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Full-Text Articles in Arts and Humanities

Field Guide To A Hybrid Landscape, Dana Fritz, Katie Anania, Rebecca Buller, Rose-Marie Muzika, Salvador Lindquist Jan 2023

Field Guide To A Hybrid Landscape, Dana Fritz, Katie Anania, Rebecca Buller, Rose-Marie Muzika, Salvador Lindquist

School of Art, Art History, and Design: Faculty Publications and Creative Activity

In Field Guide to a Hybrid Landscape Dana Fritz traces the evolution of the Bessey Ranger District and Nursery of the Nebraska National Forest and Grasslands. Fritz’s contemporary photographs of this unique ecosystem, with provocative environmental essays, maps, and historical photographs from the U.S. Forest Service archives, illuminate the complex environmental and natural history of the site, especially as it relates to built environments, land use, and climate change.

The Nebraska National Forest at Halsey, as it is known colloquially, is the largest hand-planted forest in the Western Hemisphere, and formerly in the world. This hybrid landscape of a conifer …


Https://Dot.Nebraska.Gov/Media/4yaemfil/M100-Nebraska-Buried-Archeological-Sites-Phase-Ii.Pdf, Anthony L. Layzell, Rolfe D. Mandel, Courtney L. Ziska, John R. Bozell Sep 2021

Https://Dot.Nebraska.Gov/Media/4yaemfil/M100-Nebraska-Buried-Archeological-Sites-Phase-Ii.Pdf, Anthony L. Layzell, Rolfe D. Mandel, Courtney L. Ziska, John R. Bozell

Nebraska Department of Transportation: Research Reports

This project developed a GIS to assist with the identification of deeply buried archeological sites in alluvial settings across Nebraska with the exception of the Sandhills region. Soil survey data, previous geoarcheological investigations, landform position, and other information was used to rank the potential of any stream valley setting as low, low-moderate, moderate-high, or high potential to contain buried soils (paleosols). While the presence of buried soils does not necessarily translate to presence of buried archeological sites, the potential for such sites is far greater in paleosols. The GIS can be used by NDOT and other agencies with statutory historic …


An Engineer Cantonment Bestiary: The Art Of Titian Ramsay Peale, Hugh H. Genoways, Thomas E. Labedz Jan 2018

An Engineer Cantonment Bestiary: The Art Of Titian Ramsay Peale, Hugh H. Genoways, Thomas E. Labedz

University of Nebraska State Museum: Mammalogy Papers

Includes an overview of the work of American nature artist Titian Ramsay Peale as part of the Stephen H. Long Expedition, 1819-1820, at Engineer Cantonment in eastern Nebraska, USA.

Includes textual descriptions and/or reproductions of watercolors and lined drawings by Peale of banded killifish (Fundulus diaphanous), American White Pelican (Pelecanus erythrothynchos), Wood Duck (Aix sponsa), Rough-legged Hawk (Buteo lagopus/Falco lagopus), Sandhill Crane (Grus canadensis tabida), Pectoral Sandpiper (Calidris melanotos), Scarlet Tanager (Piranga olivacea), American Tree Sparrow (Spizella arborea), Yellow-headed Blackbird (Xanthocephalus …


Prairie Skin: A Quilted Shelter, Elizabeth Ingraham Dr. Jan 2015

Prairie Skin: A Quilted Shelter, Elizabeth Ingraham Dr.

School of Art, Art History, and Design: Faculty Publications and Creative Activity

Mapping Nebraska is a drawn, stitched and digitally imaged cartography (physical, social, cultural, sociological) of that state. This nine-year project, now in the permanent collection of the International Quilt Museum, includes a hand-drawn Locator Map, quilted and embroidered Terrain Squares, on-the-ground documentation or Surveys, and Ground Cloths, mixed mixed media textile constructions which respond to a particular location in a more intuitive and imaginative way.

In this public talk at the International Quilt Museum I give a visual overview of my development of the fourth component of Mapping Nebraska—a large-scale textile construction, titled Prairie Skin, designed to wrap a human …


Many Worlds Converge Here: Vision And Identity In American Indian Photography, Alicia L. Harris May 2013

Many Worlds Converge Here: Vision And Identity In American Indian Photography, Alicia L. Harris

School of Art, Art History, and Design: Theses and Student Creative Work

Photographs of Native Americans taken by Frank A. Rinehart at the Trans-Mississippi and International Exposition in 1898 were then and continue to be part of the construction of indigenous identities, both by Anglo-Americans and Natives. This thesis analyzes the ramifications of Rinehart’s portraits and those of his peers as well as Native American artists in the 20th and 21st centuries who have sought to re-appropriate these images to make them empowering icons of individual or tribal identity rather than erasure of culture.

This thesis comprises two sections. In the first section, the analysis is focused on the historical …