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Review: Marge Saiser's Losing The Ring In The River (University Of New Mexico Press), Christine Stewart-Nunez

English Faculty Publications

I opened up Marge Saiser's latest book of poetry, Losing the Ring in the River, with great anticipation. Familiar with her other books, Lost in Seward County and Bones of a Very Fine Hand, I expected exquisitely etched images and finely tuned phrases, and I wasn't disappointed. In Losing the Ring in the River, Saiser depicts three generations of women, Clara, Emma, and Liz, in moments that clarified or defined their lives: Clara's astute reading of domestic life, especially her sharp divisions with her husband; Emma's chase of marital happiness and coping with disappointment; and finally, Liz's spark and break …

‘The Future’S Not Ours To See’: How Children And Young Adults Reflect The Anxiety Of Lost Innocence In Alfred Hitchcock’S American Movies., Jason Mcentee

English Faculty Publications

Introduction:

In The Man Who Knew Too Much (1956), the Ambassador, while plotting to kill the Prime Minister, orders the kidnapped American child Hank McKenna killed, telling his would-be gunman, Edward Drayton: “Don’t you realize that Americans dislike having their children stolen?” Earlier in the movie, Jo McKenna entertains her son and husband by singing “Que Sera Sera,” and its playfulness becomes darkly ironic when she sings “the future’s not ours to see” on the eve of her son’s kidnapping.
The movie unfolds as a cat-and-mouse game in which the McKennas desperately try to locate and save their kidnapped son, …