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Full-Text Articles in Arts and Humanities
A Genealogy Of The Confession Of Faith In Mennonite Perspective, Susan L. Trollinger
A Genealogy Of The Confession Of Faith In Mennonite Perspective, Susan L. Trollinger
English Faculty Publications
This essay offers a genealogy, in the Foucauldian sense, of the Confession of Faith in a Mennonite Perspective. Thus, it provides an account of the origins of the document and its uses over time with attention given to the politics of both. The essay argues that the Confession was critical for the merger of the General Conference Mennonite Church and the Mennonite Church especially as it took on the function of the "teaching position" of the church. By way of a case study, the essay explores recent uses to which the Confession has been put. The essay concludes by …
Lyotard, Beckett, Duras, And The Postmodern Sublime, Andrew Slade
Lyotard, Beckett, Duras, And The Postmodern Sublime, Andrew Slade
English Faculty Publications
Samuel Beckett's texts are populated with characters who have been so deprived of their humanity that humanity appears as essentially absent from his texts. The characters' presence in the diegesis is marked by unmistakable absences-absence of vision, of mobility, of sense, of name. Beckett's characters are often without: without hair, without teeth, without foreseeable future. The human character is at the limit of humanity and runs the risk of passing over into the grey zone of the inhuman. They lose track of their place, of their time, of their names. They frequently belong to no time and no place. When …
Differend, Sexual Difference, And The Sublime, Andrew Slade
Differend, Sexual Difference, And The Sublime, Andrew Slade
English Faculty Publications
The aim of this chapter is to articulate how two key feminist writers, Marguerite Duras and Luce lrigaray, engage and rewrite Lyotard's interest in the sublime as a feminist aesthetic category. Jean-François Lyotard was at the vanguard of a retrieval of the category of the sublime in contemporary aesthetic theory. A trenchantly polymorphous philosopher, he wrote of the sublime in a range of styles that rivals the old masters of aesthetics, who not only mastered the thought, but were themselves sublime in their works. Whereas the tradition of aesthetics almost unequivocally aligns the sublime with the masculine and the feminine …