Arts and Humanities Commons^™

Whether It’S Coins, Fringe, Or Just Stuff That’S Sparkly': Aesthetics And Utility In A Tribal Fusion Belly Dance Troupe’S Costumes, Jeana Jorgensen

Jeana Jorgensen

As both a scholar and a belly dancer, I believe that belly dance is recognizable on aesthetic grounds. In addition to the movements that belly dancers typically perform—muscle isolations, undulations, graceful hand motions and turns, and lots of hip work—belly dancers wear costumes that are visually identifiable as belly dance costumes. While this description may seem tautological, there are recognizable standards both in the public sphere and among dancers for what constitutes the belly dance image—or images, as belly dance is a diverse phenomenon that encompasses teaching, learning, performing, watching, socializing, and costuming.

Feminist Aesthetics And Copyright Law: Genius, Value, And Gendered Visions Of The Creative Self, Carys J. Craig

Carys Craig

Copyright law is fundamentally concerned with the value of cultural works — both the recognition and the creation of this value. Yet it is seldom acknowledged that copyright law makes or requires any value judgment in the sense of an aesthetic evaluation of copyright’s subject matter. Indeed, it is often emphasized that copyright protects original works of authorship regardless of their quality or merit. That copyright protection demands the satisfaction of only the most minimal of qualitative standards does not, however, dispose of the larger claim that forms the basis of this chapter: our copyright system is dominated by a …

Butoh: The Dance Of Global Darkness, Steven Bruhm

Steven Bruhm

No abstract provided.

Cell Phones From Hell, Steven Bruhm

Steven Bruhm

Recently Hollywood has remade a number of movies from the 1970s, movies in which young women are terrorized by a murderer calling from a telephone located elsewhere in the house. In the remakes, the murderer uses a cell phone, which effectively destroys the sense of space and distance on which earlier horror films were predicated. In one way, these films gesture to Jean Baudrillard's idea of “the transparency of evil,” in that they depict the collapse between the speaking self and the technologies of monstrosity against which the self might be defined. In another way, though, the films proliferate sites …

Still Here: Choreography, Temporality, Aids, Steven Bruhm

Steven Bruhm

No abstract provided.

All Is True (Henry Viii): The Unbearable Sex Of Henry Viii, Steven Bruhm

Steven Bruhm

No abstract provided.

Reflecting Narcissus: A Queer Aesthetic, Steven Bruhm

Steven Bruhm

The figure of Narcissus, literally falling for himself, has profoundly influenced Western philosophy and literary theory: he signifies transcendental idealism and its nemesis, vanity; he underlies autoeroticism and misogyny; he has a crucial place in poststructuralist French thought. Yet, for all this, Narcissus is rarely if ever seen in his primary attitude-as a man erotically desiring another man.

In Reflecting Narcissus, Steven Bruhm traces the complex uses of Narcissus in cultural and aesthetic formulations from the eighteenth century to the present and returns Narcissus's essential homoeroticism to a central place in this history. Extending the horizons of queer, feminist, and …