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A Comparative Examination Of The Hyperbole In Men Without Women By Haruki Murakami And Fudotoku Kyoiku Koza By Yukio Mishima, Jitsuya Nishiyama May 2018

A Comparative Examination Of The Hyperbole In Men Without Women By Haruki Murakami And Fudotoku Kyoiku Koza By Yukio Mishima, Jitsuya Nishiyama

Student Research Symposium

This presentation is on a comparative analysis of two prominent Japanese authors' works of literature. The presentation is about a comparative study of hyperbole in Men without women by Haruki Murakami and Fudotoku Kyoiku Koza by Yukio Mishima. Both authors have significant positions in the history of Japanese literature with readership overseas. The rhetoric of hyperbole seems to be significant for both Murakami and Mishima since there are many examples of hyperbole in their works. Murakami’s Men without women is a lamenting short narrative for the loved one while Mishima’s Fudotoku Kyoiku Koza is an entertaining social satire. Regardless of …


An Argument And Survey On Artemisia Gentileschi’S Allegory Of Fame, Rachel Done May 2018

An Argument And Survey On Artemisia Gentileschi’S Allegory Of Fame, Rachel Done

Student Research Symposium

The Allegory of Fame is a recently rediscovered painting that is attributed to Artemisia Gentileschi. As is common with all of Artemisia’s paintings, there come certain questions among scholars such as, is it truly her work? When was it made? Who was it made for? This particular painting also features a rare subject for Artemisia- an allegory. Allegory of Fame is unusual for Artemisia in terms of size and composition as well. I was attracted to exploring these questions and peculiarities around such a unique painting by Artemisia. Due to the controversies around the timeline and provenance of this work- …