refer to the date of the edition, with the first set of numbers representing the Persian calendar and the second set of numbers representing the date in the Gregorian calendar.

Editor: 1969- Abdul Haq Waleh.

Title transliterated into English : Caravan.

Duwahum kal̄, Yawselu pinza pinzusuma ganạh [vol. 2, no. 155] (Hamal. 6, 1348 [March 26, 1969]).

Radically Feminist Or Monstrously Feminine?: Witches And Goddesses In Guadagnino's Suspiria (2018), Lindsay Macumber

Journal of Religion & Film

Guadagnino’s 2018 remake of Suspiria explicitly and implicitly incorporates two connected myths, witchcraft and goddess centered matriarchal prehistory. The fact that each of these myths have been claimed by feminists in myriad ways may explain Guadagnino’s claim that Suspiria is a great feminist film that escapes the male gaze. In this article, I argue that Guadagnino’s representation of these myths lays bare their misogynistic origins and perpetuates, rather than subverts, patriarchal power structures.

In The Land Of Brothers, John C. Lyden

Journal of Religion & Film

This is a film review of In the Land of Brothers (2024), directed by Raha Amirfazli and Alireza Ghasemi.

Lee, Sherry Coman

Journal of Religion & Film

This is a film review of Lee (2023) directed by Ellen Kuras.

Reframing Space: Religion, History, And Memory In The Early Documentary Film Of The Yugoslav Space, Milja Radovic

Journal of Religion & Film

This paper examines cinematic representations of religion and religious communities in the early cinema of the Yugoslav space. This paper introduces the readers to the rich heritage of the cinema of the Yugoslav space by providing 1) the first study of the representations of religion and the concepts of faith in the early film, and 2) novel approaches in reading religion and history through film. Film is used as a primary rather than supplementary source in historical research on diverse religious and ethnic communities in this part of the Balkan Peninsula. This is the first study that investigates the importance, …

From Cornrow To Hedgerow: The Nebraska National Guard In Peace And War, 1919-1945, Nicholas Andrew Tuma

History Theses, Dissertations, and Student Creative Activity

This thesis examines the Nebraska National Guard from 1919-1945 and demonstrates how interactions between the troops and their communities were effectively leveraged by Guardsmen to increase the morale of their soldiers in peacetime as well as wartime. The thesis consists of an introduction, five chapters, and a conclusion. The introduction contextualizes the Nebraska National Guard in U.S. military policy and the reasons for its reorganization after World War I. Chapter one describes the reorganization and structure of the Nebraska National Guard. Chapter two examines the Nebraska National Guard in its communities: its personnel; how they were involved in their communities …

Humanizing History: Applying Media Storytelling To Lived Experiences, Benjamin Goeser

Theses/Capstones/Creative Projects

This creative project explores the tendency of individuals to avoid or alter deemed unfavorable, unflattering, or simply humiliating traits or actions in their written and spoken personal stories. Such choices come from fear and pressure to present oneself in a more perfected state for others to “like” rather than a human state for audiences to relate to and learn from. Through a series of written personal accounts to air on UNO’s college radio station and website MavRadio.FM, the project brings attention to habits of human nature more likely to remain unspoken. The goal is to encourage the sharing of …

Żółty Dom: A Digital Archive Of A Grandmother’S Legacy, Hailey Stessman

Theses/Capstones/Creative Projects

Archives, as separate entities and as a practice, have been used as a means to preserve and conserve pieces of history across a range of subjects. Physical artifacts, personal photography, or important classified documents may be included within these capsules of the past. Prolific individuals have had their lives collected, organized, and stored away in such minute detail for the ease and accessibility of public use. Not only does the precise organization aid easy research, but it also lends to the art of storytelling. One can trace an individual’s legacy from their childhood to their final breath by exploring their …

Bagdad On Fire, John C. Lyden

Journal of Religion & Film

This is a film review of Bagdad on Fire (2023), directed by Karrar Al-Azzawi.

Joonam, John C. Lyden

Journal of Religion & Film

This is a film review of Joonam (2023), directed by Sierra Urich.

Bombay Cinema’S Islamicate Histories, Amanda Lanzillo

Journal of Religion & Film

This is a book review of Ira Bhaskar and Richard Allen, eds., Bombay Cinema’s Islamicate Histories (Intellect Ltd, 2022).

