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Articles 1 - 13 of 13
Full-Text Articles in Arts and Humanities
Economic Efficiency In Fisheries And Aquaculture, Paul Molyneaux
Economic Efficiency In Fisheries And Aquaculture, Paul Molyneaux
The Catch
Reflection of the author as a worker looking to make the best use of his time and energy. His innate understanding of the principles of ecological economics followed by exposure to the discipline’s advancing theories leads to a revelation regarding the backwards logic of fisheries and aquaculture policy thus far, and the decline in real seafood production.Along with many others, Molyneaux looks to ecological economics to create a new paradigm for sustainable fisheries.
Marine Museum, Bob Brooks
Marine Museum, Bob Brooks
The Catch
Poem inspired by the Penobscot Marine Museum in Searsport, Maine
The Canning Plant, Robert Froese
The Canning Plant, Robert Froese
The Catch
A couple explores a defunct sardine cannery.
Restoration, Pat Ranzoni
Restoration, Pat Ranzoni
The Catch
Poem commemorating the removal of the Great Works Dam on the Penobscot River.
Sardine Manifesto 7, Karin Spitfire
Sardine Manifesto 7, Karin Spitfire
The Catch
Poem about fisheries decline, Atlantic herring, sardines, Atlantic salmon, Atlantic cod
Transference, Chris Crittenden
Gut Knife, Chris Crittenden
Down East Journey: In Memoriam (Excerpt), Elizabeth Garber
Down East Journey: In Memoriam (Excerpt), Elizabeth Garber
The Catch
Excerpt from a longer work of nonfiction featuring the Passamaquoddy Tribe of Native Americans in Pleasant Point/Sipayik, Maine.
The Land Mark, Circa 1930, Ray Beal
The Land Mark, Circa 1930, Ray Beal
The Catch
Poem about fisherman returning to home port in Beals, Maine.
The Case, Nancy Tancredi
Cleat, Carl Little
Cleat, Carl Little
The Catch
Poem inspired by sculpture located in Henry Cove, Winter Harbor, Maine. Sculpture completed as part of Schoodic International Sculpture Symposium.
Hope, Valerie Lawson
Hope, Valerie Lawson
The Catch
Poem about cod and herring fishing, sardine canning in Downeast Maine.
Editor's Note, Catherine Schmitt