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Full-Text Articles in Arts and Humanities

All Hands Withdrawn: Touch And The Failure Of Intimacy In A Passage To India And The Pisan Cantos, Douglas Diesenhaus Jan 2002

All Hands Withdrawn: Touch And The Failure Of Intimacy In A Passage To India And The Pisan Cantos, Douglas Diesenhaus

Honors Papers

Have there ever been two more dissimilar writers in literary history than E.M. Forster and Ezra Pound? Forster, fatherless from the age of twenty-two months, educated in the British public school system and at Cambridge, influenced by the Apostles and the Bloomsbury group, wrote from within the shaping pressures of English tradition. In pictures and paintings, he appears always out of place or fatigued, with his head falling back against a cushion or chair. With his slight build, dainty style, and small, roundish head projecting forward into his nose, he fails to cut much of a figure next to the …


Word Is Born: Critical Gaps And The Poetics Of Hip-Hop, Kabir Hamid Jan 2002

Word Is Born: Critical Gaps And The Poetics Of Hip-Hop, Kabir Hamid

Honors Papers

I grew up listening to hip-hop music. Although I lived across the country from its birthplace, I would immerse myself in its sounds during the day and especially at night when my brother would play tapes before we fell asleep in our bunk beds. At a certain point in high school, I became obsessed with the music's lyrics. I was continually astonished by the cleverness, rhyme ability and edginess of the emcees I listened to. My admiration for hip-hop music developed alongside my admiration for the great authors I was reading at that time: F. Scott Fitzgerald, Herman Hesse and …


Inheriting A Jewish Consciousness: Reading With A Sense Of Urgency In George Eliot's Daniel Deronda, Joshua Mason Jan 2002

Inheriting A Jewish Consciousness: Reading With A Sense Of Urgency In George Eliot's Daniel Deronda, Joshua Mason

Honors Papers

Forever circled in pen, marked off from the surrounding text, this passage remains months later, my point of entry into Daniel Deronda (1876), George Eliot's final novel; a work ambitious in scope and resistant to definition, both celebrated and dismissed for its portrayal of Jews. Following his return from the Continent, his Jewish ancestry having been fully disclosed, Deronda describes this "inherited yearning" to Mordecai in terms that seem to suggest a heritable principle of racial or spiritual identity:

"Suppose the stolen offspring of some mountain tribe brought up on a city of the plain, or one with an inherited …