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Articles 1 - 30 of 67
Full-Text Articles in Arts and Humanities
Playing With Time: Writing History In Neo-Zionist Hebrew Literature, Huiruo Li
Playing With Time: Writing History In Neo-Zionist Hebrew Literature, Huiruo Li
CLCWeb: Comparative Literature and Culture
The term neo-Zionism can be used to group ideologically much of contemporary Hebrew literature. However, since neo-Zionism shares similar critical tools with post-Zionism, while also sharing a common political vision with Zionism, it has been difficult to find the definitive signifiers of neo-Zionist writing. This paper offers a way to determine the nuanced ideological inclination of Hebrew literature: the presentation of time. First, this paper recognizes the metamorphosis of time in Israeli literary history that reflects the writers’ historical view of the Zionist agenda. Zionist Hebrew literature was engaged in re-establishing Jewish historical time by emphasizing the relationship between time …
Coming Of Age And Exile In No Pasó Nada, Regina Maria Faunes
Coming Of Age And Exile In No Pasó Nada, Regina Maria Faunes
CLCWeb: Comparative Literature and Culture
The article examines the effect of exile on the coming-of-age process in Skármeta’s novel, No pasó nada. Through textual analysis and the application of theories surrounding identity formation, socialization, and the accommodation of the individual into society, the paper demonstrates how exile both complicates and acts as a catalyst in the protagonist’s coming of age. Despite the fact that the novel was published in the second half of the twentieth century, the protagonist follows the classical coming-of-age process depicted in nineteenth-century texts, prior to changes brought about by late capitalism, globalization and the explosion of digital media platforms that …
Female Bonding And Marginality In Shang Wanyun’S Novella “Xialihe” (1978), Antonio Paoliello
Female Bonding And Marginality In Shang Wanyun’S Novella “Xialihe” (1978), Antonio Paoliello
CLCWeb: Comparative Literature and Culture
This article explores the representation of homosociality between two marginalized female characters in “Xialihe” (夏麗赫) (1978), a novella by Sinophone Malaysian writer Shang Wanyun (商晚) (1952-1995). Although some scholars have suggested that the writer’s preoccupation with the intimate world of women started only in the 1980s, I argue that “Xialihe” already highlights issues such as female intimacy and women’s social marginalization. The text represents, therefore, a link between her earlier nativist production and her later more feminist approach. Additionally, I contend that, writing from a marginal position at the periphery of Malaysia’s national literary system and from a doubly-conservative environment …
Returning To East Africa Via India: On M. G. Vassanji’S And Home Was Kariakoo, Shizen Ozawa
Returning To East Africa Via India: On M. G. Vassanji’S And Home Was Kariakoo, Shizen Ozawa
CLCWeb: Comparative Literature and Culture
In his article “Returning to East Africa via India,” Shizen Ozawa examines how M. G. Vassanji further develops his diasporic aesthetics in his latest travel book/ memoir And Home Was Kariakoo: A Memoir of East Africa (2014) from two perspectives. First, the essay explores some possible influences of his earlier travelogue A Place Within: Rediscovering India (2008). It seems partly because of his deepening relationship with his land of ancestral origin that in And, Vassanji emphasizes the cross-continental connections between East Africa and India more strongly than in his earlier works. Especially, he characterizes the very presence of …
Tituba, “Dark Eve” In The Origins Of The American Myth: The Subject Of History And Writing About Salem, Junghyun Hwang
Tituba, “Dark Eve” In The Origins Of The American Myth: The Subject Of History And Writing About Salem, Junghyun Hwang
CLCWeb: Comparative Literature and Culture
