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Full-Text Articles in Arts and Humanities
Abstract And Acknowledgments, Oliver Chandler
Abstract And Acknowledgments, Oliver Chandler
GFA Refereed Monographs
An overview of the contents of the book, plus the author’s acknowledgements.
Basic Pitch-Class Set Theory And Twelve-Tone Glossary, Oliver Chandler
Basic Pitch-Class Set Theory And Twelve-Tone Glossary, Oliver Chandler
GFA Refereed Monographs
An explanation of terms and symbols used throughout the monograph, together with an introduction to basic pitch-class set theory.
Introduction, Oliver Chandler
Introduction, Oliver Chandler
GFA Refereed Monographs
While the history of the formation of a modern British guitar repertoire around the central figure of Julian Bream is known in broad brushstrokes, we lack a thoroughgoing, technical understanding of the particular idiom that Bream’s composers developed. Important in the nascent stages of the guitar’s modernist evolution, for example, was its relationship to twelve-tone serialism. Through close readings of individual works by Reginald Smith Brindle (El polifemo de oro, 1956), Denis ApIvor (Variations, 1958), Thomas Wilson (Three Pieces, 1961; Soliloquy, 1969), and Richard Rodney Bennett (Impromptus, 1968; Sonata, 1983), I map the …
Bibliography, Oliver Chandler