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Full-Text Articles in Arts and Humanities
Esther Reed's Political Sentiments And Rhetoric During The Revolutionary War, Kennedy Harkins
Esther Reed's Political Sentiments And Rhetoric During The Revolutionary War, Kennedy Harkins
The Pegasus Review: UCF Undergraduate Research Journal
In 1780, during the final stretch of the American Revolutionary War, Esther Reed penned the broadside "Sentiments of an American Woman." It circulated in Philadelphia, persuading citizens to turn over their last dollars to the cause. Reed's broadside called to action the women of Philadelphia; they knocked on doors, campaigned with words, and stepped firmly into the "man's world" of politics and revolution. Reed's words were so effective that women in cities across the colonies took to raising money as well. Using New Historicist and feminist reading strategies, this study compares and contrasts Reed's rhetoric to Thomas Paine's Common Sense …
"On That Day We Will Be Free": Reflecting Women's Real Experiences In Joanna Russ's The Female Man And Margaret Atwood's The Handmaid's Tale, Victoria A. League
"On That Day We Will Be Free": Reflecting Women's Real Experiences In Joanna Russ's The Female Man And Margaret Atwood's The Handmaid's Tale, Victoria A. League
The Pegasus Review: UCF Undergraduate Research Journal
The feminist speculative fiction novels The Female Man (1975) by Joanna Russ and The Handmaid's Tale(1986) by Margaret Atwood mirror the real world by reflecting women's experiences. Speculative fiction, an umbrella genre that includes science fiction, fantasy, and magical realism, explores our world by discussing other worlds. Themes and events in each novel's fictional world reveal aspects of today's world, and the depictions and conditions of women in the novels illuminate heterosexist norms. Specific and clear parallels can be drawn between reality and these science fiction stories, showing that the novels critique and comment on our world's treatment of …
"The Guy With The Problem": Reform Narrative In Disney's Beauty And The Beast, Faith Dickens
"The Guy With The Problem": Reform Narrative In Disney's Beauty And The Beast, Faith Dickens
The Pegasus Review: UCF Undergraduate Research Journal
When Disney's film Beauty and the Beast was first released in 1991, it was hailed by critics as a departure from the problematic portrayals of women that had plagued the company's previous efforts at converting fairy tales into animated features. Since then, feminist criticism has provided several different interpretations of the film, some of which seek to assign Beauty and the Beast to a specific literary genre. In looking at Disney's film as a literary text, critics such as June Cummins have argued that it most closely resembles a patriarchal classic romance, while others, such as Susan Swan, view it …