Recasting the Salem witchcraft trials in light of Walter Benjamin’s theses on historiography, this paper revisits the question of history by examining ways in which Tituba is dis/con-figured as the subject of American history in Arthur Miller’s The Crucible and Maryse Condé’s I, Tituba, Black Witch of Salem. Both stories of persecution revolve around the figure of Tituba, a slave from the Caribbean to whom the beginning of the witch trials is attributed, as the nodal point of different modes of representing the Salem history. The telos in Miller’s drama coincides with the subject-formation of Proctor as the legitimate …
Trans-Atlantic Interrogation: Fabienne Pasquet’S La Deuxième Mort De Toussaint Louverture, Mariana F. Past
Trans-Atlantic Interrogation: Fabienne Pasquet’S La Deuxième Mort De Toussaint Louverture, Mariana F. Past
CLCWeb: Comparative Literature and Culture
In “Trans-Atlantic Interrogation: Fabienne Pasquet’s La deuxième mort de Toussaint Louverture,” Mariana Past situates the Haitian-Swiss novelist’s understudied narrative within the context of Caribbean letters and the Haitian literary tradition, then discusses the broader, intertextual implications of Toussaint Louverture’s “second” death for Haiti and the trans-Atlantic world. To what end does Pasquet deploy the aged ghost of a Haitian revolutionary icon being invoked by German Romantic writer Heinrich von Kleist in the Fort de Joux castle-cum-prison within France’s remote, mountainous Jura region? What is at stake when the diasporic writer reincarnates a legendary German poet as protagonist, placing him …
“The Poem Is What Lies Between A Between”: Mahmoud Darwish And The Prosody Of Displacement, Ayelet Even-Nur
“The Poem Is What Lies Between A Between”: Mahmoud Darwish And The Prosody Of Displacement, Ayelet Even-Nur
CLCWeb: Comparative Literature and Culture
Palestinian poet Mahmoud Darwish grew up in Israel as an internal refugee living under Israeli military rule, legally classified as a “present-absentee alien.” This article focuses on his 1995 volume of poetry, Limādhā tarakta al-ḥiṣān waḥīdan? (Why Did You Leave the Horse Alone?), to study the manner in which Darwish’s cultivation of the musical and aural aspects of poetry serves as a means of poetically attending to the effects of dispossession and displacement. Through a discussion of the poems in the collection’s fourth section, Ghurfa l’il kalām maʿ al-nafs (A Room to Talk to Oneself …
Arab Music And Mizraḥi Poetry, Yochai Oppenheimer
Arab Music And Mizraḥi Poetry, Yochai Oppenheimer
CLCWeb: Comparative Literature and Culture
The concept of “Arab Jews,” which has appeared in Israeli Mizraḥi (Oriental) discourse over the last decade, resists the framework of Israeli national culture that demands the elimination of Arab identity. For this music suggests possibilities of remembering and “re-presenting” this partially-repressed element. Moreover, the experience of remembering Arab music represents, more than anything else, the diasporic attitude of the Mizraḥim (Oriental Jews). It demonstrates a common legacy that Israeli culture is unwilling to accept and understand. Extrication from the boundaries of Zionist culture (which has historically rejected the diasporic past and its cultures, especially the Arab-Jewish past) manifests itself, …
Natan Zach’S Poetics Of Erasure, Michael Gluzman
Natan Zach’S Poetics Of Erasure, Michael Gluzman
CLCWeb: Comparative Literature and Culture
Natan Zach has often been described as the most influential Hebrew poet in the second half of the 20th century. Indeed, the scholar Dan Miron described him as a poet who had “reached the deepest part within us,” and as a “cultural leader” and “cultural hero.” Yet when Miron went on to detail Zach’s immense influence on other poets, he described his poetic legacy in exceedingly limiting formal terms such as “the use of enjambment” or “the magic of the unexpected rhyme, seemingly out of place.” Miron’s reading is symptomatic in the way it uses, indeed echoes, Zach’s own critical …
Israeli Documentary Poetry About Coming Of Age In The Early Statehood Period, Ilana Rosen
Israeli Documentary Poetry About Coming Of Age In The Early Statehood Period, Ilana Rosen
CLCWeb: Comparative Literature and Culture
