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Full-Text Articles in Arts and Humanities
Covert Imperialism: The Eisenhower Administration And Cuba, Patrick R. Sullivan
Covert Imperialism: The Eisenhower Administration And Cuba, Patrick R. Sullivan
Student Publications
This paper tracks the Eisenhower Administration’s shifting policy towards Cuba and its use of covert imperialism to obtain its objectives. The policy considerations of the United States centered around a convenience for American interests. The support for the Batista regime, despite its oppression, exacerbated anti-American sentiments in the Cuban Revolution and put it on a collision course with American interests. As engagement failed, Cuba nationalized, and tensions escalated, the Eisenhower Administration initiated a campaign of covert imperialism that sought a government more in line with its interests. The covert operations implemented included economic and political sabotage, assassination attempts, and the …
Eisenhower And The Interstate, Brian H. Berry
Eisenhower And The Interstate, Brian H. Berry
Student Publications
By passing the Federal Highway Act of 1956, 34th U.S. President Dwight D. Eisenhower would go down in history as the father of the American Interstate Highway System. It was Ike’s determination to execute his ‘Grand Plan’ for a modernized road network that initiated the monumental effort to produce the roads we as Americans use every day. However, today’s highway network is a far cry from what Ike had in mind when he first envisioned the plan. Congressional dissent and special interests did much to undermine the success of Ike’s ‘Grand Plan,’ forcing him to compromise significantly on the issue. …
David Alfaro Siqueiros And “Los Vehículos De La Pintura Dialéctico-Subversiva:” Four Principles To Create Revolutionary Artwork, Joy Zanghi
Student Publications
As one of the most distinguished Mexican muralists, David Alfaro Siqueiros played an important role in Mexican political and artistic history in the twentieth century. Despite the violence that took place in the first half of 1900s in Mexico, art flourished during this period. Inspired by the democratization that characterized the revolution, political art became common during the early twentieth century, and as Mexicans grappled with post-revolutionary identities, many artists, including Siqueiros, turned to communism as the way forward. In his speech “Los vehículos de la pintura dialéctico-subversiva,” delivered in 1932, Siqueiros delineated how to meld revolutionary ideology with the …