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Full-Text Articles in Arts and Humanities

Inside And Outside 1101: First-Year Student Perceptions Of Academic Writing, Laura E. Jones Dec 2011

Inside And Outside 1101: First-Year Student Perceptions Of Academic Writing, Laura E. Jones

English Theses

First-year undergraduate students have vastly different perceptions of academic writing, the writing process, and the value of writing within their specific academic disciplines. These perceptions differ not only from their instructors but also from their peers. Yet, while reams of literature discuss, debate, and decipher student perspectives of writing from a scholarly point of view, the first-year student voice is conspicuously absent from this discussion. This study followed 92 first-year students through their first college composition course, English 1101, in order to capture the student perspective of how writing fits in their academic careers. The results indicate that while most …


Queering The Family Space: Confronting The Child Figure And The Evolving Dynamics Of Intergenerational Relations In Don Delillo's White Noise, Joshua Little Dec 2011

Queering The Family Space: Confronting The Child Figure And The Evolving Dynamics Of Intergenerational Relations In Don Delillo's White Noise, Joshua Little

English Theses

Criticism surrounding the children of the Gladney family in Don DeLillo’s novel White Noise remains a contested issue. I argue the children and their social environment reflect Lee Edelman’s analysis of the Child figure and its bolstering of reproductive futurism. The Child figure upholds a heteronormative social order that precludes equal rights and social viability for non-normative family structures and those opposed to an inherently conservative ideology. I find the continually evolving family structure elicits new dynamics among its members, offering greater social independence for all, which institutes a stronger familial bond and ensures a greater chance for its vitality. …


Willa Cather's O Pioneers!: Violence And Modernist Aesthetics, Jordan F. Hobson Dec 2011

Willa Cather's O Pioneers!: Violence And Modernist Aesthetics, Jordan F. Hobson

English Theses

Willa Cather's 1913 novel, O Pioneers! concludes with an unexpected moment of extreme violence as two young lovers, Emil Bergson and Marie Shabata, are murdered by Marie's husband in a mulberry orchard. Cather's novel is almost wholly devoted to the psychological interior of the protagonist, Alexandra Bergson, thereby rendering this violent interruption more dynamic as it essentially undercuts the generally lulling interiority of the narration. My interest here is to examine this strange moment of violence and Alexandra's subsequent forgiveness of Frank for the murder of her brother and his own wife through the theoretical paradigms of René Girard, Jacques …


Reading 9/11 In 21st Century Apocalyptic Horror Films, Colby D. Williams Aug 2011

Reading 9/11 In 21st Century Apocalyptic Horror Films, Colby D. Williams

English Theses

The tragedy and aftermath of the 9/11 terrorist attacks are reflected in American apocalyptic horror films that have been produced since 2001. Because the attacks have occurred only within the past ten years, not much research has been conducted on the effects the attacks have had on the narrative and technological aspects of apocalyptic horror. A survey of American apocalyptic horror will include a brief synopsis of the films, commentary on dominant visual allusions to the 9/11 attacks, and discussion of how the attacks have thematically influenced the genre. The resulting study shows that the terrorist attacks of September 11, …


Hawthorne's Transcendental Ambivalence In Mosses From An Old Manse, Matthew S. Eisenman Aug 2011

Hawthorne's Transcendental Ambivalence In Mosses From An Old Manse, Matthew S. Eisenman

English Theses

Nathaniel Hawthorne’s collection of short stories, Mosses from an Old Manse, serves as his contribution to the philosophical discussions on Transcendentalism in Concord, MA in the early 1840s. While Ralph Waldo Emerson, Henry David Thoreau, and the other individuals involved in the Transcendental club often seem to readily accept the positions presented in Emerson’s work, it is never so simple for Hawthorne. Repeatedly, Hawthorne’s stories demonstrate his difficulty in trying to identify his own opinion on the subject. Though Hawthorne seems to want to believe in the optimistic potential of the spiritual and intellectual ideal presented in Emersonian Transcendentalism, …


Haunting The House, Haunting The Page: The Spectral Governess In Victorian Fiction, Shane G. Mcgowan Aug 2011

Haunting The House, Haunting The Page: The Spectral Governess In Victorian Fiction, Shane G. Mcgowan

English Theses

The Victorian governess occupied a difficult position in Victorian society. Straddling the line between genteel and working-class femininity, the governess did not fit neatly into the rigid categories of gender and class according to which Victorian society organized itself. This troubling liminality caused the governess to become implicitly associated with another disturbing domestic presence caught between worlds: the Victorian literary ghost. Using Henry James’s novella The Turn of the Screw as a touchstone for each chapter, this thesis examines how the spectral mirrors the governess’s own spectrality – that is, her own discursive construction as a psychosocially unsettling force within …


A Critical Study Of Sue Monk Kidd's The Secret Life Of Bees, Joy A. Hebert Ms. Jul 2011

A Critical Study Of Sue Monk Kidd's The Secret Life Of Bees, Joy A. Hebert Ms.

