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Harlot: A Revealing Look at the Arts of Persuasion

Craft

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"All The Lovely Ladies" And "Celestarium", Danika Paige Myers Oct 2015

"All The Lovely Ladies" And "Celestarium", Danika Paige Myers

Harlot: A Revealing Look at the Arts of Persuasion

These poems are part of a larger manuscript that explores the poet's lifelong engagement with knitting and sewing-- and with the usually woman-centered communities that form around these crafts. The poems also respond to the cultural treatment of craft knowledge as frivolous or simple, highlighting the highly technical nature of such work and the mathematical, structural, and geometric knowledge required to successfully execute textile crafts. Densely referential, these poems invite the reader to play within their sounds and associations, making her own leaps and connections as she reads.


The "Hatting" Of The Clock: Crafting Juniata's Knitting Community Through Yarn Bombing The Clock Tower, Hannah Bellwoar, Scarlett Berrones Oct 2015

The "Hatting" Of The Clock: Crafting Juniata's Knitting Community Through Yarn Bombing The Clock Tower, Hannah Bellwoar, Scarlett Berrones

Harlot: A Revealing Look at the Arts of Persuasion

This piece explores how knitting creates community. We've found that the materiality of knitting, by which we mean the physical making of knitted objects, creates a feeling of community that connects people across physical and digital spaces. We discuss how the authors' personal knitting experiences with a college knitting club and yarn bombing the clock tower on campus relate to theory about the materiality of making knitted things. We argue that crafted rhetorical actions such as the yarn bomb enable knitters and non-knitters to connect more broadly around central community spaces.

Related videos on YouTube:
Connecting through Craft
Juanita College …


Crafting Change: Practicing Activism In Contemporary Australia, Tal Fitzpatrick, Katve-Kaisa Kontturi Oct 2015

Crafting Change: Practicing Activism In Contemporary Australia, Tal Fitzpatrick, Katve-Kaisa Kontturi

Harlot: A Revealing Look at the Arts of Persuasion

This article brings together thoughts and practices of two Melbourne-based women working across the fields of craftivism, practice-led research and contemporary art history. While introducing and analysing Australian craft(ivist) projects, this article also suggests new concepts useful in tackling the contemporary phenomenon of craft activism.


Under The Mask: Creative Dis/Possessions Of Borderlands Remembrance Practices, Lizzy Bentley, Joanna Sanchez-Avila Oct 2015

Under The Mask: Creative Dis/Possessions Of Borderlands Remembrance Practices, Lizzy Bentley, Joanna Sanchez-Avila

Harlot: A Revealing Look at the Arts of Persuasion

Each November, thousands of people gather in the small downtown of Tucson, Arizona, for a ritualistic and participatory event known as the All Souls Procession. While the Procession has drawn criticism for the cultural appropriation embedded in many of its crafting practices, its stakeholders are hesitant to acknowledge a meaningful connection to Dia de los Muertos as they frame the procession as an “authentic" multicultural event. Rather than flattening our engagement with the All Souls Procession into an either/or binary by solely condemning its problematic dimensions or praising its creativity, we choose to embrace the event's complexity by continuing a …


Craft As A Memorializing Rhetoric, Maria Novotny Oct 2015

Craft As A Memorializing Rhetoric, Maria Novotny

Harlot: A Revealing Look at the Arts of Persuasion

This video essay functions as a reflective piece pondering the intersections between craft, family, and the act of memorializing. Specifically, this essay attempts to push beyond traditional assumptions of craft as a discourse related to home projects or food. Instead, suggesting that the craft is a practice that memorializes bodies that have passed away and/or pain and sorrow carried on our own bodies. To make these claims, the author narrates two personal stories of craft as a memorializing rhetoric. The first narrative recounts how she came to realize craft as an essential practice embedded in the passing away of relatives. …