Arts and Humanities Commons^™

Dual-Interval Spaces: Interrelations Between Interval Classes 1 And 5, Local Pitch Centers And Form In Dmitri Shostakovich's Piano Sonata No. 1, Op. 12, Tae Young Hong

Master's Theses

Dmitri Shostakovich’s Piano Sonata No. 1, written in 1926, is one of his most complex and lengthy works for piano. In contrast to the conservative style used in his critically-acclaimed Symphony No. 1, Op. 10, composed a year earlier, the sonata employs a highly modernistic idiom which predominated the composer’s output in the late 1920’s. The musical surface of the sonata was crafted by an extensive use of interval classes 1 and 5 which serve as the primary means of structuring pitch material.

This paper examines the surface combinations of two interval classes as well as their interaction with …

Achieving Relationships, Frederick C. Melancon

Master's Theses

These stories attempt to follow John Gardner’s instruction to create a dream that will engage the reader. Mirroring the goal that an author has to create a relationship with his audience, each story in turn focuses on emotional details that convey the characters’ feelings of isolation or, alternatively, inclusion in their communities. In the first story, a young man tries to recreate his father’s king cake. In the next, a middle school girl fixates on her relationship with her sister. Trying to recapture the memory of a lost daughter, a man searches for the perfect nectar snowball. A mom, then, …

Staging Sex Or Fighting Foreignness? Marlowe's Edward Ii As Xenophobic Drama, James D. Baker

Master's Theses

Christopher Marlowe’s drama Edward II has long been known for its representation of a close male, arguably homosexual, friendship between King Edward II and his favorite, the French Piers Gaveston, as well as their union’s negative effects on the court. Indeed much criticism exists on the common belief that the characters’ relationship is problematic in early modern England both because the two characters are male and because there is an obvious class divide. However, critics have seemed to overlook Gaveston’s being French, even in light of the massive immigration to England during the late sixteenth and early seventeenth centuries. This …

"Equal Partners In Crime": Narration In The Brief Wondrous Life Of Oscar Wao, Rebecca Mae Holder

Master's Theses

This reading of Junot Díaz’s The Brief Wondrous Life of Oscar Wao argues that narrator Yunior’s failure to capture the authentic speech of Beli illuminates the failure of narrative generally to speak authentically for the subaltern. The writings of Mikhail Bakhtin, Gayatri Spivak, and Scott McCloud work together to uncover the political and ethical implications of Yunior’s willful erasure of Beli’s voice. In the sections detailing her early life, Yunior draws attention to the gaps in the information he gives readers and thus reminds them that all narrative excludes and distorts details to fulfill an objective. This reading argues that …

The Masculine Mystique, Michael W. Chancellor Jr.

Master's Theses

This textual analysis explores the rhetoric of exclusion among homosexual men by analyzing DouchebagsofGrindr.com. The rhetoric of exclusion is used by some homosexual men in order to achieve hegemonic masculinity based on performance of gender, age, race, and physical characteristics to conquer stereotypes of femininity. The gay community utilizes civil rights rhetoric in order to create a dialogue about equality; unfortunately a disturbing number of gay community members frequently discount homosexual male minorities, perpetuating the notion that homosexual minorities are unattractive because they violate heteronormative gender performances. Analyzing the artifact DouchebagsofGrindr.com allows for a glimpse into the self-deprecating online behavior …

A Garden Locked, A Fountain Sealed: Female Virginity As A Model For Holiness In The Fourth Century, Lindsay Anne Williams

Master's Theses

Despite centuries of Christian theologians and lay Christians alike assigning and/or accepting an entrenched misogyny in the writings of Ambrose, Jerome, and Augustine, close examination of their work on its own terms and in its own time reveals that, in fact, they did not hold women in lesser esteem than men. Rather, time and again, in the writings of these Latin Doctors of the Church, women were promoted as exemplars of holiness and sanctity often in excess of their male counterparts and commonly as didactic tools used to lead their fellow Christians down a more righteous path. The following thesis …

A Poetic Poioumenon: Coterie And Ekphrasis In David Lehman's "The Breeders' Cup", Anna Beth Rowe

Master's Theses

David Lehman’s poem “The Breeders’ Cup” uses cross-generational coterie and ekphrasis to create a poetic poioumenon. When read in terms of art criticism, Lehman’s “The Breeders’ Cup” models creative processes from the past and calls for a rehabilitative ethic in postmodern poetics. Lehman follows the ekphrastic form, which associates a poem with a work of visual art, from his New York School predecessor Frank O’Hara. “The Breeders’ Cup” addresses Édouard Manet’s 1865 painting Olympia through ekphrasis, and the painting of a prostitute becomes a patron saint of parody for postmodern poetics. The poem introduces lust as a metaphor for creative …

The Self-(Un)Made Mother: Jungian Archetypes In Dickens's Little Dorrit, William David Love Jr.

Master's Theses

Charles Dickens’s novel Little Dorrit (1857) depicts an abundance of surrogate mothers while simultaneously revealing an absence of biological motherhood. The primary female characters become surrogate mothers in their own ways in order to bypass the legal and physical dangers associated with biological motherhood. To do this, they embrace various alternate forms of femininity—the crone, the maiden, the woman warrior, and the seductress. These women negate themselves willingly in actions that would seem to reinforce the gender norms of their time, but their self-negation actually leads to empowerment and sustainability for themselves and for others. Furthermore, a Jungian interpretation of …

Excerpts From Television's Greatest Hits And Other Stories, Zachary Stephen Williams

Master's Theses

The short stories contained in this manuscript are mostly of the realist stripe, with a few concessions made to my more fabulist tendencies. Each is about men and women being forced to relive their old lives or finding themselves at the cusp of new ones, propositions which prove simultaneously attractive and repulsive. By the end of each story, it is my hope to transmit that the characters have survived somewhat intact, though reconstituted. There is a man in grief over the death of the wife he couldn’t stop cheating on, adults trick-or-treating at the expense of their children’s youths, a …

Looker: Stories, George Robert Hargett

Master's Theses

The following stories, completed by the author between August 2013 and February 2015, deal with love, obscurity, isolation, failure, vulnerability and insecurity, looking and losing, the fears tied up in all these, and, once in a while, gaining.

Another Word For Autumn And Other Stories, Henry Burgard Shepard Iii

Master's Theses

The subject, style, and form of these stories are different from one another. At first glance, there seems to be no obvious thematic connection throughout this collection, no binding thread that ties them together. However, what allows these stories to exist side by side is their focus. The characters in these stories are human, no matter what situation they find themselves in, be it strange, fantastic, or mundane, they strive to achieve their desires. Each story takes a different approach to create a succinct feeling, all parts working toward eliciting a certain emotion. In one story, a family is powerless …

Saving Sex Slaves: The A21 Campaign And The Mobilization Of Christian Affect, Nicole Elizabeth Magee

Master's Theses

In this thesis, I argue that the A21 Campaign’s discourse mobilizes Christian affect to produce relational proximity between audience members and human trafficking victims. My study intervenes in related literature surrounding Burke’s (1969) idea of identification by acknowledging that discourse can invite audiences to feel relationally close to or empathetic with others in the absence of consubstantiation. Relying on Gould’s (2009) notion of the mobilization of affect, I contend that unconscious, Christian affective investments are mobilized within A21’s rhetoric through the covert deployment of evangelical tropes that register with Christians’ affective desires and encourage believers to act as Christ or …