Biblical Boogeymen, Holy Ghosts, And The New Demonology: A Review Of Three Recent Books On Religion And Horror, Brian Collins

Journal of Religion & Film

This is a book review essay on three books: Brandon R. Grafius, Reading the Bible with Horror (Rowman & Littlefield, 2019); Brandon R. Grafius and John Morehead, eds., Theology and Horror: Explorations of the Dark Religious Imagination (Fortress Academic/Lexington, 2021); and Steve A. Wiggins, Nightmares with the Bible: The Good Book and Cinematic Demons (Fortress Academic/Lexington, 2020).

Life In The Multiverse: Bringing Chaos Out Of Order?, John C. Lyden

Journal of Religion & Film

This paper was given as the opening keynote address at the International Conference on Religion and Film at Vrije Universiteit, Amsterdam, the Netherlands, on June 8, 2022, and is here presented in that form.

My thanks go to those who organized the conference for Vrije Universiteit, notably Professor Johan Roeland and Miranda van Holland.

Transforming Leviathan: Job, Hobbes, Zvyagintsev And Philosophical Progression, Graham C. Goff

Journal of Religion & Film

The allegory of Leviathan, the biblical serpent of the seas, has undergone numerous distinct and even antithetical conceptions since its origin in the book of Job. Most prominently, Leviathan was the namesake of Thomas Hobbes’s 1651 political treatise and Andrey Zvyagintsev’s 2014 film of the same name, a damning indictment of Russian corruption. These three iterations underscore the societal transition from the recognition of power as being derived from God to the secularization of power in Hobbes’s philosophy, to the negation of the legitimacy of divine and secular institutional power, in Zvyagintsev’s controversial film. This examination of Leviathan’s three unique …

Gender, Race, And Religion In An African Enlightenment, Jonathan D. Lyonhart

Journal of Religion & Film

Black Panther (2018) not only heralded a new future for representation in big-budget films but also gave an alternative vision of the past, one which recasts the Enlightenment within an African context. By going through its technological enlightenment in isolation from Western ideals and dominance, Wakanda opens a space for reflecting on alternate ways progress can—and still might—unfold. More specifically, this alternative history creates room for reimagining how modernity—with its myriad social, scientific, and religious paradigm shifts—could have negotiated questions of race, and, in turn, how race could have informed and redirected some of the lesser impulses of modernity. Similar …

Tantura, Sheila J. Nayar

Journal of Religion & Film

This is a film review of Tantura (2022), directed by Alon Schwarz.

The Queer Omaha Archives: The First 5 Years, Amy C. Schindler

Criss Library Faculty Proceedings & Presentations

Kick-off LGBTQ+ History Month by learning more about Nebraska’s LGBTQ+ history and how archivists and librarians are preserving and sharing the past today. Presentation for the NCompass Live, a program of the Nebraska Library Commission. The Queer Omaha Archives in UNO Libraries’ Archives and Special Collections launched in 2016 as the first dedicated LGBTQ+ archival and book collection in Nebraska. In the collecting initiative’s first 5 years it has grown to over 80 cubic feet and 3 GB of personal papers and organizational records, 50 oral history interviews, and 3,000 books. In this session, you will be introduced to some …

The King With The Vīṇā Flag – Perspectives Of Rāvaṇa In Film, Achintya Prahlad

Journal of Religion & Film

Rāvaṇa, the ten-headed Rākṣasa (‘demon’) king of the epic the Rāmāyaṇa, is the most fascinating of all the antagonists in films based on Hindu mythology, so powerful that even the Sun cannot rise without his orders, and celebrated as an unparalleled musician-scholar and great devotee of the god Śiva. His passion for the vīṇā, a string instrument with divine associations, is so great that this instrument adorns his royal flag as its emblem. His consciousness of his supreme powers and great knowledge soon gives way to ahaṅkāra (hubris) and lust, which leads to his eventual downfall and death at the …

Reframing The Sacred: Valkyrie And The Basis Of Resistance, William S. Skiles

Journal of Religion & Film

The film Valkyrie (2008) is a thriller that explores the religious basis of the July 20, 1944 plot to assassinate Adolf Hitler in the last year of the Second World War. While the political motivations are clearly stated in exposition and dialogue, the religious motivations are shown through a series of images, symbols, and dramatic uses of the word “sacred” (heilig and its derivatives). The filmmakers focus on Colonel von Stauffenberg’s struggle against the Nazi conception of the sacred, revealing his Christian sense of the sacred as a basis for his resistance. The religious elements in the film provide …

