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Evolving Patterns: Conflicting Perceptions Of Cultural Preservation And The State Of Batik’S Cultural Inheritance Among Women Artisans In Guizhou, China, Katherine B. Uram Jun 2016

Evolving Patterns: Conflicting Perceptions Of Cultural Preservation And The State Of Batik’S Cultural Inheritance Among Women Artisans In Guizhou, China, Katherine B. Uram

Lawrence University Honors Projects

My exploration features Miao batik-making in Guizhou Province and explores several sets of overlapping questions. The first set focuses on the status of the craft of Miao batik-making and the perceptions of its future. Is batik-making a dying art form? To what extent is Batik-making a thriving cultural practice today, or do Miao in China (and other ethnic groups involved in batik-making) perceive an inheritance crisis? My next focus is on the role of institutions and the tourism industry. If taught less and less in the domestic sphere (traditions passed from mother to daughter), what role do public domains such …


The Abaya: Fashion, Religion, And Identity In A Globalized World, Elizabeth D. Shimek May 2012

The Abaya: Fashion, Religion, And Identity In A Globalized World, Elizabeth D. Shimek

Lawrence University Honors Projects

The abaya is a traditional robe worn by women in the Arab Gulf states as both a symbol of national identity and as a part of Islamic veiling customs. Over the last twenty years, partly due to exposure to Western couture fashion, the abaya has changed from a plain, voluminous black robe to a unique signifier of personal taste through variations in fabrics, cuts, colors, and detailing. This study explores both the physical and symbolic changes the abaya (and the industry surrounding it) has undergone, as well as how these changes both reflect and provoke the conflicts in identity residents …