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Full-Text Articles in Arts and Humanities

Forsaken Trust, Meredith Doench Jan 2017

Forsaken Trust, Meredith Doench

English Faculty Publications

Book 2 in the Luce Hansen Thriller series. Third book forthcoming.

Description from the publisher:

Wallace Lake, Ohio, takes care of their own. Unwelcoming of outsiders, the community closes ranks when four women are found murdered along the water’s edge. Agent Luce Hansen of the Ohio Bureau of Criminal Investigation must find a way in before another woman loses her life to the ruthless serial killer.

With the help of her new team—a hot rookie and a smart, beautiful medical examiner—Luce uncovers a ring of devotion surrounding the prime suspect. As Luce works to unearth the dark secrets of this …


Crossed, Meredith Doench Aug 2015

Crossed, Meredith Doench

English Faculty Publications

Book 1 in the Luce Hansen thriller series.

Description from the publisher:

Agent Luce Hansen returns home to Willow’s Ridge to catch a serial killer who has been murdering young women. It’s the case she’s been waiting for, the case that compels her to return to the small town she turned her back on nineteen years ago, the case she plans to ride from the Ohio BCI all the way to the FBI.

The case worth risking her shaky relationship with her lover, Rowan. But the horrors of the case recall the unsolved murder of Luce’s first girlfriend, and Luce …


Branded Cowboy, Meredith Doench Jan 2015

Branded Cowboy, Meredith Doench

English Faculty Publications

“Here is a moving story of a transgender man whose roots reach deeply into the dust of West Texas. He must choose between the woman he loves and the life he has made on his family’s ranch as a cowboy. I was impressed with how the writer chose to tell this story, with grace and nuance and heart." – Roxane Gay


Whitewashing Blackface Minstrelsy In Nineteenth-Century England: Female Banjo Players In 'Punch', Laura Vorachek Apr 2013

Whitewashing Blackface Minstrelsy In Nineteenth-Century England: Female Banjo Players In 'Punch', Laura Vorachek

English Faculty Publications

Blackface minstrelsy, popular in England since its introduction in 1836, reached its apogee in 1882 when the Prince of Wales took banjo lessons from James Bohee, an African-American performer. The result, according to musicologist Derek Scott, was a craze for the banjo among men of the middle classes. However, a close look at the periodical press, and the highly influential Punch in particular, indicates that the fad extended to women as well. While blackface minstrelsy was considered a wholesome entertainment in Victorian England, Punch's depiction of female banjo players highlights English unease with this practice in a way that male …


Speculation And The Emotional Economy Of 'Mansfield Park', Laura Vorachek Jan 2013

Speculation And The Emotional Economy Of 'Mansfield Park', Laura Vorachek

English Faculty Publications

At the midpoint of Mansfield Park (1814), the Bertram family dines at the Parsonage, and card games make up the after dinner entertainment. The characters form two groups, with Sir Thomas, Mrs. Norris, and Mr. and Mrs. Grant playing Whist, while Lady Bertram, Fanny, William, Edmund, and Henry and Mary Crawford play Speculation, This scene is central not only because Speculation reveals certain characters' personalities, but also because another type of “speculation” occurs during the game as the players contemplate or conjecture about one another. Moreover, “speculation” in the sense of gambling functions as a metaphor for the vicissitudes of …


Playing Italian: Cross-Cultural Dress And Investigative Journalism At The Fin De Siècle, Laura Vorachek Jan 2012

Playing Italian: Cross-Cultural Dress And Investigative Journalism At The Fin De Siècle, Laura Vorachek

English Faculty Publications

This examination of late Victorian journalism reveals that one type of clothing offered middle-class women protection from street harassment: cross-cultural dress. In appropriate ethnic attire, reporters and social investigators ventured into the immigrant communities that made up a part of England’s urban poor, exploring such trades as Jewish fur-puller or Italian organ-grinder. This incognito ethnic attire afforded women both the means and the authority to carry out their investigations into the Italian constituency of the Victorian working poor. This study also examines how costumes enabled female investigators to manipulate class- and gender-based assumptions about who had broad access to the …


Dangerous Women: Vera Caspary’S Rewriting Of 'Lady Audley’S Secret' In 'Bedelia', Laura Vorachek Oct 2010

Dangerous Women: Vera Caspary’S Rewriting Of 'Lady Audley’S Secret' In 'Bedelia', Laura Vorachek

English Faculty Publications

Considering Vera Caspary's Bedelia as a reimagining of Mary Elizabeth Braddon's Lady Audley's Secret allows for a new critical interpretation that refutes the typical view of Bedelia as reinforcing traditional gender roles. Instead, Caspary critiques World War II America by bringing Victorian concerns with female roles into the twentieth century.


Intertextuality And Ideology: Jane Austen's 'Pride And Prejudice' And James Fordyce's 'Sermons To Young Women', Laura Vorachek Jan 2005

Intertextuality And Ideology: Jane Austen's 'Pride And Prejudice' And James Fordyce's 'Sermons To Young Women', Laura Vorachek

English Faculty Publications

In Jane Austen’s Art of Memory and other works, Jocelyn Harris has demonstrated the importance of Austen’s literary contexts for understanding and appreciating Austen’s art. One context for understanding Pride and Prejudice is the conduct book it mentions by name, James Fordyce’s Sermons to Young Women. Mr. Collins chooses it to read aloud to the Bennet girls, and when Lydia interrupts him, he responds: “I have often observed how little young ladies are interested by books of a serious stamp, though written solely for their benefit.” I would argue that reading Pride and Prejudice next to Fordyce’s Sermons reveals that …


Crossing Boundaries: Land And Sea In Jane Austen's 'Persuasion', Laura Vorachek Jan 1997

Crossing Boundaries: Land And Sea In Jane Austen's 'Persuasion', Laura Vorachek

English Faculty Publications

Jane Austen suggests in Persuasion the pressures that the increased mobility of the middle class placed on the established aristocratic society in her time. Anne Elliot especially brings to light the inherited assumptions of her society. She can marry within her social rank (Mr. Elliot or Charles Musgrove) or marry below her (Wentworth at age 23), but either is a choice within the limits established by her society. One owns land or one does not. But when Wentworth returns a man of name and wealth, he is not a member of the landed gentry nor is he below Anne in …