Arts and Humanities Commons^™

Book Review Of, K-Pop Dance: Fandoming Yourself On Social Media, Jungmin Kwon

School of Film Faculty Publications and Presentations

Book Review:

Chuyun Oh, K-pop Dance: Fandoming Yourself on Social Media, New York, NY: Routledge, 2022, 194 pp., $52.95 (paperback).

Theorizing The Korean Wave| K(Q)Ueer-Pop For Another World: Toward A Theorization Of Gender And Sexuality In K-Pop, Jungmin Kwon

School of Film Faculty Publications and Presentations

This article argues that the K-pop space, which on one level appears to be homogeneously cishetpatriarchal, actually encompasses multiple configurations of gender and sexual identity. Nonetheless, academic discussions about gender and sexuality in K-pop have been significantly weighted toward the idea of “soft masculinity” regarding male performers, thereby muffling other possible interpretations. I suggest a new term, K(Q)ueerness. It means the aesthetics, imaginations, practices, performances, and ideas of K-pop players sublate binaristic identifications, including masculinity and femininity and heterosexual and homosexual—as well as Butler’s distinction between performance and performativity—to embrace the multifarious expressions of gender and sexuality surrounding K-pop. This …

Stillness And Motion On The Coffee Table: Photochemical Motion Pictures In Gilded Age Periodical, Amy E. Borden

School of Film Faculty Publications and Presentations

My research suggests that in addition to local practices, American film historians should continue to be attentive to mass experiences determined not only by location but, in this case, by 19th century periodical reading habits. I focus on the first four years of US public photochemical motion picture exhibition to consider the similarities I found in the use of still photographs to explain and introduce the machines and development processes used to introduce photochemical motion pictures to middle-class reading publics, effectively inviting readers to mentally animate the images themselves in imitatiion of a screening apparatus. I argue that the use …

Book Review Of, Seeing Fans: Representations Of Fandom In Media And Popular Culture, Edited By Lucy Bennett And Paul Booth, Jungmin Kwon

School of Film Faculty Publications and Presentations

Review of Lucy Bennett and Paul Booth. Seeing fans: Representations of fandom in media and popular culture. New York: Bloomsbury, 2016. Hardcover ₤110 (336p) ISBN 978-1-5013-1845-0; paperback ₤28.99 ISBN 978-1-5013-3954-7; EPUB/MOBI ₤31.30 ISBN 978-1-5013-1846-7; PDF ₤31.30 ISBN 978-1-5013-1847-4.

Channeling Rear Window, Sue Brower

School of Film Faculty Publications and Presentations

Rear Window is usually interpreted as a metaphor for cinema and film spectatorship. However, the film's domestic setting, plural spectacles, and gendered spectators' conversations could also refer to television, which at the time was sweeping the nation, and which Hitchcock was on the verge of exploring creatively and financially.

Expressive Cartography, Boundary Objects, And The Aesthetics Of Public Visualization, Patricio Davila, Dave Colangelo, Robert Tu

School of Film Faculty Publications and Presentations

Aesthetic visualization projects that incorporate users, community stakeholders, multiple modalities and technologies necessarily emphasize the way that an artistic visualization can be both an artifact and a process — a conceptualization of aesthetic visualization that is useful for thinking about visualization in general. In this paper, the authors propose the concept of the visualization as boundary object, a move away from the indexical claims of visualization and instead towards an acknowledgement of the entangled nature of social, political, economic, cultural, technological and environmental actants. Through a description of the In The Air, Tonight public visualization project, the authors suggest that …

Disrupting The City: Using Urban Screens To Remediate Public Space, Jean Dubois, Dave Colangelo, Claude Fortin

School of Film Faculty Publications and Presentations

For over a decade, human-computer interaction (HCI) research placed a great deal of emphasis on studying interaction, engagement, and appropriative practices in online technology-mediated social environments. Moving forward, however, we see computing systems increasingly designed to support digitally-augmented face-to-face interactions in public settings. As far back as the nineteen seventies, new media artists anticipated this interactive potential of digital public displays to foster new forms of situated interactions in urban space, quite distinct from mobile computing in that they altogether exclude online connections or exchanges. Drawing on examples of practice, this paper discusses and show-cases some of the key creative …

Curating Massive Media, Dave Colangelo

School of Film Faculty Publications and Presentations

The European Union’s media art initiative Connecting Cities and New York-based Streaming Museum are two recent examples of curatorial models that operate through large, networked, digital displays. This growing exhibition category combines expressive media architecture and telecommunication elements to engage ‘trans-local’ sites and diverse publics in complex media spaces. By investigating the confluence of exhibition making, public art and urban experience, this article explores the relationship between spectacle and criticality with respect to shifting notions of space, identity and ‘the common’.

Note: At the time of writing, Dave Colangelo was affiliated with Ryerson University.

