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Full-Text Articles in Arts and Humanities
Reissue & Revivalism: Uncovering Ireland's Lost Diy, Electronic And Post-Punk Histories, Neil O'Connor
Reissue & Revivalism: Uncovering Ireland's Lost Diy, Electronic And Post-Punk Histories, Neil O'Connor
Irish Communication Review
Reissues: a rediscovery of the past. This process of rediscovery is nowhere more evident than in the current output of the Dublin record label and shop, All City Records. Recently, its owner Olan O’Brien, has been delving into the unknown with a series of reintroduced gems from Ireland’s musical past with its AllChival imprint. Whether it is Quare Grooves, a compilation of Irish-made Seventies groove and funk or the re-release of Dublin producer Stano’s debut album of experimentalist new wave from 1983, the label has been playing a rival role in the recontextualising lost DIY (Do-it-Yourself), electronic and post …
Early Sound Systems Of The Irish Dance Bands And Showbands, Niall Coghlan
Early Sound Systems Of The Irish Dance Bands And Showbands, Niall Coghlan
Irish Communication Review
This paper examines the culture and technologies around the sound systems used by the Irish dance and show bands of the 1950s and 1960s. With limited financial and technical resources available to the average musician of the period, many performers were forced to adopt a DIY approach, adapting or building their own instruments and sound equipment to meet changing tastes and needs. Literary sources are augmented by material drawn from interviews with two musicians who played with the showbands. The evolution of the technologies from the post-war period is documented and a self-sufficient, DIY approach is evidenced, prior to the …
Clubbing Criminals: The Hirschfeld Centre And The Emergence Of Queer Club Culture In Dublin, Ann-Marie Hanlon
Clubbing Criminals: The Hirschfeld Centre And The Emergence Of Queer Club Culture In Dublin, Ann-Marie Hanlon
Irish Communication Review
Ireland in the 1970s and 80s was an extremely hostile place for the LGBT community: male homosexuality remained a criminal offence and social, legal and political oppression was the norm. This article documents the emergence of a nascent queer clubbing scene in Dublin in this period and investigates the historical intersection of partying and politics in a DIY translocal music scene defined by the sexual politics of the time. In particular, this research focuses on exploring the social and political importance of Ireland’s first purpose built queer club, Flikkers, which opened in the Hirschfeld Centre, Temple Bar on St. Patrick’s …
Diy Connections And Collaborations: Mid-West To North-East, Ciarán Ryan
Diy Connections And Collaborations: Mid-West To North-East, Ciarán Ryan
Irish Communication Review
Alternative music cultures can be found in various Irish cities and towns outside of the capital Dublin. These scenes may retain their own local idiosyncrasies, but those subscribing to do-it-yourself (DIY) ideals in Ireland are clearly influenced by sounds and styles from further afield. As punk mutated into different forms from the 1980s onwards, political and musical cues came from the countries to the East and West of Ireland - hardcore (Fairchild, 1995) from the United States, and anarcho-punk (Dines, 2004) from Britain. The DIY aesthetics of the early punk movements have since translated to numerous music genres and practices …
The Global Encounter As Communitas: Inter-Pilgrim Musicking Along The Contemporary Camino De Santiago, Hannah Snavely
The Global Encounter As Communitas: Inter-Pilgrim Musicking Along The Contemporary Camino De Santiago, Hannah Snavely
International Journal of Religious Tourism and Pilgrimage
In an effort to provide new ways of theorising pilgrimages as global encounters (White, 2012) and sites of cosmopolitan interactions, I offer a sound-centred investigation into inter-pilgrim musical events that occurred along the Camino de Santiago (Camino), a historically Catholic pilgrimage in northern Spain. This ethnomusicological perspective on the Camino highlights contemporary pilgrim rituals and artistic practices that are frequently overlooked in other Camino scholarship, which tends to focus on historical musics or the tangible arts. On the Camino, music primarily facilitates cross-cultural encounters for pilgrims, though at varied levels of mis/understandings. This paper explores the ways that participatory musicking …