Arts and Humanities Commons^™

Experimenting With Colors In Music: Making And Breaking Rules In The Butterfly Effect, Chloe King

Honors Theses

The following thesis is a culmination of four years of academic and musical development as a percussionist at the University of Mississippi. It offers a discussion and analysis of my original composition, The Butterfly Effect (2021-2023), exploring the compositional process from preliminary sketches to the finalized score. It also discusses the inspiration for composing an original work, the use of different music theory techniques relevant to an analysis of the work, and comparisons to relevant compositions throughout the history of Western music. The Butterfly Effect experiments with compositional techniques that often depart from established rules of harmony and counterpoint, a …

The History And Development Of Solo Tuba Repertoire, Vasilios Tidwell

Honors Theses

The tuba's solo repertoire increased in quantity and quality as a result of developments in the instrument’s design and usage. Following the invention of the tuba in 1835, instrument makers experimented with design concepts to maximize the versatility and potential of the bass brass voice. Composers explored the various uses of the instrument, eventually making the tuba part of the standard orchestral instrumentation by the mid-nineteenth century. Following the instrument's acceptance into bands and orchestras, the first solo works for tuba emerged in the late nineteenth century.

Evolving from novelty pieces accompanied by wind or brass bands, tuba solo music …

Finding Aid For The Guy Sterling Collection

Archives & Special Collections: Finding Aids

The Guy Sterling Collection contains blues photographs, posters, newsletters, and festival programs, including a number of autographed items.

Finding My Place In The Piazza: An Exploration Of Learning And Performing A Lead Role During A Pandemic, Emma Johnson

Honors Theses

The following thesis is a reflection of one student’s process as she learns a lead role in a musical amidst a global pandemic. The author begins with why she chose to be a performer and what has led her to this moment. She examines how significantly the pandemic has affected the performing arts job sector. The author explores her first exposure to the musical “The Light in the Piazza” and the role of Clara in a scenes program at the university which took place in the spring semester of 2021. The thesis then follows her journey through the abnormal virtual …

Protest Music And Survival In The Basque Country During The Franco Regime, Michael J. Dodick Jr

Honors Theses

This thesis is an examination of the origins of the Basque Nationalist movement that originated in the late nineteenth century, the Spanish Civil War that followed, and how a dictatorial regime damaged a minority autonomous region, the Basque Country. Within this scope, a singular, unique musical and artistic collective contributed efforts in preserving and growing Basque culture, a culture that had been refined to place focus on nationalistic ideals, unifying traditions, Euskera, and the nation of Euskadi. Ez Dok Amairu, the focus of this thesis, was a short-lived artistic group that concentrated on producing art, literature, and music (among other …

Finding Aid For The Guy Sterling Collection (Mum00147)

Archives & Special Collections: Finding Aids

No abstract provided.

Understanding German-Turkish Identity In The Context Of Deutschrap, Alena Tien Vu

Honors Theses

Since its emergence in the 1980s, Deutschrap has been used by German-Turkish rap artists as a medium to reflect their views and identity. What is understood as the German-Turkish identity has been put up for debate as to whether it can be labeled as assimilated, integrated or something else entirely. By doing a close reading and analysis of three songs each from German-Turkish rap artists Alpa Gun, Eko Fresh and Mert, it is found that these three artists can be categorized as Ayhan Kaya’s hybrid-, boundaries-, and flows- transmigrant identity, respectively. This also shows that the German-Turkish identity is not …

On The Nature Of Collaboration, John Walker

Honors Theses

The senior recital is in and of itself a Capstone project in the Department of Music—a culmination of one’s undergraduate years. Preparation of such a program, especially a collaborative recital with a peer, demands much of a voice student’s attention. However, the nature of this preparation is a relative unknown among the non-musical spaces of academia. Presented with an opportunity to develop my senior recital with Brittany Parry, a student of the new Master of Music in Collaborative Piano, I chose to reflect upon our novelty recital experience in this Capstone paper. The energy we devoted to our rehearsals and …

