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University of Nebraska - Lincoln

English Language and Literature

2001

Articles 1 - 7 of 7

Full-Text Articles in Arts and Humanities

Intersecting Influences In American Haiku, Thomas Lynch Jun 2001

Intersecting Influences In American Haiku, Thomas Lynch

Department of English: Faculty Publications

In contemporary American haiku poetry we find a convergence of the tradition of the American transcendentalists, especially Emerson, Thoreau, and Whitman, with the Zen-influenced Japanese tradition of haiku composition. This convergence is most obvious in a shared belief in the ability of the poet to see the world anew, and in the desire to efface the subject/object dichotomy between the poet and the natural world. In the work of many North American poets, the transcendental and Zen traditions synthesize to generate a distinctive brand of haiku. Since the mid-1950s, literally thousands of collections of haiku poetry have appeared in the …


Writing The Public Sphere Through Family/Community History, Amy M. Goodburn Apr 2001

Writing The Public Sphere Through Family/Community History, Amy M. Goodburn

Department of English: Faculty Publications

Composition scholars recently have begun to call for a re-imagined role for compositionists as public intellectuals who participate in the public sphere. At the same time compositionists are increasingly advocating writing pedagogies that ask students to investigate and participate in the public sphere—via service learning projects, community-service writing, “real-world” writing for businesses and non-profi t agencies, and so on. Susan Wells, Elizabeth Ervin, Peter Mortensen, and Ellen Cushman all, to varying extents, have argued for compositionists to use their rhetorical expertise in public arenas. Wells, one of the most prominent advocates of writing in the public sphere, describes four ways …


The Ethics Of Students’ Community Writing As Public Text, Amy M. Goodburn Jan 2001

The Ethics Of Students’ Community Writing As Public Text, Amy M. Goodburn

Department of English: Faculty Publications

Th is chapter examines some of the ethical dilemmas I have faced when students make public their writing about community projects. Like many other compositionists (Bacon 1997; Herzberg 1994; Minter et al. 1995; Peck et al. 1995), I value community projects/service learning as a way for students to connect their academic learning with contexts beyond the classroom, and I view students’ writing about their learning in these contexts as critical for help ing them make sense of oftentimes confusing and contradictory experiences. One way that I value this writing in the classroom is by incorporating it as a public text, …


Pockets Of Stones, Thomas Lynch Jan 2001

Pockets Of Stones, Thomas Lynch

Department of English: Faculty Publications

We stand beneath a hard blue bowl, carved and polished turquoise to a flawless sheen. Well no, it's just the sky, because when I turn around, there's the bright autumn sun.

This warm October day the boys and I take the trail towards Dripping Springs, then swing north on the Crawford trail, past the ruins of the Modoc mine and mill. Beyond the mill site, the trail turns east, straight at the sheer walled mountains, passes into a boulder-choked defile and then stops abruptly at a smooth and curved cliff face--damp with a delicate trickle of water. It's a box …


"Every Body Sees The Theft": Fanny Fern And Literary Proprietorship In Antebellum America, Melissa J. Homestead Jan 2001

"Every Body Sees The Theft": Fanny Fern And Literary Proprietorship In Antebellum America, Melissa J. Homestead

Department of English: Faculty Publications

In Walden, Henry David Thoreau complained of what he believed to be the provincial reading habits of his Concord neighbors: "If we will read newspapers, why not skip the gossip of Boston and take the best newspapers in the world at once?- to not be sucking the pap of 'neutral family' papers, or browsing the 'Olive Branches' here in New England.” While Thoreau's own Week on the Concord and Merrinlack Rivers failed to find a national audience, he misreads (or willfully misrepresents) the potential geographic reach of authors who published in the Olive Branch, the weekly paper that …


Introduction To The Great Gatsby (Wordsworth Editions), Guy J. Reynolds Jan 2001

Introduction To The Great Gatsby (Wordsworth Editions), Guy J. Reynolds

Department of English: Faculty Publications

The 'constant flicker' of the American scene

Why is The Great Gatsby such a quintessential twentieth-century novel? After mixed reviews and a slow start in sales, Fitzgerald's 1925 novel has moved to the centre of literary history, to the extent that to many readers this is the modern American novel. Gatsby is widely loved, and has achieved the unusual status of appealing to both that mythical creature the 'Common Reader' and an academic audience. The novel's stature has increased exponentially with age, and it is probably regarded with more fondness and read with greater critical sophistication today than in the …


A Trove Of New Works By Thomas Pynchon? Bomarc Service News Rediscovered, Adrian S. Wisnicki Jan 2001

A Trove Of New Works By Thomas Pynchon? Bomarc Service News Rediscovered, Adrian S. Wisnicki

Department of English: Faculty Publications

Early in 1960, after having graduated from Cornell and while writing V., Thomas Pynchon moved to Seattle and began working for the Boeing Airplane Company. What Pynchon did while working at Boeing has puzzled scholars almost from the moment of the very private author's literary debut. When we try to delve into his stint at Boeing first mentioned by Lewis Nichols and Dick Schaap--we reach dead ends or find conflicting information. Yet Pynchon's time at Boeing is perhaps the most documented period of his life, and over the years a number of interesting (though not always accurate) bits of information …