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Cinematic Auteurism, And The New Wave Sensibilities Of Sofia Coppola's "Lost In Translation", Benjamin Brewster

Cinesthesia

This paper seeks to illustrate the auteurism and the cinematic influences present in Sofia Coppola’s Lost in Translation, specifically through the lenses of the gender and historical modes of cultural film analysis. It argues that Sofia Coppola’s personal brand of auteurism permeates the film in a variety of distinct and important ways, and that much of the film’s success can be traced back to both her auteurism at work, and to the subtle but distinct nods made therein to the historical cinematic movement known as the French New Wave. It seeks to attack these ideas on two distinct but …