An Expanded Perceptual Laboratory: Public Art And The Cinematic Techniques Of Superimposition, Montage And Apparatus/Dispositif, Dave Colangelo

School of Film Faculty Publications and Presentations

The use of the moving image in public space extends the techniques of cinema— namely superimposition, montage and apparatus/dispositif—threatening either to dehistoricize and distract or to provide new narrative and associative possibilities via public art. These techniques also serve as helpful tools for analysis drawn from cinema studies that can be applied to examples of the moving image in public space. Historical examples include the multi-screen experiments of Charles and Ray Eames; and contemporary public projections such as Krzysztof Wodiczko’s Abraham Lincoln: War Veteran Projection, Robert Lepage’s The Image Mill, my own project entitled Workers That Live in the Mirror, …

In The Air Tonight: An Uncommon Interface For Common Concern, Maggie Chan, Dave Colangelo, Patricio Davila, Robert Tu

School of Film Faculty Publications and Presentations

This paper is concerned with addressing social concerns with large-scale, multi-modal media art that uses digital networks, reactive architecture, and the city as semiotic resources. As artists and designers who are involved in socially engaged practice, we see an important role in foregrounding political and social issues through networks and architecture, negotiating and furnishing access to both while shaping compelling interfaces that allow people to contribute by amplifying an area of common concern. We discuss some previous work by Davila and Colangelo and focus on our latest project, In The Air, Tonight, which aims to visualize local wind patterns combined …

Light, Data, And Public Participation, Dave Colangelo, Patricio Davila

School of Film Faculty Publications and Presentations

As practices in reactive architecture and locative media converge and urban screens and projection technologies proliferate we are becoming increasingly able to interact with data in public space. This confluence presents us with modes of digitally mediated participation in urban space that highlight bodily and architectural relationships with data rich environments as well as new sets of problems and possibilities regarding aesthetics, poetics, and politics. The article will analyze works by Alfredo Jaar, Krzysztof Wodiczko, and Rafael Lozano-Hemmer, as they respectively exemplify the efficacy of the key components of public data visualization: mapping, expanded presence through architecture, and the ‘incompleteness’ …

On Provisionality, Dave Colangelo, Alex Fraser

School of Film Faculty Publications and Presentations

Brief essay which discusses the works of four artists shown in the "Everything and Nothing" exhibition, and places them in an historical, cultural, technological and artistic lineage.

Note: At the time of writing, Dave Colangelo was affiliated with N/A, an art and design collective dedicated to project and event‐based cross‐pollination.

Untitled (12th Istanbul Biennial), Dave Colangelo

School of Film Faculty Publications and Presentations

A review of the 12th Istanbul Biennial, held in 2011 in Istanbul, Turkey, with a focus on curatorial decision making and how this is thematically expressed in the exhibition.

Public Data Visualization: Dramatizing Architecture And Making Data Visible, Dave Colangelo, Patricio Davila

School of Film Faculty Publications and Presentations

In this paper, we explore emerging modes of digitally-mediated participation in urban space that engage bodily and architectural relationships with data rich environments. We contend that the combination of data visualization, public space, and digital display technologies represent an important aesthetic and technical challenge that engage new dimensions of presence in a social and material environment characterized by net works and data.

Again, With Feeling! [Exhibition Catalogue], Dave Colangelo

School of Film Faculty Publications and Presentations

Again, With Feeling! presents the work of artists whose visions are injected with properties of pattern, repetition, and appropriation. Taking cues from the everyday, the works displayed show new incarnations or morphs of their originals. This multidisciplinary show explores the ‘re’-mixing, producing, or contextualizing of an original, whether through motif, object or experience. By re-negotiating the terms around their borrowed imagery or performance, these artists present us with a fresh composition of a thing we’ve seen before.

The Car Park, Dave Colangelo

School of Film Faculty Publications and Presentations

This essay uses the work of Marc Augé as a lens through which to view the supermodern urban space, and how the concept of place is manufactured and negotiated. The author focuses on a car park to elucidate these themes, and agrees with Augé, who claims that non-places such as car parks fail to create identity or relations.

No Law: Deadwood And The State, Mark L. Berrettini

School of Film Faculty Publications and Presentations

Deadwood's final episode of season 3 opens with a monologue from theater operator Jack Langrishe (Brian Cox), a relative newcomer to the camp of Deadwood. Shown in a wide shot that spotlights him on the dark stage of his nascent theater, Langrishe ostensibly speaks to one of his companions, the actress Claudia (Cynthia Ettinger), shown in one medium reverse-shot. Yet Langrishe also speaks and performs beyond the theater to the residents of Deadwood and to the program's viewers extradiagetically as he sums up the tense state of affairs within the camp: This camp is in mortal danger. The man Hearst …

Danger! Danger! Danger!, Or When Animals Might Attack: The Adventure Activist Genre, Mark L. Berrettini

School of Film Faculty Publications and Presentations

An analysis of the current state of the adventure activist genre in film, centering on The Crocodile Hunter and Project Grizzly.