English Theses

Sue Monk Kidd’s The Secret Life of Bees (2002) tells the story of a motherless fourteen-year-old Lily Owens, raised by a cruel father, who desperately searches for clues to unlock her mother’s past. Kidd’s bildungsroman reveals the incredible power of black women, particularly a group of beekeeping sisters and a black Mary, to create a safe haven where Lily can examine her fragmented life and develop psychologically, finally becoming a self-actualized young lady. Lily’s matriarchal world of influence both compares and contrasts with the patriarchal world represented in Mark Twain’s Adventures of Huckleberry Finn, exposing the matriarchy’s aptly structured ways …


For The Future: An Examination Of Conspiracy And Terror In The Works Of Don Delillo, Ashleigh Whelan May 2011

For The Future: An Examination Of Conspiracy And Terror In The Works Of Don Delillo, Ashleigh Whelan

English Theses

This thesis is divided into two chapters, the first being an examination of conspiracy and paranoia in Libra, while the second focuses on the relationship between art and terror in Mao II, “In the Ruins of the Future,” Falling Man, and Point Omega. The study traces how DeLillo’s works have evolved over the years, focusing on the creation of counternarratives. Readers are given a glimpse of American culture and shown the power of narrative, ultimately shedding light on the future of our collective consciousness.


Imitation Is The Sincerest Form Of Comedy: Finding The Humor In Rasselas Through Ecclesiastes, Mary Katherine Mason May 2011

Imitation Is The Sincerest Form Of Comedy: Finding The Humor In Rasselas Through Ecclesiastes, Mary Katherine Mason

English Theses

For years, scholars have focused on the serious narrative of Samuel Johnson’s Rasselas and have been unable to reconcile the episodes of ironic humor within the larger serious narrative. By reading Rasselas as an imitation of Ecclesiastes rather than an Oriental tale, critics can begin to identify the humor in Rasselas through the embellishment of the story of Ecclesiastes. The failures of the character Koheleth in Ecclesiastes become the genesis for the failures of Rasselas and his companions; however, the failures of Rasselas and more elaborate and comedic. How Johnson embellishes these failures to create humorous irony in Rasselas becomes …


"Now There's No Difference": Artificial Subjectivity As A Posthuman Negotiation Of Hegel's Master/Slave Dialectic, Casey J. Mccormick May 2011

"Now There's No Difference": Artificial Subjectivity As A Posthuman Negotiation Of Hegel's Master/Slave Dialectic, Casey J. Mccormick

English Theses

This thesis examines the theme of robot rebellion in SF narrative as an incarnation of Hegel’s Master/Slave dialectic. Chapter one analyzes the depiction of robot rebellion in Karel Capek’s R.U.R. Chapter two surveys posthuman theory and offers close readings of two contemporary SF television series that exemplify ontologically progressive narratives. The thesis concludes that posthuman subjectivity sublates the Master/Slave dialectic and encourages practical posthuman ethics.


Palamedes, Paul A. Cantrell Apr 2011

Palamedes, Paul A. Cantrell

English Theses

This thesis offers a syncretic, synoptic account of Palamedes from the Trojan War. It delineates three interpretive modes: (1) that Palamedes was present all along; (2) that later poets inserted him into the Trojan narrative, either as an archetypal intellectual figure, or as Odysseus’s double; (3) that Palamedes was present only as Odysseus’s imaginary Doppelgänger. The thesis accounts for Palamedes’s scarce attention in classical texts by way of Lacanian and—via Otto Rank—Freudian psychoanalytic theory, as well as by Slavoj Žižek’s adoption of the “vanishing mediator.” After tracing a potential textual genealogy from Palamedes to Malory’s Palomydes, the thesis concludes …


Sounds Carefully Crafted: Dionysius Of Halicarnassus And Literary Composition, Francisco Lopez Apr 2011

Sounds Carefully Crafted: Dionysius Of Halicarnassus And Literary Composition, Francisco Lopez

English Theses

Modern rhetoric takes many influences from the classical era, but aural components of rhetoric are not often included in rhetorical education. This paper examines the techniques used by Dionysius of Halicarnassus in his essay On Literary Composition, where he explored the components of arrangement of words in clauses for greatest impact when read and spoken aloud. Dionysius utilized meter and aesthetic placement of words to create work that was technically skilled and appealing to the listener or reader.

Dionysius built on ideas from rhetoricians of 4th and 5th century BCE Athens for his definition of style. His writing …


"Born Every Minute": Reworking The Mythology Of The American Medicine Show, Owen C. Cantrell Apr 2011

"Born Every Minute": Reworking The Mythology Of The American Medicine Show, Owen C. Cantrell

English Theses

This thesis investigates the historical American medicine show of 1880-1900 through the lens of contemporaneous social and cultural debates, primarily regarding class and race relations. The medicine show pitchmen, the central figure of the medicine show, is the progeny of the confidence man of the mid to late-nineteenth century, best personified through the autobiographies of Benjamin Franklin and P.T. Barnum and novels of Herman Melville and Mark Twain. The confidence man utilized a performative identity directed towards the assumed needs and desires of his audience, which gave him a purely pragmatic orientation. As the confidence man filtered through emerging forms …