This article introduces the genre of documentary poetry written by Israeli poets who came of age during the first two decades of the state (1950s-1960s) and who recount their experiences of that period. These poets were either immigrant children or native Israelis born to immigrants who had arrived in the new country from the four corners of the earth. The generic context of Israeli documentary poetry is the inclusive genre of documentary literature, referring to non-fictional writing whose authors or heroes wish to recount their experiences of major events that engulfed, affected and changed the lives of many. In the …
Introduction To The Monstrous Global: The Effects Of Globalization On Cultures, Ju Young Jin, Jae Roe
Introduction To The Monstrous Global: The Effects Of Globalization On Cultures, Ju Young Jin, Jae Roe
CLCWeb: Comparative Literature and Culture
This special issue on “The Monstrous Global: The Effects of Globalization on Cultures” explores representations of the monstrous effects and products of globalization. The monstrous (as in The Monstrous Feminine by Barbara Creed) in this sense alludes to the ways in which local or national displays of fear and anxiety about the Other are embedded in struggles and tensions of global scale; the inability to cognitively map the effect of such global forces on local/national problems produces monstrous representations of the global. Global forces such as neoliberalism and reactionary nationalism, technology, climate change, migration and displacement lead to accelerating instability …
Writing, Rewriting, And Miswriting: Eileen Chang’S Late Style Against The Grain, Lina Qu
Writing, Rewriting, And Miswriting: Eileen Chang’S Late Style Against The Grain, Lina Qu
CLCWeb: Comparative Literature and Culture
In her article “Writing, Rewriting, and Miswriting: Eileen Chang’s Late Style Against the Grain,” Lina Qu reconstructs Eileen Chang as a Saidian late figure and formulates the poetics and politics of lateness immanent in her late self-writing. Drawing from Said’s theorization, Qu argues that Chang’s late style emerges and matures in rewriting her memories into numerous autobiographical accounts. The exposé of her dysfunctional family and turbulent life metonymically constitutes a counter narrative that disenchants Chinese modernity. In contrast to the dominant modalities of evolution and revolution, her involutionary discourse embodies a Deleuzian paradigm of artistic creativity and historical development. Qu …
Migrant Necropolitics At The Table: "Civilized Cannibalism" In Mahi Binebine's Cannibales, Taïeb Berrada
Migrant Necropolitics At The Table: "Civilized Cannibalism" In Mahi Binebine's Cannibales, Taïeb Berrada
CLCWeb: Comparative Literature and Culture
In Cannibales, the Maghrebi Francophone author Mahi Binebine revisits the encounter between the so-called “cannibals” and the European colonizer in the context of illegal immigration where bodies become commodities exchangeable for social improvements creating a different form of cannibalism. It is no longer the usual dichotomy between the civilized and the savage that is at work but rather a “civilized” European imperialist who feeds himself on a migrant’s flesh. This article argues that this representation works as a “colonial fragment” from the past but contextualized in today’s globalization. Binebine’s morbid depiction of an ambivalent postcolonial cannibalistic encounter translates as …
Revisiting "Home" In Ghanaian Poetry: Awoonor, Anyidoho And Adzei, Gabriel Edzordzi Agbozo
Revisiting "Home" In Ghanaian Poetry: Awoonor, Anyidoho And Adzei, Gabriel Edzordzi Agbozo
CLCWeb: Comparative Literature and Culture
The idea of “home” is a significant occurrence in postcolonial literature, as it connects to other ideas as identity, nationhood, and culture. This paper discusses “home” in Ghanaian poetry focusing on three well-regarded poets: Kofi Awoonor, Kofi Anyidoho, and Mawuli Adzei. These poets come from the Ewe ethnic group, and engage with the Pan-African project in both their scholarly and creative expressions. Drawing on John Berger, Sara Dessen, and Ewe thought on the afterlife, this paper suggests two major types of “home” in the works of these three poets: the physical, and the metaphysical. Physical “home” refer to the Wheta …
Salam Neighbor: Syrian Refugees Through The Camera Lens, Lava Asaad
Salam Neighbor: Syrian Refugees Through The Camera Lens, Lava Asaad
CLCWeb: Comparative Literature and Culture