Frederick Wiseman's Essene (1972): The Duality Of Mary And Martha, Nilita Vachani

Journal of Religion & Film

America’s legendary documentary filmmaker Frederick Wiseman shot Essene 50 years ago at the height of the commune movement in the United States. Unlike his previous institutional films which showcase an insane asylum, a public high school, an inner city police force, a hospital, and a military training school, Essene's canvas is the far less turbulent terrain of a serene and austere Benedictine monastery devoted to the love and service of God and the divine spirit. This paper undertakes a close textual and hermeneutic analysis of Essene alongside an appraisal of Wiseman’s working methodology, his cinematic portrayals of character and dramaturgy, …

Where Is Anne Frank, Ken Derry

Journal of Religion & Film

This is a film review of Where Is Anne Frank (2021) directed by Ari Folman.

Who We Are: A Chronicle Of Racism In America, John C. Lyden

Journal of Religion & Film

This is a film review of Who We Are: A Chronicle of Racism in America (2021), directed by Emily Kunstler.

Izaokas (Isaac), William L. Blizek

Journal of Religion & Film

This is a film review of Izaokas (Isaac), directed by Jurgis Matulevicius.

The Return: Life After Isis, John C. Lyden

Journal of Religion & Film

This is a film review of The Return: Life After ISIS (2021), directed by Alba Sotorra Clua.

Revising Mary Queen Of Scots: From Protestant Persecution To Patriarchal Struggle, Jennifer M. Desilva, Emily K. Mcguire

Journal of Religion & Film

Since Mary Queen of Scots’ execution in 1587, she has become a symbol of Scottish identity, failed female leadership, and Catholic martyrdom. Throughout the twentieth century, Mary was regularly depicted on screen (Ford, 1936; Froelich, 1940; Jarrott, 1971) as a thrice-wed Catholic queen, unable to rule her country due to her feminine nature and Catholic roots. However, with the rise of third wave feminism and postfeminism in media, coupled with the increased influence of female directors and writers, Mary’s characterization has shifted from portraying female/emotional weakness and religious sacrifice to female/collaborative strength in hardship and a struggle against patriarchal prejudice. …

No Riddle But Time: Historical Consciousness In Two Islamicate Films, David Sander

Journal of Religion & Film

This article explores ways in which film expresses “internal history” in the context of Muslim cultures. As such, it enquires how film can work as both Islamic art and historical contemplation. The films discussed here, Nacer Khemir’s Wanderers in the Desert and Muhammad Rasoulof’s Iron Island, inhabit and explore the borderline between imagination and reality. The films in question offer an imaginal interspace between “modern” and “traditional” worlds. As such they open up critical perspectives on the meaning of history. What follows is a discussion of how each film offers a window onto differing perceptions of time, and what …

Apocalypse And Eschatology In John Ford's The Grapes Of Wrath (1940), Nancy Wright

Journal of Religion & Film

John Ford’s The Grapes of Wrath (1940) visualizes conventions of the apocalypse genre to represent not simply a particular historical setting, the Great Depression, but also a vision of history to be interpreted in terms of eschatology. Expressionistic photography transforms the characters’ experiences into enigmatic visions that invite and guide interpretation. A comparison of montage sequences in Ford’s The Grapes of Wrath and Pare Lorentz’s The Plow That Broke The Plains (1936), a Farm Security Administration documentary, clarifies how Ford’s narrative film aligns spectators within and outside the mise-en-scène.

Yalda, A Night For Forgiveness, John C. Lyden

Journal of Religion & Film

This is a film review of Yalda, A Night for Forgiveness (2019) directed by Massoud Bakhshi.

A Hidden Life, Sherry Coman

Journal of Religion & Film

This is a film review of A Hidden Life (2019), directed by Terrence Malick.

Religion And Culture In Inherit The Wind, Zachary Sheldon

Journal of Religion & Film

Stanley Kramer’s Inherit the Wind (1960) has long been considered a classic for its indictment of McCarthyism as allegorized in a dramatic treatment of the Scopes Monkey Trial. But for all its political messaging, the film is also patently up front in its treatment of religious perspectives on culture. The presence of such material may be read allegorically but may also be read in connection with the period of the film’s production, as a statement piece on religious perspectives of media such as film. This article examines the religious messaging in Inherit the Wind in conjunction with religious perspectives of …