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Cenabis Bene: A Culinary Odyssey Through Apicius, Kathryn Atkinson

University Scholar Projects

Apicius is the sole surviving cookbook from classical antiquity; as such it is invaluable for what it tells us about ancient feasting customs. Yet the gluttony typically associated with classical antiquity has no place in Apicius beyond the art that is inherently associated with food; we are not so much given a seat at the cena (dinner) as we are led into the kitchen, handed an apron, and instructed to cook. This critical analysis explores each recipe not only on the surface—i.e., examining the ingredients and recreating selected recipes—but also on a deeper level, lifting food above its concrete reality …

Cenabis Bene: A Culinary Odyssey Through Apicius, Kathryn Atkinson

Honors Scholar Theses

Apicius is the sole surviving cookbook from classical antiquity; as such it is invaluable for what it tells us about ancient feasting customs. Yet the gluttony typically associated with classical antiquity has no place in Apicius beyond the art that is inherently associated with food; we are not so much given a seat at the cena (dinner) as we are led into the kitchen, handed an apron, and instructed to cook. This critical analysis explores each recipe not only on the surface—i.e., examining the ingredients and recreating selected recipes—but also on a deeper level, lifting food above its concrete reality …

Plague And Devastation In Ancient Greece: Why Mourning Matters, Hannah Kallin

Honors Scholar Theses

In 430 BC, The Plague of Athens swept through the city and left tens of thousands dead. Ancient historian Thucydides gives his account of the plague, detailing the consequent breakdown of order in the capital. Bodies could not be buried or mourned in the ideal traditional ceremonies, leaving surviving citizens unmoored and terrified. This paper explores the impact of interrupted mourning on ancient Greek society. These interruptions range from war and changing laws to periods of plague and widespread devastation. The emotional wellbeing of individual citizens depends on their ability to process death and associated grief with freedom and support …

Lucian's Imagines: A Student Reader, And Pro Imaginibus: A Translation, Jesse Amar

Honors Scholar Theses

This student reader provides a complete Greek text of Lucian's Imagines (Eikones, or Portraits), with linguistic and literary commentary for the intermediate student of Ancient Greek. There follows a new translation of Lucian's Pro Imaginibus, the author's own take on his work.

Embodying God's Final Word: Understanding The Dynamics Of Prophecy In The The Ancient Near East And Early Monotheistic Tradition, Naila Z. Razzaq

University Scholar Projects

This thesis studies the various forms of oral and literary prophecy in the Ancient the Ancient Near East and Second Temple Judaism. After an introductory background section on the dynamics of prophecy in Ancient Assyria and Mesopotamia, I problematize the nineteenth century concept of the “cessation of prophecy” after Malachi, the last prophet in the Tanakh.

Too often prophecy is seen as a punctiliar process with a determined beginning and end. I complicate this simplified view by discussing the following questions while analyzing several key primary sources from the Second Temple period: In what forms does prophecy continue even after …

Heroes To Horrors: Metamorphosis As Combat Trauma In The Mythology Of The West, Thomas Passarelli

Honors Scholar Theses

In an attempt to show how Western mythological depictions of metamorphosis in fighting men often serve as an early discussion on the psychosocial ramifications of warfare on veterans, this research holds early Norse, Celtic, and Anglo-Saxon texts in comparison with contemporary PTSD research and anecdotes from American veterans of the Vietnam War.

Women And War: Power Play From Lysistrata To The Present, Shuyang Cynthia Luo

Honors Scholar Theses

"Women and War: Power Play from Lysistrata to the Present" is a three-fold project intent on analyzing the role of women in war and comedy. The intentions are: demonstrating how Aristophanes’ famed comedy, Lysistrata, was a subversive text for its time, as it presented a challenge to men’s authority that otherwise remained unchallenged, creating a modernized retelling of Lysistrata, which she holds would still be a subversive text, because men still have nearly absolute authority in war, and finally, analyzing the comedic nature of Lysistrata in a modern text; namely, why women’s choices constitute a comedy, and the comedic potential …

A Spectacle Of Great Beauty: The Changing Faces Of Hagia Sophia, Victoria M. Villano

Master's Theses

No abstract provided.

Nietzsche, Lecteur Des Classiques: Quels Enjeux?, Camille Legrand

Master's Theses

No abstract provided.