This paper examines the documentary Salam Neighbor (2015), which celebrates the will of Syrian refugee women who are displaced in Jordan. The collective experience of the refugees portrayed in the documentary solicits a reaction from the Western viewer. To counteract the images of refugees in the media, documentaries can be a good alternative for mass media, which has been perpetuating a binary of the West and the Rest. The argument tackles the issue of this new representation of refugees in documentaries within a postcolonial paradigm of how we represent or speak to/with the Other in our technological age, as well …
Overlapping Scriptworlds: Chinese Literature As A Global Assemblage, Wai-Chew Sim
Overlapping Scriptworlds: Chinese Literature As A Global Assemblage, Wai-Chew Sim
CLCWeb: Comparative Literature and Culture
In his article “Overlappinig Scriptworlds: Chinese Literature as a Global Assemblage,” Wai-Chew Sim offers a globalist vision or understanding of Chinese literary studies/Sinophone studies. Deploying the notion of scriptworld (Damrosch), he examines how the Chinese, English, and Malay-language scriptworlds interact in the Southeast Asian context. He traces the rhizomatic connections between Joo Ming Chia’s Exile or Pursuit, a Singapore Sinophone text that explores multiple belongings, and two novels: M. L. Mohamed’s Confrontation (originally published as Batas Langit), and T.H. Kwee’s The Rose of Cikembang (originally published as Bunga Roos dari Cikembang). Tracing the sinophonicity of the latter …
Subverting Transnormativity: Rage And Resilience In Kim Fu’S For Today I Am A Boy, Andrea Ruthven
Subverting Transnormativity: Rage And Resilience In Kim Fu’S For Today I Am A Boy, Andrea Ruthven
CLCWeb: Comparative Literature and Culture
This article analyzes the affective politics of rage and resilience in the novel For Today I Am a Boy (2014) by Kim Fu. The novel explores the dis-identification (Muñoz 1999) of gender identity through the protagonist, focusing on the rage, sadness, fear, and secrecy that function as the glue holding the body together, but that also work to constrain the process of self-identification. The novel is not the celebration of self-realization, nor is it the lamentation of a traumatized protagonist. Instead, the narrative pays attention to the various ways in which non-binary, or non-normative gender identities are marginalized, and to …
Bibliography: Life, Illness And Disabilities In Life Writing And Medical Narratives, I-Chun Wang, Jonathan Hart, Cindy Chopoidalo, David Porter, Shu-Hua Chung
Bibliography: Life, Illness And Disabilities In Life Writing And Medical Narratives, I-Chun Wang, Jonathan Hart, Cindy Chopoidalo, David Porter, Shu-Hua Chung
CLCWeb: Comparative Literature and Culture
No abstract provided.
More Migrants With Nowhere To Go?, Mary E. Theis
More Migrants With Nowhere To Go?, Mary E. Theis
CLCWeb: Comparative Literature and Culture
In "More Migrants with Nowhere to Go?” Mary Theis reframes the stories of the Tai Dam and discusses this group of people, who migrated from Vietnam and Laos to Thailand and then to Iowa in 1975 after the wars in Southeast Asia when they virtually had nowhere to go. It is based on interviews with some of the 1,200 Tai Dam who were invited by Governor Robert Ray to resettle in Des Moines, Iowa, and nearby cities. The stories are contextualized by research on U.S. policies on immigration and the current precarious fates of other migrants in the United States …
Reminiscing About Latin: Cases Of Life-Writing And The Classical Tradition, David Andrew Porter
Reminiscing About Latin: Cases Of Life-Writing And The Classical Tradition, David Andrew Porter
CLCWeb: Comparative Literature and Culture
In his article "Reminiscing about Latin: Cases of Life-writing and the Classical Tradition," David Andrew Porter examines the life of Latin and life-writing in Latin while drawing on other languages. He argues that post-classical Latin writing is vital to many modern writers and offers a challenge to post-Romantic conceptions of literature. He explores how Latin literary traditions affect professional and accidental writers, from the Renaissance scholar Isaac Casaubon to the Jamaican poet Francis Williams, in order to draw attention to the humour, irony and conflict in such lived experiences and writing.
