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Georgia State University

Theses/Dissertations

Modernism

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Willa Cather's O Pioneers!: Violence And Modernist Aesthetics, Jordan F. Hobson Dec 2011

Willa Cather's O Pioneers!: Violence And Modernist Aesthetics, Jordan F. Hobson

English Theses

Willa Cather's 1913 novel, O Pioneers! concludes with an unexpected moment of extreme violence as two young lovers, Emil Bergson and Marie Shabata, are murdered by Marie's husband in a mulberry orchard. Cather's novel is almost wholly devoted to the psychological interior of the protagonist, Alexandra Bergson, thereby rendering this violent interruption more dynamic as it essentially undercuts the generally lulling interiority of the narration. My interest here is to examine this strange moment of violence and Alexandra's subsequent forgiveness of Frank for the murder of her brother and his own wife through the theoretical paradigms of René Girard, Jacques …


J. R. R. Tolkien, War, And Nationalism, Amanda J. Johnston Apr 2010

J. R. R. Tolkien, War, And Nationalism, Amanda J. Johnston

English Dissertations

Tolkien may not have intentionally created his fictive nations to mirror real nations, but his world certainly bears the scars of his experiences of war. The World Wars heightened his fear of losing everything that he loved about his local culture through literal obliteration or assimilation into another culture in the event of England’s losing. Tolkien saw the nation as a social construct that potentially could minimize losses, if not wholly protect local culture from the forces that threatened to destroy it. Yet he also perceived the nation’s limitations in its ability to protect culture. A nation could grow too …


Ford Madox Ford's Good Soldier In A Modern World, Constance Hinds Apr 2010

Ford Madox Ford's Good Soldier In A Modern World, Constance Hinds

English Theses

Ford often wrote about virtuous gentlemen ruined by the modern society he saw developing around him. While Ford Madox Ford was writing The Good Soldier, ther was a sense of displacement in England and the class system was starting to crumble. Edward Ashburnham, one of the two male protagonists in The Good Soldier, is described as a Chevalier Bayard and there are definitely some similarities between Ashburnham and Bayard. For instance, both men lived during periods of great societal change and both faithfully served their countries. However, the feudal lifestyle that was appropriate for Bayard in the fifteenth-century is unavailable …


Modernist Aesthetics Of "Home" In Virginia Woolf's Mrs. Dalloway And Rebecca West's The Return Of The Soldier, James Harper Strom Nov 2009

Modernist Aesthetics Of "Home" In Virginia Woolf's Mrs. Dalloway And Rebecca West's The Return Of The Soldier, James Harper Strom

English Theses

The First World War wrought untold destruction on the physical and psychological landscape of Europe. For Britain, the immediate post-war period represented no less than a national “nostos,” or homecoming, and few social institutions were so fragmented by the conflict as the home. This thesis will explore the various conceptions of “home,” from the nation and the domestic sphere to post-war consciousness, through the lens of Virginia Woolf’s "Mrs. Dalloway" and Rebecca West’s "The Return of the Soldier." Though unique in style and scope, Woolf and West interrogate and revise pre-war notions of “home” and suggest a Modernist aesthetic of …


"Nam-Shub Versus The Big Other: Revising The Language That Binds Us In Philip K. Dick, Neal Stephenson, Samuel R. Delany, And Chuck Palahniuk", Jason Michael Embry Apr 2009

"Nam-Shub Versus The Big Other: Revising The Language That Binds Us In Philip K. Dick, Neal Stephenson, Samuel R. Delany, And Chuck Palahniuk", Jason Michael Embry

English Dissertations

Within the science fiction genre, utopian as well as dystopian experiments have found equal representation. This balanced treatment of two diametrically opposed social constructs results from a focus on the future for which this particular genre is well known. Philip K. Dick’s VALIS, Neal Stephenson’s Snow Crash, Samuel R. Delany’s Babel-17, and Chuck Palahniuk’s Lullaby, more aptly characterized as speculative fiction because of its use of magic against scientific social subjugation, each tackle dystopian qualities of contemporary society by analyzing the power that language possesses in the formation of the self and propagation of ideology. The utopian goals of these …