Explorations Of Timbre In Selected Songs From Schubert’S Winterreise, Samuel Clayton Garner

Electronic Theses and Dissertations

This thesis analyzes five songs from Franz Schubert’s song cycle Winterreise (1828) according to timbre using spectrographic images created with the Sonic Visualizer computer program. The report begins with an introduction to timbre, an explanation of spectrographic technology, and defining to terminology to be used in the analyses. The songs and topics to be covered are “Gute Nacht” and how individual performances can dictate timbre; “Die Wetterfahne” and the motive of wind related to timbre; “Der Lindenbaum” and timbral relationships among strophes; “Frühlingstraum” and how emotions, dream sequences, and weather are conveyed by timbre; and “Der stürmische Morgen” and the …

Lining-Out And Performance Practice Of The Dr. Watts Hymn- Lining Tradition In Three Selected African American Missionary Baptist Churches In The Northern Mississippi Delta Region, Kelvin K. Towers

Electronic Theses and Dissertations

The purpose of this descriptive study is to analyze the performance practice of lined-hymns that are sung in three selected African American Missionary Baptist churches located in the Northern Mississippi Delta region. ‘Dr. Watts’ lined-hymn singing has survived in some African American church denominations for approximately 150 years without the availability of a standardized printed musical notation source. Focus of the investigation is guided by five questions exploring the historical context, liturgical function, musical characteristics, performance practice, and method of learning of this musical tradition. Further examined are the role of the song leader, and cultural beliefs and philosophical differences …

Producing Thacker Jr. A Guidebook To Production & Reflections Of A Student Director, Ava Street

Honors Theses

This narrative documents a student’s preparation and execution of the children’s music and literature program entitled, Thacker Jr. Radio Hour. The author documents and analyzes experiences over the course of two academic years preparing and producing the program. The author describes the process of production including content creation, marketing, budgeting, fundraising, and casting. The author recounts and reflects upon her experience in the role of Thacker Jr. Executive Director and her desire to create student-centric arts programming. Finally, the author evaluates the immediate impact of the program on the LOU community and predicts how her experience will shape her …

Preparing And Performing A Trumpet Recital, Jesse Gibens

Honors Theses

The pieces are examined based on historical context and explained based on the practice notes that I journaled and reflected upon by comparing and contrasting standard recordings of each work. This thesis is divided into nine sections that explore the pieces that are performed, as well as the instruments used to perform them. The thesis also explores my repertoire choices based on instrumentation, style, composer, and genre, as well as how to deal with the challenges of approaching a diverse program. Historical information has been taken from articles, books, and other scholarly writings produced by experts within their fields of …

The Making Of When We Say Goodnight, Andrew Newman

Honors Theses

The following thesis documents the writing and recording of When We Say Goodnight, an album by Lo Noom. The author discusses the various influences that led to the development of the album’s concept. The album is meant to explore the feelings the author associates with summer nights in Mississippi. He attempts to create a world in which the songs and feelings live. He discusses the album’s song development and various recording processes. As he brings the album to completion, a struggle emerges between the author’s desire to please his audience and his desire to create for his own personal enjoyment. …

Finding Aid For The Blues Archive Poster Collection (Mum01783)

Archives & Special Collections: Finding Aids

These blues posters, broadsides, and oversize printings, collected by various individuals and institutions, document the world of blues advertising.

Uncle Tom's Cabin, Author Unknown, Howley Haviland And Dresser (New York)

Sheet Music, Undated

Cover: photo of African American couples performing a dance with traditional costumes; a photo inset of Leon W. Washburn; Publisher: Howley Haviland and Dresser (New York)

Swanee / Music By George Gershwin; Words By I. Caesar, George Gershwin, I. Caesar, T.B. Harms Francis Day And Hunter (New York)

Sheet Music, Undated

No abstract provided.

The Nation's Song / Words By J.M. Munyon And L.L.D., J. M. Munyon And L.L.D.

