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The Pulpit's Muse: Conversive Poetics In The American Renaissance, Michael William Keller
The Pulpit's Muse: Conversive Poetics In The American Renaissance, Michael William Keller
Dissertations (1934 -)
This dissertation focuses on the interaction between poetic form and popular religious practice in the nineteenth century United States. Specifically, I aim to see how American poets appropriated religious tropes—and especially religious conversion—in their poetry with specific designs on their audience. My introduction analyzes the phenomenon of religious conversion up through the nineteenth century with help from psychologists and historians of religion, including William James and Sydney Ahlstrom. In the introduction, I also explore how revivalist conversion helped inform the poetics of Walt Whitman and Ralph Waldo Emerson. Chapter one focuses on Emerson’s poetry, particularly as it enacts Emerson’s poetic …
Models Of Conversion In American Evangelicalism: Jonathan Edwards, Charles Hodge And Old Princeton, And Charles Finney, Mark B. Chapman
Models Of Conversion In American Evangelicalism: Jonathan Edwards, Charles Hodge And Old Princeton, And Charles Finney, Mark B. Chapman
Dissertations (1934 -)
The most commonly referenced definition of evangelicalism, David Bebbington’s ‘quadrilateral,’ includes conversionism as one of four key definitive features, and most other definitions also reference conversion as characteristic of evangelicalism. This dissertation examines the adequacy of the use of conversion in such a defining role through a careful consideration of a variety of dimensions of conversion among three key representatives of evangelicalism: Jonathan Edwards, Charles Finney, and Old Princeton Seminary (as represented by its first professor, Archibald Alexander, and especially by his protégé Charles Hodge). One cannot talk about conversion as a key to evangelicalism without understanding what is meant …