Arts and Humanities Commons^™

‘How Little I Cared For Fame’: T. Sparrow And Women’S Investigative Journalism At The Fin De Siècle, Laura Vorachek

English Faculty Publications

This article analyzes the work of an overlooked female journalist, T. Sparrow, arguing that her career reveals the difficulties female journalists faced when negotiating between the expectations of middle-class gentility and the demands of investigative journalism.

Sparrow asserted her gentility rhetorically, in part because female reporters who took up investigative reporting were vulnerable to criticism for assaying beyond domestic subjects. Moreover, incognito investigative reporting often brought celebrity to its practitioners, which challenged the convention of middle-class female modesty.

Sparrow, therefore, strove for a delicate balance in her career—assuming the stance of a middle-class woman who lived among the poor, someone …

Speculation And The Emotional Economy Of 'Mansfield Park', Laura Vorachek

English Faculty Publications

At the midpoint of Mansfield Park (1814), the Bertram family dines at the Parsonage, and card games make up the after dinner entertainment. The characters form two groups, with Sir Thomas, Mrs. Norris, and Mr. and Mrs. Grant playing Whist, while Lady Bertram, Fanny, William, Edmund, and Henry and Mary Crawford play Speculation, This scene is central not only because Speculation reveals certain characters' personalities, but also because another type of “speculation” occurs during the game as the players contemplate or conjecture about one another. Moreover, “speculation” in the sense of gambling functions as a metaphor for the vicissitudes of …

Dangerous Women: Vera Caspary’S Rewriting Of 'Lady Audley’S Secret' In 'Bedelia', Laura Vorachek

English Faculty Publications

Considering Vera Caspary's Bedelia as a reimagining of Mary Elizabeth Braddon's Lady Audley's Secret allows for a new critical interpretation that refutes the typical view of Bedelia as reinforcing traditional gender roles. Instead, Caspary critiques World War II America by bringing Victorian concerns with female roles into the twentieth century.

Crossing Boundaries: Land And Sea In Jane Austen's 'Persuasion', Laura Vorachek

English Faculty Publications

Jane Austen suggests in Persuasion the pressures that the increased mobility of the middle class placed on the established aristocratic society in her time. Anne Elliot especially brings to light the inherited assumptions of her society. She can marry within her social rank (Mr. Elliot or Charles Musgrove) or marry below her (Wentworth at age 23), but either is a choice within the limits established by her society. One owns land or one does not. But when Wentworth returns a man of name and wealth, he is not a member of the landed gentry nor is he below Anne in …

Reflections And Projections On American Feminism And Culture: An Interview With Gloria Steinem, Melissa Friedling, Susan L. Trollinger

English Faculty Publications

This interview was conducted in September 1995 when Gloria Steinem visited Iowa City during her book tour for the second edition of Outrageous Acts and Everyday Rebellions. Republished in 1995, initially published in 1983, and consisting of essays first released as early as 1963, Outrageous Acts provides an occasion for us to think between decades of American feminist political, cultural, and academic endeavor. As academic feminists of the third wave, we took this opportunity to engage Gloria Steinem as a public intellectual whose cultural work calls us to interrogate both contemporary culture’s “friendly” incorporations and recent “feminist” hostile repudiations of …

Feminist Criticism Of Classical Rhetoric Texts: A Case Study Of Gorgias' Helen, Susan L. Trollinger

English Faculty Publications

Despite the diversity of claims feminist scholars of antiquity advance, they share at least one preoccupation: the critique of patriarchy. That is, they challenge "the manifestation and institutionalization of male dominance over women" (Lerner 239) enacted in primary and secondary texts. The particular methods by which they make their critiques of women's subjugation vary as much as their claims, but most can be classified into one of two categories according to their broad interests in woman as a reader or as a writer of classical texts. Using Elaine Showalter's classifications, for example, we can group most of this scholarship under …