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Full-Text Articles in Arts and Humanities
Wgs 200: Introduction To Gender Studies Oer Curation, Chealsye Bowley
Wgs 200: Introduction To Gender Studies Oer Curation, Chealsye Bowley
Curated OER Collections
This OER curation is an annotated bibliography of prospective OER for the GVSU course WGS 200: Introduction to Gender Studies, assembled by request from the instructor.
An Analysis Of University Students’ Self-Labeling And Perception Of Feminism, Emilie Seibert
An Analysis Of University Students’ Self-Labeling And Perception Of Feminism, Emilie Seibert
Honors Projects
This project investigates students’ perceptions of feminism, whether or not they identify as feminist, and how closely their ideals align with basic feminist ideals. There is currently no research that investigates self-labeling as a feminist among the current generation of college students in the United States. Despite the immense benefits to holding a feminist identification, it is estimated that only about 21% of the United States population identifies as feminist (Swirsky & Angelone, 2014, p. 230). Understanding the perspectives of current students is important as they have the potential to become activists and impact the future of the feminist movement. …
Breaking The Celluloid Ceiling, Kellie Ann Cassel
Breaking The Celluloid Ceiling, Kellie Ann Cassel
Cinesthesia
The ignorance of the current state of gender equality in the film industry is not just on the rise, but the knowledge of such has been non existent for decades. Women were largely involved in the film industry during the turn of the century, until sound film became popular and Hollywood turned into a big business. As of 2016, only seven percent of the top filmmakers are women. The lack of female filmmakers in Hollywood is not only effecting the women who are trying to make a living doing what they love, but also the young and old female audiences …
From Subject To Cyborg: Reframing Identity Within Female Spaces In Neil Gaiman's Black Orchid And A Game Of You, Mary A. Ruge
From Subject To Cyborg: Reframing Identity Within Female Spaces In Neil Gaiman's Black Orchid And A Game Of You, Mary A. Ruge
Masters Theses
Whether they are secret or whether they are household names, identities are paramount in superhero comics. Yet those that create these identities do so from a place of privilege in a hierarchy which results in inauthentic characters and repetitive plots. For the superhero genre, the misrepresentation of female characters (perhaps related to a severe underrepresentation of female creators) has resulted in highly patriarchal storylines that are reductive, stereotypical, and often violent toward women. To combat this trend, one must consider the ways in which a more complex female character violates the current framework and offer a solution. For superhero comics, …
Metafiction, Fairy Tale, And Female Desire In A.S. Byatt‘S Possession: A Romance, Susan Marie Kieda
Metafiction, Fairy Tale, And Female Desire In A.S. Byatt‘S Possession: A Romance, Susan Marie Kieda
Masters Theses
Analysis of the novel Possession: A Romance by A.S. Byatt, in which Byatt contributes to a metamorphosis of the fairy tale genre through a reappropriation of individual tales and characters, such as the Grimm Brothers‘ Little Snow White and The Glass Coffin; Hans Christian Andersen‘s The Snow Queen; and the French fairy story Melusine. Analysis of the metafictional devices Byatt uses to achieve this reappropriation such as the writing and reading of letters, journals, and works of fiction within the novel, as well as an intertextuality created by repeating fairy tale allusions. Analysis of Byatt‘s character development …
Egyptian Film And Feminism: Egypt’S View Of Women Through Cinema, Wesley D. Buskirk
Egyptian Film And Feminism: Egypt’S View Of Women Through Cinema, Wesley D. Buskirk
Cinesthesia
This essay analyzes the history of Egyptian film in relationship to the common perception of women in Egypt. From the early stages of Egyptian cinema, women assumed leadership positions, helping build the undeveloped industry to its height in the mid-1900's. An increasingly state-led and male-dominated film industry, however, adopted women as a symbol of nationalism, while neglecting them as equals through traditionalist film content. Furthermore, in the last quarter of the 20th century, governmental influences resulted in a shortage of production resources. Although commercial motion pictures suffered, social-issue, realist movies have reignited feminist initiatives and provided hope for a recovering …
"If You Have No Men, You Have No War!”: A Critical Overview Of Edgar Selwyn's Men Must Fight (1933), Ryan R. Copping
"If You Have No Men, You Have No War!”: A Critical Overview Of Edgar Selwyn's Men Must Fight (1933), Ryan R. Copping
Cinesthesia
ABSTRACT: Edgar Selwyn’s Men Must Fight (1933) is an obscure yet culturally relevant science fiction drama. An atypical film from its era, the movie has an unusual subject for a Classical Hollywood film- gender socialization. The film didactically argues that wars are inevitable because men are inherently violent, and that, conversely, world peace world occur if women were in power, a possibility that appears to be regrettably impossible. It is also remarkably prescient in predicting that World War II would begin in 1940, only one year off from the German invasion of Poland. This paper combines a close content analysis …