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The Challenges And Limitations Of Adapting Mozart's Così Fan Tutte For A Small University Setting, Christopher Lovely

Dissertations

In this dissertation, challenges and limitations related to presenting Così fan tutte within a small university setting are conveyed, as well as offering innovative ideas to create a manageable presentation. I recall my personal experience as Korepititor/Vocal Coach for The University of Southern Mississippi’s 2014 production of Mozart’s Così fan tutte. This document presents topics on the various workings of an opera production: pre-rehearsal preparation, language issues, rehearsal preparation, selection of singers, and production issues. It offers practical solutions to overcome various challenges a small university may encounter. Smaller university opera programs were surveyed regarding their adaptations of …

Beijing Opera Elements In Qigang Chen’S Piano Concerto Er Huang, Funa Wang

Dissertations

Beijing opera (known as jingju in Chinese) dates back to 1790 and is the most famous traditional Chinese regional opera of some 335 different styles, combining music, vocal performance, dance, and acrobatics. Originally considered vulgar by the court, Beijing opera became especially popular with the Qing dynasty court in its later days (1884-1910), thus raising its status at the beginning of the twentieth century to a ‘national opera.’ Furthermore, it has become an important nationalistic and traditional element in Chinese contemporary music.

Qigang Chen studied and lived in Europe for long time and is proficient in Western compositional techniques. On …

Character Interpretation In Poulenc's La Voix Humaine: A Performer's Guide, Stefanie Nicole Anduri

Dissertations

Francis Poulenc’s 1959 opera, La Voix humaine provides uncommon opportunities for divergent character interpretations and unique challenges to the performer. The opera chronicles the final telephone conversation between the sole character and her estranged lover. The opera’s format is unprecedented; because the audience does not hear Monsieur’s responses, the performer must create and portray them through her reactions, a challenge unique to this work. Through the exploration of four distinct characterizations, I discuss the choices and ramifications for the woman’s demeanor towards other people on the telephone line, her relationship with the man, the function of the various musical motives …

Blue Mountain: A Chamber Opera For Winds And Voices By Justin Dello Joio: A Unique Contribution For Wind Band Literature, Armando Saldarini

Dissertations

Blue Mountain is an opera in one act scored for four voices, and thirty-three instruments, commissioned by Det Norske Blaseensemble. Under the direction of Kenneth Jean, the premiere took place on October 8, 2007, at Kanonhalen in Oslo, Norway, as part of the Edvard Grieg Centennial celebrations and the 2007 Ultima contemporary Music Festival. The opera takes place in Troldhaugen, Norway, during the last days of Edvard Grieg’s life. Suffering from emphysema, Grieg was being treated by his doctor with morphine that created great anxiety, fear, and mental torment. A visit from his friend, Percy Grainger, gave Grieg great …

Preparation And Performance Of A Twentieth Century Operatic Monologue, Danielle L. Adams

Honors Theses

Celebrated as having written “songs for the ages”, twentieth century American composer Lee Hoiby is known for having composed tonal, lyrical music in a time when his peers were exploring serialism and atonality. Now regarded as a monumental contributor to American music, he composed songs, operas, and choral works as well as instrumental and chamber music. Hoiby’s compositions are especially revered by singers, many of whom state that Hoiby was gifted at writing highly crafted songs because he “knew the voice”. Although his works did not achieve as much fame in his lifetime as the atonal works of his contemporaries, …