The Colonized Masculinity And Cultural Politics Of Seediq Bale, Chin-Ju Lin
The Colonized Masculinity And Cultural Politics Of Seediq Bale, Chin-Ju Lin
CLCWeb: Comparative Literature and Culture
In her article, “The Colonized Masculinity and Cultural Politics of Seediq Bale,” Chin-ju Lin discusses a Taiwanese blockbuster movie, a postcolonial historiography and a form of life-writing, which delineates the last Indigenous insurrection against Japanese colonialism. This article explores the cultural representations in Seediq Bale. Fighting back as a colonized man for pride and dignity is portrayed as means to restore their masculine identity. The headhunting tradition is remembered, romanticized, praised highly as heroic and even strengthened in an inaccurate way to promote individualistic masculinity and to forge a new national identity in postcolonial Taiwan. Nevertheless, the stereotypical …
Changez/Cengiz's Changing Beliefs In The Reluctant Fundamentalist, Valerie Kennedy
Changez/Cengiz's Changing Beliefs In The Reluctant Fundamentalist, Valerie Kennedy
CLCWeb: Comparative Literature and Culture
In her article, “Changez/Cengiz's Changing Beliefs in The Reluctant Fundamentalist” Valerie Kennedy analyzes the interrelation of individual subjectivity and global capitalism and the conflict between two belief systems in Mohsin Hamid’s novel. These are, first, a neoliberal system that sees individuals as rationally self-interested, mobile, economic units, and, second, a system based on a humanist definition of individuals as defined by nation, family, and tradition. Changez, the novel’s protagonist, initially endorses the first, but later rejects it for the second, due to his growing awareness of the impact on Pakistan of American geopolitics after 9/11. The essay also examines …
Introduction To The One Asia Foundation And Its Cooperation And Peace-Making Project, Asunción Lópezvarela Azcárate
Introduction To The One Asia Foundation And Its Cooperation And Peace-Making Project, Asunción Lópezvarela Azcárate
CLCWeb: Comparative Literature and Culture
No abstract provided.
Let The Other Be Me - The Theo-Political Predicament And The Arab In Shin Shalom’S Early Writings, Haim Otto Rechnitzer
Let The Other Be Me - The Theo-Political Predicament And The Arab In Shin Shalom’S Early Writings, Haim Otto Rechnitzer
CLCWeb: Comparative Literature and Culture
In his article "Let the Other be Me - The Theo-Political Predicament and the Arab in Shin Shalom's Early Writings" Haim O. Rechnitzer explores the theo-political predicament as reflected in the writings of poet, playwright and novelist Shin Shalom (Parczew Poland 1904–Haifa, Israel 1980). Particular attention is given to writings composed during the intensification of violence between Arabs and Jews in Mandatory Palestine from the early 1920s through the Arab revolt of 1936-39. This period is also a volatile period in Shalom's life; Aliya (Zionist immigration to the Land of Israel) with a Hasidic Zionist group, leaving the Hasidic settlement …
Deromanticized Cosmopolitanism In Smith’S Swing Time And Chi’S 晚安玫瑰 (Goodnight, Rose), Songyun Zheng
Deromanticized Cosmopolitanism In Smith’S Swing Time And Chi’S 晚安玫瑰 (Goodnight, Rose), Songyun Zheng
CLCWeb: Comparative Literature and Culture
In her article "Deromanticized Cosmopolitanism in Smith's Swing Time and Chi's 晚安玫瑰 (Goodnight, Rose)" Songyun Zheng proposes a theoretical framework of deromanticized cosmopolitanism to conduct a comparative reading of Zadie Smith's Swing Time, a transcontinental narrative of London, New York, and Africa, and Zijian Chi's Goodnight, Rose, about a Jewish émigré living in Harbin, China. Zheng reframes cosmopolitanism by recognizing its contradictory and multifaceted nature, and questions the assumed connection between cosmopolitanism and cross-boundary activities such as migration and interracial relationships. The two novels form a constellation of deromanticized cosmopolitanism with characters of transcultural backgrounds …
