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Abraham Lincoln And The Development Of The "War Powers" Of The Presidency, Allen C. Guelzo

Civil War Era Studies Faculty Publications

By conferring on the President the title of "commander in chief," the Constitution created an awkward and undefined area of presidential prerogative. The first President to have to confront this ambiguity was Abraham Lincoln, who developed a presidential "war powers" doctrine based on his presidential oath, the Constitution's "republican guarantee," and the necessity imposed by the novelty of a civil war. This doctrine was seriously contested in Lincoln's time by both Congress and the judiciary, and it continues to be an unresolved constitutional question in the present. But Lincoln's use of such war powers is one demonstration of how a …

"Sublime In Its Magnitude": The Emancipation Proclamation, Allen C. Guelzo

Civil War Era Studies Faculty Publications

Book Summary: Lincoln’s reelection in 1864 was a pivotal moment in the history of the United States. The Emancipation Proclamation had officially gone into effect on January 1, 1863, and the proposed Thirteenth Amendment had become a campaign issue. Lincoln and Freedom: Slavery, Emancipation, and the Thirteenth Amendment captures these historic times, profiling the individuals, events, and enactments that led to slavery’s abolition. Fifteen leading Lincoln scholars contribute to this collection, covering slavery from its roots in 1619 Jamestown, through the adoption of the Constitution, to Abraham Lincoln’s presidency. [From the Publisher]

Ernaux's Ce Qu'ils Disent Ou Rien: Anne Makes A Spectacle(S) Of Herself, Elizabeth Richardson Viti

French Faculty Publications

Ce qu'ils disent ou rien is arguably Annie Ernaux's most comical text, untainted by such serious themes like abortion, as is the case for Les armoires vides. Narrated from the perspective of the fifteen-you-old Anne - although she would describe herself as having "bientot seize ans" (19) - the language of this "monologue interieur accusateur" (Tondeur 176) is adolescent argot that ranges from the colloquial to the outright vulgar. Furthermore, it captures a period in a teenaged girl's life that many females recognize and rememver with their own wry smile: the discovery of and sexual experimentation with the opposite …

This Time He Moves! The Deeper Significance Of Hou Hsiao-Hsien's Radical Break In Good Men, Good Women, James N. Udden

Interdisciplinary Studies Faculty Publications

Following the recent success of Taiwanese film directors, such as Hou Hsiao-hsien, Edward Yang, Ang Lee and Tsai Ming-liang, Taiwanese film is raising its profile in contemporary cinema. This collection presents an exciting and ambitious foray into the cultural politics of contemporary Taiwan film that goes beyond the auterist mode, the nation-state argument and vestiges of the New Cinema.

Cinema Taiwan considers the complex problems of popularity, conflicts between transnational capital and local practice, non-fiction and independent filmmaking as emerging modes of address, and new possibilities of forging vibrant film cultures embedded in national (identity) politics, gender/sexuality and community activism. …

Guareschi's "Mondo Piccolo" And The Sacrality Of Conscience, Alan R. Perry

Italian Faculty Publications

This study adopts a Christian hermeneutic to explore sacred themes in several of the 346 Don Camillo short stories that Giovannino Guareschi wrote between 1946 and 1966. Such a critical approach may seem non-traditional to use in analyzing a post-World War II, twentieth-century author. And yet, Guareschi defies convention in many ways beyond his profession as a journalist, humorist and popular author: he openly opposed the anti-clerical and Marxist literary establishment; defined himself as an anti-intellectual; and, as a layperson, he wrote unromantically about matters of faith. Especially as editor of the immensely popular weekly newspaper Candido, he had …

Para Una Lectura De La Declaración De Independencia De Las Provincias Unidas En Sud América (1816): Colonialismo, Subalternidades Y Políticas Del Nombre Propio, Alvaro Kaempfer

Latin American, Caribbean, and Latino Studies Faculty Publications

No abstract provided.

