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Articles 1 - 12 of 12
Full-Text Articles in Arts and Humanities
When Leaders Surrender Their Divine Lineage: The Loss Of Cosmic Connection Between Maya Local Lords And Their Supernatural Deities, Amy S. Peterson
When Leaders Surrender Their Divine Lineage: The Loss Of Cosmic Connection Between Maya Local Lords And Their Supernatural Deities, Amy S. Peterson
Anthropology Department: Theses
The Maya who lived during the Classic Period (200 CE to 900 CE) went through many changes in their daily lives. In the Late Classic Period (600 to 900 CE), social, political and economic stressors caused even more change to their routines, leading to the “collapse” around 800-900 CE. Current hypotheses for this collapse included warfare, environmental factors, human degradation of landscapes, as well as internal and external influences. I hypothesize that in the Early Classic (200 to 600 CE), rulership of local communities by Maya lords, or ajawob, related mainly to their connection to a pantheon of supernatural …
Contextualizing A Maya Collection From Alta Verapaz, Guatemala, At The University Of Ghent, Belgium, Julia Montoya
Contextualizing A Maya Collection From Alta Verapaz, Guatemala, At The University Of Ghent, Belgium, Julia Montoya
Zea E-Books Collection
The aim of the present study is to contextualize a collection of Maya artifacts that have been kept for 125 years at the University of Ghent, in Belgium. The objects came from one of the first archaeological excavations carried out in Guatemala, between 1880 and 1900. The collection includes 130 pottery pieces, 64 jadeite pieces, 24 stone objects (serpentine, silex, and other stones), and 52 obsidian pieces. The study started in 2016, with the identification and location of the provenance site, which was visited in 2017. The phases of documentation and photographic registration of the objects were completed in 2019. …
Congreso Internacional Sobre Iconografía Precolombina, Barcelona 2019. Actas., Victòria Solanilla Demestre Editora
Congreso Internacional Sobre Iconografía Precolombina, Barcelona 2019. Actas., Victòria Solanilla Demestre Editora
Zea E-Books Collection
Victòria Solanilla Demestre, Introducción Actas Congreso • Melissa Mattioli, The Ramey Incised Pottery of Cahokia (IL) USA: Diffusion and Reinterpretation of its Iconographic Message • Luís Abejez y Cristina Corona Jamaica, Iconografía en el paisaje. Vida cotidiana y prácticas sociales en el arte rupestre en el noreste de México • Patricia Ochoa Castillo, Figurillas masculinas con atributos de rango, del Centro de México, durante el Formativo • Anabel Villalonga Gordaliza, Ancestros, nahuales y hombres (I). Las host figurines teotihuacanas: hacia una definición, caracterización tipológica y acercamiento iconográfico • Marina Valls i García, Vida y Sacrificio: Los nueve rituales para la …
The Ramey Incised Pottery Of Cahokia (Il) Usa: Diffusion And Reinterpretation Of Its Iconographic Message, Melissa Mattioli
The Ramey Incised Pottery Of Cahokia (Il) Usa: Diffusion And Reinterpretation Of Its Iconographic Message, Melissa Mattioli
Congreso internacional sobre iconografía precolombina, Barcelona 2019. Actas.
Una interpretación iconográfica adaptada y adoptada por toda la zona Mississippiana. Cahokia es el asentamiento más antiguo y más grande en la América del Norte precolombina. Situado a pocos kilómetros de la actual ciudad de St. Louis, MO (USA), este sitio arqueológico se convirtió en el mayor asentamiento Mississippiano desde la mitad del siglo XI hasta su abandono, al final del siglo XIV. El modelo cosmológico Mississippiano, trasmitido a través de la iconografía de la cerámica Ramey Incised, generalmente está relacionado con los mundos superior e inferior. Tradicionalmente, se reconoce que la presencia de la cosmógrafia de estilo Cahokiano fuera …
Oficiantes Mochica Medio En San José De Moro: El Sacerdote Lechuza Y La Sacerdotisa, Karim Ruiz Rosell
Oficiantes Mochica Medio En San José De Moro: El Sacerdote Lechuza Y La Sacerdotisa, Karim Ruiz Rosell
Congreso internacional sobre iconografía precolombina, Barcelona 2019. Actas.
