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Full-Text Articles in Arts and Humanities
Klezmer Elements In Paul Schoenfield’S Trio For Clarinet, Violin, And Piano: A Violinist’S Perspective, Hannah Phyllis Urdea Marcus
Klezmer Elements In Paul Schoenfield’S Trio For Clarinet, Violin, And Piano: A Violinist’S Perspective, Hannah Phyllis Urdea Marcus
LSU Doctoral Dissertations
Paul Schoenfield’s Trio for Clarinet, Violin, and Piano draws extensively on the traditional Klezmer music of the Ashkenazi Jewish people of Eastern Europe. The blending of three very different instruments, as well as the Klezmer elements, unusual for the classically trained musicians, creat difficulties, as well as opportunities, for the composer and for the performers alike.
Music is often considered a language. As with any language, in order to be fluent, one must understand the cultural aspects that shape that language and the people who speak it. The way the performers present a piece greatly influences the way it is …
Rachmaninoff's Trio Elegiaque, Op 9: A Performer's Guide, Elisa Braga Galeano
Rachmaninoff's Trio Elegiaque, Op 9: A Performer's Guide, Elisa Braga Galeano
LSU Doctoral Dissertations
This document and the accompanying lecture/recital performance aim to call more attention to this intense and deeply emotional work. Focus will be placed on the technical challenges in the piano part while making recommendations for the performer when appropriate. As background, an overview of Rachmaninoff’s early life and work is presented in order to provide a clearer understanding of what led him to compose this trio. Of particular importance in the writing of this piece was the direct influence of Peter Tchaikovsky’s Trio, Op 50, which will also figure prominently in the background discussion.
Erik Satie's Ballet Parade: An Arrangement For Woodwind Quintet And Percussion With Historical Summary, Tracy A. Doyle
Erik Satie's Ballet Parade: An Arrangement For Woodwind Quintet And Percussion With Historical Summary, Tracy A. Doyle
LSU Doctoral Dissertations
Erik Satie's ballet Parade was a historical collaboration between several of the leading artistic minds of the early twentieth century: Erik Satie, Jean Cocteau, Pablo Picasso, Léonide Massine, and Serge Diaghilev. Satie's writing for winds and percussion lends itself to an arrangement for woodwind quintet and percussion; an arrangement that keeps the spirit and essence of the work intact. This study includes a historical summary of the ballet Parade and an arrangement of the music from the ballet for woodwind quintet and percussion.
The Violin Sonata Of Amy Beach, Yu-Hsien Judy Hung
The Violin Sonata Of Amy Beach, Yu-Hsien Judy Hung
LSU Doctoral Dissertations
American composer and pianist Amy Marcy Cheney Beach -- Mrs. H. H. A. Beach (1867-1944) was born in Henniker, New Hampshire. She is recognized as the best American composer of her time. She was the first American woman to compose large-scale art music, and she was also a virtuosic pianist. The "Sonata for Violin and Piano in A Minor, Op. 34" (1896) is Beach’s most representative chamber music work. It contains four movements, with Classical formal design, and expresses a style featured in late Romantic music. The Violin Sonata begins with a large, imposing movement, followed by a folk-like second …
A Study Of The Quintet For Piano And Strings By Richard Danielpour, Myung Jin Kuh
A Study Of The Quintet For Piano And Strings By Richard Danielpour, Myung Jin Kuh
LSU Doctoral Dissertations
Richard Danielpour is recognized as one of the most successful and acclaimed composers today. His music is often described as neo-romantic: full of grand gestures, highly accessible, brilliantly orchestrated, and rhythmically powerful and exciting. His music is based on the traditions of European classical music; however, it also combines the American vernacular of the 20th century, including jazz, rock, and pop music. His special interests in metaphysics and non-Western culture, especially Zen Buddhism, are also reflected in his compositions. This study examines Danielpour’s Quintet for Piano and Strings, written in 1988. The work consists of three movements with the descriptive …
A Catalogue Of Twentieth-Century Spanish Music For Cello And Piano, Gabriel Delgado Morán
A Catalogue Of Twentieth-Century Spanish Music For Cello And Piano, Gabriel Delgado Morán
LSU Doctoral Dissertations
This catalogue presents 146 twentieth-century Spanish composers with 219 pieces for cello and piano. Pieces collected in this catalogue are largely original works for cello and piano. However, a few pieces in which the arrangement has been made by the composer or under the composer's supervision have been included. Some foreign composers working in Spain for many years have also been included. The body contains the entries by the composer's last name in alphabetical order. Each entry will include as much information as possible within the following guide: complete name and dates of the composer, complete title of the piece, …