Arts and Humanities Commons^™

Ms-288: Creation And Preservation Of Martin Puryear’S Sentinel, Merlyn I. Maldonado Lopez

All Finding Aids

This collection includes records from Gettysburg College’s application process to the NEA, the selection process of the artist, images from the installation process of Sentinel, correspondence and an interview with Martin Puryear, newspaper cutouts of Sentinel’s reception. As well as records from Molly Hutton’s efforts to seek awareness and funding for the preservation and conservation of Sentinel in the early 2000s. Records from the application for an assessment award under Save Outdoor Sculpture! (SOS!), and a manuscript for a story on Sentinel to be featured in the GETTYSBURG alumni magazine are also included.

Special Collections and College Archives Finding Aids …

Lost Art And Lost Lives: Nazi Art Looting And Art Restitution, Sophia Gravenstein

Student Publications

During the Nazi Regime, Adolf Hitler and the Nazis seized an estimated one fifth of all art in Europe and more than 5 million cultural objects before 1945. The Nazis established control over the regime and furthered their racist ambitions through stealing art of any cultural or monetary value to them. They stole “degenerate” art in an attempt to annihilate “racially inferior” races, and “racially pure” art for the glorification of the “Aryan” race. Since the end of WWII, the return of Nazi-looted art to its original owners or their heirs has been an important avenue for remembrance of and …

Hidden Secrets And Private Moments In Vermeer’S Paintings Of Women And Letters, Lauren C. Mcveigh

Student Publications

This paper discusses the visual details and symbols in Johannes Vermeer's paintings of women and letters that allude to secret affairs going on behind the scenes.

Androgyny In The Ancient World: The Intersection Of Politics, Religion And Gender In The Art Of Hatshepsut, Megan N. Reimer

Student Publications

The Pharaoh Hatshepsut is one of the most well-known rulers of ancient Egypt and she has fascinated historians for decades. She ruled Egypt during the 15th century BCE, coming to power after the death of her husband, Thutmose II. Hatshepsut is particularly interesting to historians due to how she was portrayed in her art. Due to how far in the past she ruled, not many pieces of her art have survived; however, in the objects that we do have she is often shown very androgynously or even in came cases distinctly masculine. My research focuses on the many theories as …

Building For The Future: Functional, Energy-Efficient, And Beautiful Buildings By Snøhetta, Amanda J. Oross

Student Publications

The construction industry accounts for nearly 40% of all greenhouse gas emissions, which ultimately leads to climate change. Because of a lack of global consensus and accountability on a large scale about how to combat climate change, certain countries and cities are leading the charge on mitigation, since they tend to be more progressive and homogenous. Norway is one of those countries, and happens to be the headquarters for Snøhetta, a design company, that is designing buildings that are not only energy-efficient but also functional for the space in which it resides. Snøhetta very much values the interconnection between the …

Lucretia's Hand: The Influence Of Myth And Sexual Violence On Artemisia Gentileschi's Lucretia, Sarah Paul

Student Publications

Artemisia Gentileschi, a female Baroque Artist from the 17th century, was an exceptional artist who dealt with difficult themes and female subjects. While there has been a plethora of analysis of her Judith series, there has been less focus on her Lucretia. I look at Artemisia Gentileschi's "Lucretia" (c. 1621), through the various narratives of Lucretia and the history of sexual violence to analyze the strength and female agency that is emphasized. I argue that the strength and musculature in the hands of Lucretia emphasize her female agency and autonomy to make a choice following her sexual assault. I highlight …

Art/Work: Labor, Identity, And Society, Zirui Feng, Elinor G. Gass, Ran Li, Lauren C. Mcveigh, Matthew S. Montes, Lin Zhu, Yan Sun

Schmucker Art Catalogs

Artists, perhaps to emphasize their own dedication to the intellectual and manual skills required for making art, have long been drawn to the theme of labor, both in their depictions of workers and scenes of making. In the late seventeenth century, Dutch paintings frequently portrayed earnest and diligent artisans performing trades at shops or on the streets. Later, rapid economic, social and political changes throughout Europe in the mid-nineteenth century led to a more radical approach to realist representations of labor. This exhibition ART/WORK: Labor, Identity, and Society considers these art-historical precedents to explore the issues of labor in art. …