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Rhode Island School of Design

2020

Identity

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Full-Text Articles in Arts and Humanities

This Feels Familiar, E. Winslow Funaki May 2020

This Feels Familiar, E. Winslow Funaki

Masters Theses

This is a book about in-betweenness. It’s an examination of how we identify people and objects, the categories we use to do so, and those that don’t fit squarely into one or the other. It considers the grey areas of identity--race, gender, species, function, living, inanimate. It slips and slides through the ambiguous and indefinite, forever moving, always simultaneously being “both,” “all,” “neither,” and “none.”


Glurp, Glurp, Glurp, Zihe Gong May 2020

Glurp, Glurp, Glurp, Zihe Gong

Masters Theses

My thesis is an accumulation of many different things. It contains a body of work that consists of furniture, objects, sketches, illustrations, and spontaneous thoughts, as well as improvised writings and images of a variety of things that have largely influenced my own making. For me, design is a discipline that does not come into being through a linear direction. Similarly, I believe that a thesis does not comprise just one single narrative, culminating from one starting point. The process of designing and making is more like the way one prepares a meal - all of the ideas and research …


Make Yourself At Home, Han Seok You May 2020

Make Yourself At Home, Han Seok You

Masters Theses

“Make Yourself at Home” is a personal journey of self-documentation to discover a definition of “home” and family, and to reenact the missing scenes from my youth. As a child who grew up in many different places far away from home, I missed out on many family moments and a sense of belonging. As a South Korean passport holder who has lived mostly in North America, my identity is unresolved. I find myself in the balance between Korean and American. With the progression of this project, I try to reconcile my past in order to gain an understanding of my …


Hain't, Jarrett Key May 2020

Hain't, Jarrett Key

Masters Theses

Jarrett Key’s thesis book examines their journey towards understanding their freedom through three lenses: Survival, Transformation and Celebration. Through pointed excavation of the oral histories and lost stories of their upbringing in rural Alabama, their work presents critiques of the historical conditions that sowed the seeds of their contemporary personhood, while simultaneously creating spaces to celebrate beauty, joy, and survival. The objects Key builds perform their freedom and are crafted from materials that reference pieces of their own personal narrative. Highlighting works from Leaving the City (oil paintings on cement), the Hot Comb (forged black steel sculptures), and Slave Ship/ESP …