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Full-Text Articles in Arts and Humanities
At The Limits Of Language : The Challenge Of Modernist Literature To Translation Theories And Practice, Nigel B. R Reeves
At The Limits Of Language : The Challenge Of Modernist Literature To Translation Theories And Practice, Nigel B. R Reeves
文學與翻譯研究中心 論文叢刊 Centre for Literature and Translation Occasional Paper Series
It is a great pleasure to be able to address colleagues and students at Lingnan College on a fresh occasion.* And on this occasion I would like to begin by talking Nonsense!
There was an old man of Hong Kong
Who never did anything wrong;
He lay on his back, with his head in a sack,
That innocuous old man of Hong Kong.
Fortunately I did not have to invent this nonsense-it is of course a limerick by Edward Lear, the Victorian humorist poet. It illustrates vividly the problem which I want to debate with you today-the challenge of Modernist …
大乘佛敎的造經方法與早期佛敎文學及藝術的發展關係, Zhengmei Gu
大乘佛敎的造經方法與早期佛敎文學及藝術的發展關係, Zhengmei Gu
文學與翻譯研究中心 論文叢刊 Centre for Literature and Translation Occasional Paper Series
佛教在發展的過程當中一直非常注重其表達教理或傳播教理的方式。佛教基本上用兩種方法表達或傳播其教理：1. 語言文字及2. 實物或藝術媒體。佛教因爲一直非常重視語言文字的用法，故在其發展中便見其有使用一套與語言文字用法有關的造經方法。此套造經方法始用得很早，且有繼續發展的現象。故在佛教史上我們不但見有早期的佛教部派(early Buddhist sects)使用此套造經法造其經典，而且也見大乘佛教(MaMySna Buddhism，50-)不斷使用其來造經。佛教這套造經法的運用情形基本上乃記於大乘佛教的經中。由於大乘佛教談論其用“十二部經”所造的經典及經法不同於用"十一部經”及“九部經”所造的經典，我們因此知道，在佛教的發展上，這套造經法至少有三種不同的發展現象。大乘佛教因爲非常重視此套造經法的運用，故在歴史上所創作的佛經有許多都是文學佳作。早期佛教藝術或實物建造的發展，與佛教文學的傳播也有一定的關係，故在此文中，筆者不僅要討論大乘佛教使用“十二部經”造經的情形，同時也要説明“十二部經”的發展與早期大乘佛教文學及藝術發展的關係。