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Full-Text Articles in Arts and Humanities
Gallery K : Business Plan, Shane Shenghan Kong
Gallery K : Business Plan, Shane Shenghan Kong
MA Projects
This business plan is to open a commercial art gallery in Vancouver, Canada. This business plan will elaborate on the art market in Canada, the art market in Vancouver, the gallery’s key partnerships, activities and resources, the gallery’s revenue streams and cost structures, the value propositions that the gallery offers as well as the potential challenges that the gallery faces. The key statistics from this business plan are gathered from Statistics Canada, ArtVenture’s Canadian Art Market Report 2018, Artsy.net, as well as from conversation with art dealers and gallery directors in Vancouver.
Phoenix Fine Art Business Plan, Ruomu Freda Li
Phoenix Fine Art Business Plan, Ruomu Freda Li
MA Projects
In China, contemporary art market has been growing in both value and size for the past few decades. Today, China remains to be a global industry that is worth more than $50 billion annually. (1) Chinese art market according to a report by ArtNet accounted for 20% of the global total sales in 2017. As a result, the work of the Chinese artists fetching multimillion dollars indicates the significance of the market.(2) This growth in the art market is however attracting the attention of investors and raising the confidence of art collectors. In China, traditional Chinese art has become the …
Humanizing The Tattoo: Looking Beyond The Skin's Surface, Julia Schuckman
Humanizing The Tattoo: Looking Beyond The Skin's Surface, Julia Schuckman
MA Projects
Tattoos. Works of art on the skin, but what does it mean? One does not just brand themselves without a just cause. There is much that goes into a tattoo; selection of a design, collaboration with an artist, color selection, actual tattooing, and the aftermath/healing. This is the same process no matter the size of the piece. Even as a simple quote in black across a section of skin, there is more behind the ink and skin. There is an individual with a story. The exhibition, Humanizing the Tattoo: Looking Beyond the Skin’s Surface will explore the human relationship to …
A Body Of Work, Ali Edelson
A Body Of Work, Ali Edelson
MA Projects
“A Body of Work”, the working title for this curatorial proposal, examines how a group of emerging female artists represent the female form in their work. The representation of the female form, and more specifically the female nude, has long been a key part of art history. For many years, men took ownership over women’s bodies as a commodity, especially in the case of nudes. In the 20th century, feminist artists began to take more power over the ways in which the female form was portrayed by either refusing to commodify or sexualize it or taking ownership over it themselves. …
"Relationship" - An Art Bookstore In Macau, Keer Kang
"Relationship" - An Art Bookstore In Macau, Keer Kang
MA Projects
Mentioned to Macau, most people have the first impression of Macau is the splendid casinos and hotels. Many people think that Macau is just a gambling city. In fact, Macau has a unique culture that is memorable. There are more than 100 ancient architectural relics、20 Western-style churches、40 temples and 20 Museums in the land. As we know, many cities around the world are famous for their unique cultural identity, while Macau is characterized by a blend of multicultural. This business plan is to create and expand the field of commercial art with the background and advantages of Macau's multiculturalism. Therefore, …
Subversive Stitch, Kimberly Reinagel
Subversive Stitch, Kimberly Reinagel
MA Projects
WhiteBox Harlem is thrilled to present Subversive Stitch, a group exhibition featuring female contemporary artists that work in textiles, curated by Kimberly Reinagel. Presented at this show will be works by Eozen Agopian, Alexandria Deters, Zhen Guo, Lisa Kellner, Mariana Garibay Raeke, Kimberly Reinagel, Leila Seyedzadeh, Victoria Udondian and Christina Whitney Wong. This exhibition will look at the societal reassignment of the textile in the art market. Textiles throughout history have been primarily considered a "feminine" medium. Fabrics, fashion, embroidery and tapestry all connote a feminine background, and have thus notoriously not been received with much gravity. This exhibition is …