Arts and Humanities Commons^™

Whatever Happened To The Princess Bride?: Thoughts For Further William Goldman Research, G. Connor Salter

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

This note considers why research on William Goldman, best known to fantasy fans as the author the the screenplay for The Princess Bride, has been sparse, and the potential to study him as a mythopoeic author.

The Unicorn Trade: Towards A Cultural History Of The Mass-Market Unicorn, Timothy S. Miller

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

As genre fantasy congealed around a Tolkienian core in the middle decades of the 20th century, two fantastical creatures emerged as the dominant emblems of the form: the dragon and the unicorn. Either one might serve to adorn genre labels on the spines of library books, or act as the colophon for a publisher’s fantasy line. Dipping in and out of touchstone texts in the fantasy tradition such as Peter S. Beagle’s The Last Unicorn and Michael Bishop’s Unicorn Mountain, this essay will commence a preliminary exploration of the wider mass cultural adoption of one of these two creatures, …

Vol. 16, No. 3, Glen Goodknight

Mythprint

Mythprint is the monthly bulletin of the Mythopoeic Society, a nonprofit educational organization devoted to the study, discussion and enjoyment of myth and fantasy literature, especially the works of J.R.R. Tolkien, C.S. Lewis, and Charles Williams. To promote these interests, the Society publishes three magazines, maintains a World Wide Web site, and sponsors the annual Mythopoeic Conference and awards for fiction and scholarship, as well as local and written discussion groups.

Vol. 15, No. 3, Glen Goodknight

Mythprint

Mythprint is the monthly bulletin of the Mythopoeic Society, a nonprofit educational organization devoted to the study, discussion and enjoyment of myth and fantasy literature, especially the works of J.R.R. Tolkien, C.S. Lewis, and Charles Williams. To promote these interests, the Society publishes three magazines, maintains a World Wide Web site, and sponsors the annual Mythopoeic Conference and awards for fiction and scholarship, as well as local and written discussion groups.

Vol. 5 No. 4, Glen Goodknight

Mythprint

Mythprint is the monthly bulletin of the Mythopoeic Society, a nonprofit educational organization devoted to the study, discussion, and enjoyment of myth and fantasy literature, especially the works of J.R.R. Tolkien, C.S. Lewis, and Charles Williams. To promote these interests, the Society publishes three magazines, maintains a World Wide Web site, and sponsors the annual Mythopoeic Conference and awards for fiction and scholarship, as well as local and written discussion groups.

History In The Margins: Epigraphs And Negative Space In Robin Hobb’S Assassin’S Apprentice, Matthew Oliver

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

Robin Hobb’s Assassin’s Apprentice demonstrates a significant effect of epic fantasy’s conventions for creating the history of a fictional world. By prefacing each chapter with an epigraph from an official in-world historical text before giving a first-person personal narrative, the novel blurs the boundaries between text and paratext, public and private, official history and personal myth-making. This structure raises questions about what is central and marginal in history, suggesting the extent to which historical narrative is constructed in the imagination by taking the facts surrounding a central event from which the historian is absent—a process much like negative space drawing …

Mythic Circle #44

The Mythic Circle

Greetings, Subscribers, Contributors, and Readers, All, and welcome to the 2022 edition (issue #44) of The Mythic Circle, the creative writing publication of The Mythopoeic Society. With this issue, we continue our 44-year-old tradition of offering our members and the general public a selection of fiction, poetry, and images that develop, extend, or recapitulate the mythic concepts used by J. R. R. Tolkien, C. S. Lewis, and the other Inklings, and also by mythic storytellers from pre-literate antiquity to the modern world.

This issue begins with the proper publication, in its intended form, of a poem that was misrepresented in …

Tolkien's Elvish Craft, Dwayne Thorpe

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

This paper examines “fusion”, the basis of artistry, in the works of J.R.R. Tolkien. Fusion takes place in descriptive passages, in the characters’ perception and in the language Tolkien uses. Fusion works toward the purpose of Tolkien’s fiction, which is to be found in the Christian views of earth and escapism, especially as expressed by sea-longing.

The Realm Of Faërie, Christine Barkley

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

Middle-earth is not the only glimpse we get of Tolkien’s view of Faërie. This paper examines his definition of Faërie and how it applies to Niggle’s Parish and to the forest in Smith of Wootton Major. Once we are aware of certain aspects of Faërie (for example the double vision possible), we can appreciate them in Middle-earth.

Tolkien's Revision Of The Romantic Tradition, Chris Seeman

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

This paper explores Tolkien’s vision of fantasy within the broader historical context of Romanticism, clarifying the ways in which he inherits and revises Romantic views of the creative imagination via the concept of “sub-creation”. Possible links with Coleridge’s thought are considered, especially with respect to the uses of Romanticism in the context of Christianity.

The Simple Prince, Mark Spradley

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

The first piece of fiction to appear in the pages of Mythlore.

World Of Fanzines, Bernie Zuber

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

No abstract provided.