Transnational Uses Of Mafia Imagery In Zadie Smith’S White Teeth, Andrea Ciribuco
Transnational Uses Of Mafia Imagery In Zadie Smith’S White Teeth, Andrea Ciribuco
CLCWeb: Comparative Literature and Culture
In his article "Transnational Uses of Mafia Imagery in Zadie Smith's White Teeth" Andrea Ciribuco discusses the literary representation of multiculturalism in Zadie Smith's first novel, White Teeth (2000). The novel focuses on multicultural encounters in Great Britain in the second half of the twentieth century. This article focuses on one site for these encounters: the character of Millat Iqbal, who joins a gang of teenagers and subsequently a radical Islamic group in his problematic search for identity and belonging. This search is characterized by Millat's tendency to define himself by reference to well-known pop-cultural Mafia figures, whom he …
Towards The Inclusion Of Inter-Ethnic Studies In Comparative Literature In China, Xiaoqing Han, Aaron L. Moore
Towards The Inclusion Of Inter-Ethnic Studies In Comparative Literature In China, Xiaoqing Han, Aaron L. Moore
CLCWeb: Comparative Literature and Culture
In their article "Towards the Inclusion of Inter-Ethnic Studies in Chinese Comparative Literature" Xiaoqing Han and Aaron Lee Moore advocate for the inclusion of inter-ethnic studies in Chinese comparative literature. The traditional definition for many Chinese comparative literature scholars continues to confine the discipline to "inter-national" or "cross-civilization" studies rather than including "inter-ethnic" studies, and Chinese ethnic minority writing continues to be underrepresented in the national literary canon. This article is in no way opposed to the continued growth and development of a Chinese national literature. But rather, it seems crucial that inter-ethnic studies should be included in the discipline …
The Impact Of Burroughs's Naked Lunch On Chester's The Exquisite Corpse, Jaap Van Der Bent
The Impact Of Burroughs's Naked Lunch On Chester's The Exquisite Corpse, Jaap Van Der Bent
CLCWeb: Comparative Literature and Culture
In his article "The Impact of Burroughs's Naked Lunch on Chester's The Exquisite Corpse" Jaap van der Bent posits that although Alfred Chester was critical of most Beat writing, in Tangier in the early 1960s he associated not only with Paul Bowles, but also with William S. Burroughs. Van der Bent argues that The Exquisite Corpse, the experimental novel Chester wrote in Tangier, shows the influence of the city's geography and especially the content and form of Burroughs's Naked Lunch.
Bowles's Up Above The World As Beatnik Murder Mystery, Greg Bevan
Bowles's Up Above The World As Beatnik Murder Mystery, Greg Bevan
CLCWeb: Comparative Literature and Culture
In his article "Bowles's Up Above the World as Beatnik Murder Mystery" Greg Bevan discusses Paul Bowles's fourth and final novel, which at the time of its publication was met with mixed reactions from reviewers and its creator alike, and has seen relatively scanty critical attention in the years since. Gena Dagel Caponi perceives in the novel a reflection of Bowles's struggle for control, during the time of its writing, in the face of his wife Jane's terminal illness. Building on this insight, the current essay notes the same tension in the writings of the Beats—a movement with which Bowles …
Introduction To New Work On Immigration And Identity In Contemporary France, Québec, And Ireland, Dervila Cooke
Introduction To New Work On Immigration And Identity In Contemporary France, Québec, And Ireland, Dervila Cooke
CLCWeb: Comparative Literature and Culture
No abstract provided for the introduction.