Arts and Humanities Commons^™

The Feature Writer's Speech To The Newcomer, Robert A. Zordani

Faculty Research & Creative Activity

No abstract provided.

A Subversive In Hyperspace: C.J. Cherryh's Feminist Transformation Of Space Opera, Susan J. Eisenhour

Masters Theses

No abstract provided.

A Note Concerning Professor A'S Last Lecture, Robert Zordani

Faculty Research & Creative Activity

No abstract provided.

The Feature Writer's Speech To The Newcomer, Robert Zordani

Faculty Research & Creative Activity

No abstract provided.

A Note Concerning Professor A'S Last Lecture, Robert A. Zordani

Faculty Research & Creative Activity

No abstract provided.

James Welch's Winter In The Blood: Thawing The Fragments Of Misconception In Native American Fiction, Mario A. Leto Ii

Masters Theses

The conventional scholarly view of Native American literature asserts that Native authors often portray their characters as alienated and despairing individuals that are incapable of attaining the means for dispelling those negative feelings. As a result, the characters are presumably destined to forever wander the barren reservation, unable to grasp their fleeting cultural traditions or the modern Euroamerican way of life. James Welch, with his novel Winter in the Blood, challenges that stereotypical scenario by allowing his nameless protagonist to discover a previously unknown link to his traditional Blackfeet heritage. Through the knowledge of his ancestors and the unconscious …

A Woman Alone And Writing: Anti-Ideology And Artistic Irony In Writings Of Mary Shelley, Delores Archaimbault

Masters Theses

This study focuses upon the letters, journals and selected fiction of Mary Shelley and reveals that Shelley engages in the processes of anti-ideology and artistic irony to help her explore gender identity. To show her consistent use of these processes, I juxtapose excerpts from her letters and journals with excerpts from her fiction. The fiction selections are narrowed to three: Frankenstein, Mathilda and The Last Man. In addition, I examine her writing and her use of anti-ideology and artistic irony relative to the influences of her significant others: her mother Mary Wollstonecraft, her father William Godwin and her …

A Contextual Study Of Hair Imagery In The Poetry Of Emily Dickinson, Marlene M. Slough

Masters Theses

No abstract provided.

Geoffrey Chaucer's House Of Fame: From Authority To Experience, Victoria Frantseva

Masters Theses

Geoffrey Chaucer's House of Fame is one of the most provocative dream-vision poems written in the fourteenth century. In many ways, it continues to present a serious problem of interpretation to students of medieval poetry. Many critics have tried to arrive at a singular cohesive theory explaining meaning and defining the genre of the House of Fame. However, these attempts have failed and the poem's enigma endures, probably for all time.

The House of Fame seems to elicit many different responses from its readers. While opinions of the poem may vary, the points of argument generally concern the following areas: …

Edgar In Wonderland: Elements Of Nonsense In Lewis Carroll And Edgar Allan Poe, Martha Taussig

Masters Theses

The names of Lewis Carroll and Edgar Allan Poe would seldom appear together as literary "kindred spirits." While Carroll's imaginative tales have delighted generations of children and continue to provide vivid bedtime story memories, Poe's tales produce equally vivid nightmares. A comparison of the two writers' works, however, leads to the startling realization that despite their apparent differences, Carroll and Poe used the same tools and techniques to explore the same epistemological and existential questions. Like artists dipping into the same colors and simultaneously painting the same psychic landscape, they created eerily similar literary canvasses.

Carroll has long been recognized …

Transforming A Legend: Significance Of The Wandering Jew In Shelley's Work, Matthew D. Landrus

Masters Theses

Although Percy Bysshe Shelley has been recognized for his use of the Wandering Jew, critics have failed to produce a definitive work examining how this biblical legend figures into an understanding of the poet's changing world views. Since a comprehensive analysis was lacking, I studied Shelley's treatment of the Wandering Jew in each work that included the character to determine whether or not a relationship existed between Shelley's management of the figure and the poet's world beliefs. This thesis records the results of that study.

In his earliest works involving the Wandering Jew--those written between 1810-1812--Shelley's treatment of the Wandering …

Chaucer's Use Of The Absalom Archetype In The Knight's Tale And In The Miller's Tale, Sharon Hardin

Masters Theses

Although Chaucer did not write The Canterbury Tales until after the death of Edward III, Chaucer's youth was spent in the company (albeit on the fringes) of the war-like king and his war-like sons. Surely, as the young Chaucer performed his duties and perhaps read stories or listened to the gossip spread by servants and courtiers, such as the account of Edward's having ravished a defenseless woman, impressions formed in Chaucer's mind. Perhaps such rumors as that Edward's son Lancaster had designs on his father's throne added to and solidified those impressions into opinion, and a character type was born, …

Spiritual Illumination And Reconciliation In Thomas Hardy's Poetry, Mary F. Pottorff

Masters Theses

No abstract provided.