Arts and Humanities Commons^™

The Cadenzas Of The First Modern Guitar Concertos, Carlos Ricardo Saeb Valenzuela

Theses and Dissertations--Music

This research project explores the resources employed in the cadenzas of the first four distinguished guitar concertos of the twentieth-century. The purpose of this research is to establish the influence and impact of these works in the development of a new idiomatic guitar language. Although the first known twentieth-century guitar concerto is Rafael Adame’s Concierto Clásico (1930), it has been largely ignored and has had no significant influence on subsequent generations. Therefore, the focus of this study is on the following concertos: Mario Castelnuovo-Tedesco’s Concerto in Re for Guitar and Orchestra Op. 99 (1939), Joaquin Rodrigo’s Concierto de Aranjuez (1939), …

A Post-Tonal Analytical Approach To Synchronisms No. 10 For Guitar And Tape By Mario Davidovsky, Andrew J. Serce

Theses and Dissertations--Music

Mario Davidovsky is an American composer who was born in Buenos Aires, Argentina on March 4, 1934. Beginning in 1958, he was a student of Aaron Copland at the Berkshire Music Center (currently the Tanglewood Music Center) in Lenox, Massachusetts. At Berkshire, he also met American composer, Milton Babbitt, who persuaded him to work at the Columbia-Princeton Electronic Music Center (currently the Computer Music Center at Columbia University) in New York City. Davidovsky was appointed Associate Director of the Columbia-Princeton Electronic Music Center in 1960 where he inevitably began experimenting with the relationships between live instruments and electronic sounds.

Synchronisms …