Arts and Humanities Commons^™

Unicorns Are Not Real And Neither Are You: Peter S. Beagle's Postmodern Fairy Tale, Athena Hayes

Electronic Theses and Dissertations

Although considered by many readers to be a “cult classic,” Peter S. Beagle’s 1968 novel The Last Unicorn has been unrepresented in literary scholarship. Many fantasy critics in the past have dismissed the work as lacking a sense of reality through its mixing of modern language with a medieval, fantasy setting. However, the novel’s purposeful muddling of reality raises questions of ontology and the nature of storytelling/world-projection. The objective of this study is to not only to act as a sort of apologetic for The Last Unicorn, but also read the novel in the context of fairy tale/mythic studies …

To Reach The Unreachable Stars: Reexamining The Shared Arthurian Vision Of C. S. Lewis's Science Fiction Trilogy And Raymond Chandler's Marlowe Novels, Hollis Thompson

Electronic Theses and Dissertations

Although Raymond Chandler and C. S. Lewis seem to be a rather strange pairing, the ways in which they both borrow from Arthurian literature and use the myth to speak to their cultural moment are strikingly similar. Following T. S. Eliot’s use of the Grail quest in The Waste Land (which set a standard for the use of such material in Modern literature), these authors use Arthurian elements as a means of exposing hidden connections between the fragments of the literary past and the present within Chandler’s Marlowe novels and Lewis’s science fiction trilogy. Both men present Western identity as …

Through The Devil's Mirror: The Villain And The Sinthomosexual As Manifestations Of The Death Drive, Andrew Markus

Electronic Theses and Dissertations

Lee Edelman’s No Future: Queer Theory and the Death Drive (2004) offers a model for reading queer sexuality and societal place very much in line with that which begins to emerge in early Gothic literature, including Matthew Lewis’s The Monk: A Romance (1796). The Gothic villain aligns with Edelman’s sinthomosexual to illustrate a pattern of victimization and retaliation which results in both the villain and sinthomosexual’s persistent abjection from the social order. However, a close reading of Lewis’s narrative for its depiction of psychological trauma rooted in sexual expression suggests that this queer negativity is not the sum total of …

Salt In The Deep Marine, Rachel Bollinger

Electronic Theses and Dissertations

ABSTRACT

Rachel Allison Bollinger: Salt in the Deep Marine

(Under the direction of Dr. Christine Butterworth-McDermott and Dr. John McDermott)

The surface tension present between liquid and air is due to the fact that liquid molecules are highly attractive to one another. Because of this, the surface of water acts like an elastic membrane, allowing human hands or light insects to sit or slide on its surface. For a moment or two, the hand or the insect seems to occupy both the water and the air simultaneously. This commonplace phenomenon is explored in the poetry collection, Salt in the Deep …

An Intergalactic Diplomat, Arianna Marie Sanchez

Electronic Theses and Dissertations

This manuscript tells the story of Princess Luna McGlothen as she travels to the Eighth Galaxy Alliance as part of Earth’s first attempt at intergalactic diplomacy. Set in the distant future, Princess Luna is the heir to the throne of the Royal Republic of North America and is trying to prove to her authoritarian mother, and to herself, that she is worthy of her birthright. Across the universe she makes friends and enemies, experiences true betrayal, and realizes that she has what it takes to be a great leader.

Radical Empowerment And Evolution In Fay Weldon’S Menippean Satire: The Life And Loves Of A She-Devil (1983), Jackson A. Rivera

Electronic Theses and Dissertations

This master’s thesis explores Fay Weldon’s implementation of Menippean satire in her 1983 novel, The Life and Loves of a She-Devil. The present discussion argues Weldon utilizes this specific satiric mode within her novel in order to convey a story of radical female empowerment and evolution that critiques gendered stereotypes of marriage and female roles in society. To make this argument, this thesis applies satire theory, most prominently Mikhail Bakhtin’s ideas about Menippean satire, as well as marriage and family psychology, to Weldon’s characterization of wives, husbands, and mistresses throughout the novel. Through this discussion, Rivera demonstrates the effectiveness of …