Arts and Humanities Commons^™

Is This What You Wanted?: Expectations, Choice, And Rhetorical Agency In Composition, Caitlin Leibman

Department of English: Dissertations, Theses, and Student Research

Choices are a given in rhetorical education, but composition has not given enough attention to the relationship between choices and students’ experiences of rhetorical agency. This dissertation uses expectations as an entry point and choices as a unit of analysis to explore how students navigate and understand their decision-making processes during a single composition project. Drawing from activity theory, this study analyzes classroom data including drafts, author’s notes, and peer response materials as well as student interview data and writing center consultation transcripts. This dynamic approach allows for an exploration of the messiness of the process, creating a portrait of …

Becoming A Fan: Reinventing, Repurposing, And Resisting In First-Year Composition, Keshia Mcclantoc

Department of English: Dissertations, Theses, and Student Research

This thesis explores the cultural and pedagogical potential of the fanfiction community. The practices of recursive peer feedback, reinvention as invention, and production of subversive narratives via repurposing posits the fanfiction community a democratic space where a myriad of identities can react to, interact with, and disseminate information in a productive learning community. During a time when socio-political interactions are so intense, it is necessary that teachers of composition and rhetoric pay attention to learning communities where democratic deliberation is promoted through the production and sharing of writing. Ultimately, this thesis argues that reinvention and repurposing within the fanfiction community …

From Improvisation To Artistry: A Study Of The Piano’S 12 Sides By Carter Pann, Louis Claussen

Glenn Korff School of Music: Dissertations, Theses, and Student Creative Work, and Performance

Intended as a resource for pianists who may analyze or perform Carter Pann’s The Piano’s 12 Sides, this study provides biographical information on the composer and explores his professional relationship with the pianist for whom it was composed, Joel Hastings. Each piece from The Piano’s 12 Sides is discussed in terms of form, melody, harmony, texture and Pann’s approach to the pianistic compositional idiom. The composition is also examined with regard to extra-musical details and programmatic elements as well as inspiration and dedications that influenced Pann’s compositional process.

Correspondence and interviews with the composer reveal the motivation and inspiration behind …