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Knowledge Is Power: The Political Influence Of The Chanter Social Circle At The University Of Paris (1200-1215), Andrew X. Fleming

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The faculty of theology within the medieval University of Paris formed a major node within the social network of thirteenth-century Europe. Through an analysis of papal and university statutes concerning the development of a defined understanding of heresy, an overview of the historiographic methodologies traditionally used in studying such a topic, and a prosopographically-based analysis of the actions taken by Pope Innocent III and a small circle of theologians at Paris, we hope to come to a more clarified understanding of the political motivations which drove academic and papal reform within the thirteenth century. More specifically, this study aims to …

The Storyteller's Trance In The Turn Of The Screw, Leslie C. Slape

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An examination of the presence and effect of the "storyteller's trance" on the narrators and their audience in The Turn of the Screw by Henry James (1898).

Thank you to Professor Sarah Ensor for advice and encouragement.

Masthead | Table Of Contents

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Includes the 2014-2015 Editorial Board and Table of Contents

Introduction, Sarah N. Donaldson

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Provides an overview of the content in this issue

Locke, Judgment, And Figure: A Consistent Answer To The Molyneux Problem, Jamale Nagi

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John Locke has been famously credited with resurrecting the distinction between common and proper sensibles, better known in the Essay as primary and secondary qualities. Although some argue that Locke’s adherence to the doctrine of the common sensibles is in conflict with his empiricist sensibilities, I will show this is not likely to be the case. In order to achieve this I will argue that Locke held there to be cross-modal connections in the mind for the representational content of ideas of primary quality, through the relation of resemblance, but that these representations need to be empirically verified to …

Delinquent Youth: The Ofuna New Wave, Basil Swartzfager

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In 1960 the Japanese film studio Shochiku Co. announced "the Ofuna New Wave" a revolution in Japanese filmmaking similar to France’s immensely popular Nouvelle Vague. This paper attempts to discover whether this Ofuna New Wave was simply a marketing ploy Shochiku developed in order to attract a larger youth market, or whether it constitutes a legitimate artistic movement along the lines of France’s New Wave. The methods used were a combination of primary research of four Shochiku films released in 1960 as well as secondary historical research regarding the studio and time period. The Shochiku films were then compared to …

“Between That Earth And That Sky”: The Idealized Horizon Of Willa Cather’S My Ántonia, Miriam A. Gonzales

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Since its 1918 publication, Willa Cather’s My Ántonia has been lauded for Cather’s masterful description of the Nebraska prairie landscape; since the mid-1980s, this text has also been the subject of countless queer theoretical analyses, many of which focus on what their authors perceive as an obstructed romantic connection between the novel’s two main characters, Jim Burden and Ántonia Shimerda. While these two subjects may not initially seem correlative, a more recent—and unrelated—critical essay illuminates a new way of examining Cather’s attention to setting. When we view My Ántonia in conjunction with José Esteban Muñoz’s “Queerness as Horizon: Utopian Hermeneutics …