Arts and Humanities Commons^™

Closet Space, Savannah Hope L. Andries

Electronic Theses and Dissertations

Closet Space is an exhibition investigating what makes a home. Through the creation of six drawings and seven prints, I investigate the relationship between isolation and companionship. This body of work explores the concept that a home is not simply a physical structure made up of walls and doors. Instead, it is about the emotional connections we create with places and people. Through fragmented memories, imagined environments, and a desire to connect with others, I address that the true meaning of home lies in our emotional attachments to inhabited spaces and the people we share them with. Being queer in …

Clean Fields, Lindsey E. Creel

Electronic Theses and Dissertations

Clean Fields is an exhibition consisting of 3 anthotypes and 11 drawings on paper mounted to panels. The work is part homage and part documentation of the emotionally restorative properties found in gardening. It is a contemporary view of a timeless activity. While the work references realistic content, the artistic outcomes are non-objective. Modifications in composition and scale provide variation throughout the series. The large-scale of the works and the use of economy and movement in the composition move the viewer into a meditative state.

Tenacity, Angela Stevenson

Electronic Theses and Dissertations

ABSTRACT

Creating my exhibition, Tenacity, was a labor of love that took place over the year and a half that I was a student in Stephen F. Austin State University of Texas’s Graduate Program. I explored new processes in painting, including the use of transfers, and did extensive research into the lives of female historical figures. This exhibition was born of a wish to share knowledge with others as well as to remind society that anyone can elicit change.

A Shift In Silence, Bailey Idom

Electronic Theses and Dissertations

A Shift in Silence is a body of work that emerged because of a key shift in my life. Using the formal components of line, shape, and value, I create a space representing an intimate moment in time. Physically, the medium can be any material, but I process all of this as an expression of line. Each piece shares the commonality of lines and lineage, while the layering embodies the record of my relationships from the past that directly affect the present. The abstraction and unpredictability within my own relationships require openness and vulnerability. This honest dialogue sustains and informs …

Parlance, Carolyn Mcintyre Norton

Electronic Theses and Dissertations

The richly-colored screenprints displayed in Parlance are explorations into sound-inspired imagery created through the blending of two divergent approaches: 1) drawing made by meditative inspiration and 2) printing driven by the execution of a predetermined plan.

Considered representationally, each print is a chorus of layered interpretive drawings of natural sound. My intent is to bring into view ethereal concepts through responsive mark making.

Considered technically, the printing process employs a predetermined set of formulas that produce a mathematically-finite set of prints. This systemized method causes common visual elements to disperse among the prints, resulting in a set of uniquely layered …

Opening, Renee M. Wilcox

Electronic Theses and Dissertations

While examining some of the dark, chaotic, destructive issues that exist on a global level, I see an opposite movement actively emerging as a means to counteract, mend, and create new patterns of non-violent communication. This change is an opening to new beginnings. Opening expresses this concept through iconography, the use of symbols, which opens an internal and external dialog with the viewer, through incorporating text, and through portraits of contemporary leaders who are devoted to peace-building work. Members of the community have also expressed this desire to open themselves up to these possibilities, through their written intentions and dreams, …