Arts and Humanities Commons^™

(Un)Making The Food Desert: Food, Race, And Redevelopment In Miami's Overtown Community, William Hall

FIU Electronic Theses and Dissertations

In recent years, efforts to transform food environments have played a key role in urban revitalization strategies. On one hand, concerns over urban food deserts have spurred efforts to attract supermarkets to places where access to healthy food is difficult for lower income residents. On the other, the creation of new spaces of consumption, such as trendy restaurants and food retail, has helped cities rebrand low-income communities as cultural destinations of leisure and tourism. In cities around the US, these processes often overlap, converting poorer neighborhoods into places more desirable for the middle-class. My dissertation research examines the social and …

The Sound Of Silence: Ideology Of National Identity And Racial Inequality In Contemporary Curaçao, Angela E. Roe

FIU Electronic Theses and Dissertations

This dissertation addresses racism in contemporary Curaçao—a former Dutch colony in the Caribbean that remains a component of the Kingdom of The Netherlands. The dissertation theorizes racism as a partially hidden constituent of the island’s ideology of national identity, which throughout its history has emulated hybridity before being influenced, more recently, by multiculturalism. The research’s main objective is to uncover the ways race and racism have been entangled with Curaçao’s hegemonic ideology of national identity, a reality too often omitted and always under-theorized in Dutch and Dutch Caribbean scholarship.

Using historical, ethnographic, statistic, and discourse analysis data, the dissertation reveals …

The Symphony Of State: São Paulo's Department Of Culture, 1922-1938, Micah J. Oelze

FIU Electronic Theses and Dissertations

In 1920s-30s São Paulo, Brazil, leaders of the vanguard artistic movement known as “modernism” began to argue that national identity came not from shared values or even cultural practices but rather by a shared way of thinking, which they variously designated as Brazil’s “racial psychology,” “folkloric unconscious,” and “national psychology.” Building on turn-of-the-century psychological and anthropological theories, the group diagnosed Brazil’s national mind as characterized by “primitivity” and in need of a program of psychological development. The group rose to political power in the 1930s, placing the artists in a position to undertake such a project. The Symphony of State …