Sheet Music, Undated

Cover: scenes of patriotic drawings, in the middle a photo inset of; Publisher: M.D. Swisher (Philadelphia)

My Mother's Eyes / Music By Abel Baer; Words By Wolfe Gilbert, Abel Baer, Wolfe Gilbert, Leo Feist Inc. (New York)

Sheet Music, Undated

Cover Only. Cover: Photo of George Jessel; Publisher: Leo Feist Inc. (New York)

Keep Smiling At Trouble (Trouble's A Bubble) / Music By Lewis Gesler; Words By Al Jolnson And B.G. De Sylva, Lewis Gesler, Al Jolnson, B. G. Desylva, Harms Incorporated (New York)

Sheet Music, Undated

photo of Al Jolson; Publisher: Harms Incorporated (New York)

The Invitation Rag / Words By Les Copland, Les Copland, Jerome H. Remick And Co. (New York)

Sheet Music, Undated

Cover Only. Cover: photo of Les Copeland; Publisher: Jerome H. Remick and Co. (New York)

I Don't Care What You Used To Be (I Know What You Are Today) / Words By Dubin Al And Jimmy Mc Hugh, Dubin Al, Jimmy Mchugh, Jack Mills Inc. (New York)

Sheet Music, Undated

Cover: drawing of a Caucasian couple; photo inset of Ruth Wales and Doris Relyea; Publisher: Jack Mills Inc. (New York)

Home Sweet Home / Words By G.J. Webb, G. J. Webb

Sheet Music, Undated

Cover: drawing of a woman playing piano; text reads The Bromo-Seltzer Collection of 54 Popular Songs; Publisher: x

First Heart Throbs / Words By Richard Eilenberg, Richard Eilenberg, Deluxe Music Co. (New York)

Sheet Music, Undated

Cover: drawing of a girl and a boy sitting in the garden, holding hands; Publisher: DeLuxe Music Co. (New York)

Don't You Remember Or Ben Bolt / Music By Nelson Kneass; Words By Thomas Dunn English, Nelson Kneass, Thomas Dunn English, Dana T. Bennett Co. (New York)

Sheet Music, Undated

Cover: Photos of Gecko, Svengali and Trilby, Mme. Vinard, Little Billee- Taffy- The Laird, Angele and Zou-Zou; Text reads: as sung by Miss Phyllis Neilson-Terry in the play of TRILBY; Publisher: Dana T. Bennett Co. (New York)

Don't Be Too Sure / Music By Henry R. Cohen; Words By Hal Billings, Henry R. Cohen, Hal Billings, Ell And Ell Publishing Co. (Los Angeles)

Sheet Music, Undated

Cover: Couple strolling arm in arm past a cupid figure sitting on a sign reading stop look listen; Publisher: Ell and Ell Publishing Co. (Los Angeles)

Comin' Thro' The Rye / Words By J. Parry, J. Parry

Sheet Music, Undated

Cover: a drawing of a woman playing piano; text reads: The Bromo-Seltzer Collection of 54 Popular Songs; Publisher: x

Celestial Voices / Words By Rose Morris, Rose Morris, F.B. Haviland (New York)

Sheet Music, Undated

Cover Only. Cover: drawing of Angels; Publisher: F.B. Haviland (New York)

After I'Ve Called You Sweetheart (How Can I Call You Friend) / Music By Jack Little Little; Words By Bernie Grossman, Little Jack Little, Bernie Grossman, Milton Weil Music Co. (Chicago)

Sheet Music, Undated

Cover Only. Cover: photo of Nick Lang and Geo. Voelk; Publisher: Milton Weil Music Co. (Chicago)

Old Folks At Home / Words By Stephen C. Foster, Stephen C. Foster, National Music Co. (Chicago)

Sheet Music, Undated

Cover: text at top reads Way down upon de Swanee Riber; Publisher: National Music Co. (Chicago)

Old Black Joe / Words By Stephen Foster, Stephen Foster, Deluxe Music Co. (New York)

Sheet Music, Undated

Cover: drawing of an African American male, eyes staring upward; Publisher: DeLuxe Music Co. (New York)