Arts and Humanities Commons^™

American Dreams And Dystopias: Examining Dystopian Parallels In The Great Gatsby And To Kill A Mockingbird, Samuel Nathan Harris

Masters Theses

In this study I consider the recent trend of dystopian fiction in literature—both the broader genre of dystopias of the past century or so, and the contemporarily popular subgenre of young adult dystopian fiction—and examine whether certain American novels, while not typically considered dystopias, can fit into this genre or at least be established as having some parallels with works of this genre. Based on certain shared archetypes of the genre, such as “speculative myth,” a governing “ritual habit,” and a dissatisfied narrator or protagonist, I here propose that other American classics, specifically F. Scott Fitzgerald’s The Great Gatsby and …

A Voice Full Of Money: Metaphor And The Art Of Meaning, Kathryn V. Mccracken

Senior Honors Theses

The common definition of metaphor as a “comparison between two things that does not include the words ‘like’ or ‘as’” has, in the recent decades, lost the respect of serious students of language. Originating in Aristotelian thought, this “Comparison Theory” of metaphor is oversimplifying and therefore inadequate. By using examples to outline these inadequacies, a more accurate, more robust view of metaphor emerges. Far from being a mere literary flourish, the concept of metaphor—especially as metaphor is identified as the means through which symbols function—is at the very base of the general process of meaning conveyance through language.

In order …