Espectros De Lo Subalterno Y Lo Popular En Recuerdos De Treinta Años, 1810-1840 De José Zapiola, Alvaro Kaempfer

Latin American, Caribbean, and Latino Studies Faculty Publications

Espectros de lo subalterno y lo popular en Recuerdos de treinta años, 1810-1840 de José Zapiola.

Spectrum of the subaltern and the popular in Memories of thirty years, 1810-1840 by José Zapiola.

Restoring The Proclamation: Abraham Lincoln, Confiscation, And Emancipation In The Civil War Era, Allen C. Guelzo

Civil War Era Studies Faculty Publications

Like the business cycle, the reputations of great actors in history seem to go through alternating periods of boom and bust. Harry Truman was scorned in his day as an incompetent bumbler. A half-century later, he is regarded as a gutsy and principled president. Andrew Jackson was hailed as the champion of the common man and the enemy of power-mad bankers. Since the 1970s, he has become the champion only of the White man, a rancid hater of Indians, and a leering political monstrosity. John Quincy Adams was, for more than a century after his death, dismissed as a dyspeptic …

Economías De Redención: "La Agricultura De La Zona Tórrida" (1826) De Andrés Bello, Alvaro Kaempfer

Latin American, Caribbean, and Latino Studies Faculty Publications

Si “Alocución a la Poesía” (1823) de Andrés Bello era un llamado a dejar Europa, cruzar el Atlántico y fundar la historicidad del Nuevo Mundo, “La agricultura de la Zona Tórrida” (1826) sería su factura programática. Sobre un proyecto poético inconcluso que Bello tituló América, la poesía, matriz cultural de Occidente en el primero, traza, en el segundo, la conversión de los hijos del colonialismo en sus nuevos agentes poéticos e históricos. “Agricultura” liga la genealogía de esa América, “del Sol joven esposa / del antiguo Océano hija postrera” según “Alocución,” a la voluntad transatlántica que convertirá su naturaleza en …

The Public Funding Of Health Care: A Brief Historical Overview Of Principles, Practices, And Motives, Paul Carrick

Philosophy Faculty Publications

Nationally sponsored programs designed to fund health care for the general public are largely a twentieth century phenomenon. Yet a long glance backward at the medical and public health history of Western civilization, extending from the ancient Greeks to the twentieth century, reveals earlier periods when governments, religious institutions, and other groups provided some measure of medical relief for the sick, the poor, and the homeless. In this essay, I will provide not an exhaustive but rather an illustrative account of this oft forgotten fact. My objectives are threefold.

First, to remind us that the active concern of society for …

Images For Iconoclasts: Images Of Confucius In The Cultural Revolution, Deborah A. Sommer (司馬黛蘭)

Religious Studies Faculty Publications

Confucius died and was buried in 479 B.C.E., and he was never seen again. Or so one would think. “You may forget me as I once was,” Confucius reminds us in the Zhuangzi, "but there is something unforgettable about me that will still live on." Confucius’s physical frame was concealed from sight below ground, but his body and face were not forgotten either by his followers or his detractors, each of whom remembered him (or remembered him) in different ways. People created semblances of Confucius that reflected their own visions of the past, and constructions of his body took on …

Bright Lights On Quiet Streets: Tom Keough’S Nocturnes, Shannon Egan

Art and Art History Faculty Publications

The well-kept city streets lined with trees and old brownstones may seem familiar in the paintings of Brooklyn-based artist Tom Keough, but the neighborhood is disquietingly empty. Keough situates the sidewalk in the immediate foreground of his paintings and compels the viewer to enter into an eerily vacant scene. With few exceptions, Keough leaves the always still and sometimes snowy New York setting largely unoccupied. Nonetheless, Keough conveys human presence in his paintings with the soft glow of lamplight from windows, footprints in the snow, and cars parked along the side. The theme of urban alienation—a paradoxical sense of loneliness …