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Full-Text Articles in Arts and Humanities
New Hollywood: Classical Hollywood In A New Light, Wesley D. Buskirk
New Hollywood: Classical Hollywood In A New Light, Wesley D. Buskirk
Cinesthesia
This essay analyzes the manifestations of America’s post-1960 film industry, more specifically the rise of “New Hollywood.” In response to governmental intervention of the studio system, the popularization of commercial television, and the influences of the French New Wave, Hollywood’s emerging “film generation” embraced the commercialization of the star auteur and the blockbuster picture. George Lucas and Steven Spielberg, sons of the “Hollywood Renaissance,” capitalized on the potential of “high concept,” “ultra-high-budget” feature films and their associated synergetic marketing systems, a phenomenon referred to as the “blockbuster syndrome.” Jaws, a pioneering New Hollywood megapicture directed by Spielberg, exhibits the “Lucas-Spielberg” …
An Interview With Barbara Roos, Joe Hogan
An Interview With Barbara Roos, Joe Hogan
Cinesthesia
Barbara Roos started teaching when Grand Valley was just a few buildings erected on a slab of midwestern prairie. Nixon was in office then, and young draftees were still being sent to Vietnam. In those days, Grand Valley – not yet a university but a cluster of colleges – was alive with the spirit of the counter-culture. William James College, among the most pedagogically experimental of the colleges, was interdisciplinary and non-departmental – it emphasized harmony between theory and practice, thought and action. At James, Roos co-founded the film and video program. In the following interview, she talks with guest …
Egyptian Film And Feminism: Egypt’S View Of Women Through Cinema, Wesley D. Buskirk
Egyptian Film And Feminism: Egypt’S View Of Women Through Cinema, Wesley D. Buskirk
Cinesthesia
This essay analyzes the history of Egyptian film in relationship to the common perception of women in Egypt. From the early stages of Egyptian cinema, women assumed leadership positions, helping build the undeveloped industry to its height in the mid-1900's. An increasingly state-led and male-dominated film industry, however, adopted women as a symbol of nationalism, while neglecting them as equals through traditionalist film content. Furthermore, in the last quarter of the 20th century, governmental influences resulted in a shortage of production resources. Although commercial motion pictures suffered, social-issue, realist movies have reignited feminist initiatives and provided hope for a recovering …