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Articles 1 - 3 of 3
Full-Text Articles in Arts and Humanities
Supplanting The Wrong With The Right: A Synoptic Overview Of Christian And Islamic Reactions Towards The Subject Of Heresy, Brett G. Barnard
Supplanting The Wrong With The Right: A Synoptic Overview Of Christian And Islamic Reactions Towards The Subject Of Heresy, Brett G. Barnard
Lawrence University Honors Projects
Whenever there is a faith that is claiming to be the “one true religion,” just what is it that defines that most sinister of opposition known as “heresy?” Is it the choices made by these aforementioned “heretics” to hold beliefs that are contrary to the mainstream? Or is the way in which “orthodox” authorities have historically asserted their own superiority while legally eliminating the competition? When overlooking monotheistic belief systems that claim universal theological authority, such as Christianity and Islam, what stands out the most is the fact that the greatest threat almost always comes not from exterior rivals, but …
Mosques In The U.S. And Europe: The Growth Of Westernized Islam, Thomas P. Smith
Mosques In The U.S. And Europe: The Growth Of Westernized Islam, Thomas P. Smith
Lawrence University Honors Projects
This Honors Project is a comparative study of mosques in the Midwestern United States and two cities in Western Europe. My research was based on observations I made and interviews I conducted at three mosques in Dearborn, Michigan, one in Milwaukee, Wisconsin, two in London, England, and two in Amsterdam, Netherlands. Relying on the theories of French sociologist of religion Olivier Roy, I developed a framework to measure the level of acculturation or exculturation in each mosque. By looking at three signs of deculturation: language, the presence of women, and the retention of cultural traditions, I was able to map …
The Abaya: Fashion, Religion, And Identity In A Globalized World, Elizabeth D. Shimek
The Abaya: Fashion, Religion, And Identity In A Globalized World, Elizabeth D. Shimek
Lawrence University Honors Projects
The abaya is a traditional robe worn by women in the Arab Gulf states as both a symbol of national identity and as a part of Islamic veiling customs. Over the last twenty years, partly due to exposure to Western couture fashion, the abaya has changed from a plain, voluminous black robe to a unique signifier of personal taste through variations in fabrics, cuts, colors, and detailing. This study explores both the physical and symbolic changes the abaya (and the industry surrounding it) has undergone, as well as how these changes both reflect and provoke the conflicts in identity residents …