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The New York Sound: Citybilly Recording Artists And The Creation Of Hillbilly Music, 1924-1932, Patrick Huber

History and Political Science Faculty Research & Creative Works

Since at least the 1960s, scholars have viewed hillbilly music as essentially a commercialized form of the traditional rural white folk music of the American South. In reconsidering what has come to be known as the "southern thesis," this article chronicles the significant but often overlooked contributions made by professional New York City studio singers and musicians to the nascent hillbilly recording industry between 1924 and 1932, particularly the principal role they played in the creation of what I call the "New York Sound." These urban artists' participation in this segment of the recording industry suggests that hillbilly music can …