Las tumbas Mochica Medio de El Sacerdote Lechuza y La Sacerdotisa de San José de Moro (SJM) esbozan una identidad individual particular y relacionan a los individuos enterrados con una élite ceremonial en la que habrían desempeñado funciones de oficiantes adscritas a los rituales en los que dichos personajes aparecen en la iconografía. Por un lado, la tumba del Sacerdote Lechuza, llena de alusiones iconográficas a la lechuza (metales y cerámica) que remiten a la figura del Sacerdote Lechuza; por otro lado, la tumba de la Sacerdotisa, con varios elementos del “Tema de la Presentación” tallados en concha …
The Fabric Of Gifts: Culture And Politics Of Giving And Exchange In Archaic Greece, Beate Wagner-Hasel
The Fabric Of Gifts: Culture And Politics Of Giving And Exchange In Archaic Greece, Beate Wagner-Hasel
Zea E-Books Collection
When the Greek leader Agamemnon took for himself the woman awarded to Achilles as his spoils of battle, the warrior’s resulting anger and outrage nearly cost his side the war. Beyond the woman herself was what she symbolised — a matter of esteem rather than material value. In Archaic Greece the practices of gift giving existed alongside an economy of market relations. The value of gifts and the meanings of exchange in ancient societies are fundamental to the debates of 19th-century economists, to Marcel Mauss’s famous Essai sur le don (1923-4), and to the definition of experiential value by modern …
Ancient Peruvian Textiles In The Vatican Museums And Their Link To The Musée Du Trocadéro Collections, Jean-François Genotte
Ancient Peruvian Textiles In The Vatican Museums And Their Link To The Musée Du Trocadéro Collections, Jean-François Genotte
PreColumbian Textile Conference VIII / Jornadas de Textiles PreColombinos VIII (2019)
The Vatican Museums keep a small collection of about sixty textile fragments mostly Lambayeque, Chimu and Chancay dating back to Late Intermediate Period. Unfortunately, the archaeological provenance of these items is not known. This paper offers a first overview of the history of the collection, describing its contents and, in more details, its most interesting fabrics. We will then suggest that some fragments of the Vatican collection might have been part of textiles once kept in the Musée du Trocadéro, and nowadays preserved in the Quai Branly Museum in Paris.
Los Museos del Vaticano conservan una pequeña colección de unos …
Recontextualizando El Patrimonio Arqueológico: Los Textiles Paracas Descubiertos Por Engel En Cabezas Largas, Jessica Lévy Contreras
Recontextualizando El Patrimonio Arqueológico: Los Textiles Paracas Descubiertos Por Engel En Cabezas Largas, Jessica Lévy Contreras
PreColumbian Textile Conference VIII / Jornadas de Textiles PreColombinos VIII (2019)
Resumen El archivo de Frédéric Engel, arqueólogo suizo quien trabajó en la costa sur del Perú entre los años 1950 y 1960, representa un patrimonio documental importante conservado en el Museo Nacional de Antropología, Biodiversidad, Agricultura y Alimentación (MUNABA) de la Universidad Nacional Agraria La Molina en Lima. Gracias a la revisión de los registros gráficos y fotográficos de las excavaciones realizadas en Cabezas Largas, sitio ubicado en la Península de Paracas, y particularmente de los materiales hallados en la tumba T.27, este artículo presenta los principales textiles asociados a la parafernalia ritual de siete fardos funerarios para tratar de …
Frontmatter For Egyptian Textiles And Their Production: ‘Word’ And ‘Object’. (Hellenistic, Roman And Byzantine Periods), Maria Mossakowska-Gaubert
Frontmatter For Egyptian Textiles And Their Production: ‘Word’ And ‘Object’. (Hellenistic, Roman And Byzantine Periods), Maria Mossakowska-Gaubert
Egyptian Textiles and Their Production: ‘Word’ and ‘Object’
Covers
Dedication
Contents
Introduction by Maria Mossakowska-Gaubert
Contributors
Egyptian Textiles And Their Production: ‘Word’ And ‘Object’, Maria Mossakowska-Gaubert
Egyptian Textiles And Their Production: ‘Word’ And ‘Object’, Maria Mossakowska-Gaubert
Zea E-Books Collection
This volume presents the results of a workshop that took place on 24 November 2017 at the Centre for Textile Research (CTR), University of Copenhagen. The event was organised within the framework of the MONTEX project—a Marie Skłodowska-Curie individual fellowship conducted by Maria Mossakowska-Gaubert in collaboration with the Contextes et Mobiliers programme of the French Institute for Oriental Archaeology in Cairo (IFAO), and with support from the Institut français du Danemark and the Alexander von Humboldt Foundation. Twelve essays are arranged in 4 sections: I. Weaving looms: texts, images, remains; II. Technology of weaving: study cases; III. Dyeing: terminology and …
Many Makers: Collaborative Renewal Of Chahta Nan Tvnna (Choctaw Textiles), Jennifer Byram
Many Makers: Collaborative Renewal Of Chahta Nan Tvnna (Choctaw Textiles), Jennifer Byram
Textile Society of America Symposium Proceedings
Using an Indigenous research model of relationality to community and to land, this paper presents the production of a 1700’s style skirt in bison and dogbane fiber by a group of Choctaw textiles artisans. By translating existing archaeological and textual resources into newly produced garments, these practices communicate the research to the Choctaw community in an accessible and inspiring format. Textiles discussed in this paper are made with twining and oblique interlacing techniques using dogbane, bison, and nettle yarns decorated with natural dyes, pigments, or shells. Members of the Choctaw Nation of Oklahoma revitalized a traditional art that had been …
Transformative Power Of Stitchery: Sashiko From Cold Regions Of Japan And Embroidery Work Of The Nui Project, Yoshiko Iwamoto Wada
Transformative Power Of Stitchery: Sashiko From Cold Regions Of Japan And Embroidery Work Of The Nui Project, Yoshiko Iwamoto Wada
Textile Society of America Symposium Proceedings
This paper seeks to reveal the transformative power of stitchery by examining textile practices in Japan and articulating how a threaded needle can be viewed as the co-agent of stitchers, infusing their materials with properties in a “processual” and relational manner that reflects the currents of their lifeworld.[1] I will contrast and compare two practices, one ancient and one modern, one responding to life’s necessities and the other simply to the act of stitching. In the ancient world, stitchery was essential for human survival, and later in rural Japan, sashiko stitchery was a medium that connected textiles with daily …