Arts and Humanities Commons^™

A Fish Story, Robert A. Zordani

Faculty Research & Creative Activity

No abstract provided.

After The Divorce Hearing, I Confess My Sins, Robert A. Zordani

Faculty Research & Creative Activity

No abstract provided.

A Fish Story, Robert Zordani

Faculty Research & Creative Activity

No abstract provided.

After The Divorce Hearing, I Confess My Sins, Robert Zordani

Faculty Research & Creative Activity

No abstract provided.

Narrative Perspective In Willa Cather's O Pioneers!, My Antonia And A Lost Lady, Debra L. Will

Masters Theses

No abstract provided.

Imagination And Intuition In The Narrative Of Charlotte Brontë, Norma Henning

Masters Theses

In this paper, I will examine the four novels of Charlotte Brontë: The Professor, Jane Eyre Shirley and Villette. I will examine the reason/passion conflict within the characters of William Crimsworth, Jane Eyre, Caroline Helstone and Lucy Snowe. I will show that there exists a basic duality within each of these characters: the pull of duty and the desire to escape into passion and the imagination. Jane Eyre and Lucy Snowe resolve the conflict by recognizing the divided nature of their souls and emerge as complete and whole individuals. William Crimsworth and Caroline Helstone refuse to acknowledge the …

Chaucer's "Nether Ye": A Study Of Chaucer's Use Of Scatology In The Canterbury Tales, Brook Wilson

Masters Theses

Chaucer's use of scatology throughout the Canterbury Tales offers a new frontier for Chaucerian research. To this date, no book-length work dealing exclusively with the scatological elements found in his works exists. Too often, the serious and artistic effects of scatology become lost in the great comedy the device generates. Furthermore, many readers and scholars seem to find themselves somewhat "squaymous" when confronted with the "nether ye" of Chaucer. While Chaucer employs scatology perhaps less frequently than Swift or Rabelais, his mastery of this device remains unquestionable.

Recognizing that the uses for scatology extend far beyond creating humor, Chaucer instead …

Tolkien's Unnamed Deity Orchestrating The Lord Of The Rings, Lisa Hillis

Masters Theses

The epic world created by J.R.R. Tolkien in the Lord of the Rings trilogy is one in which secular and religious elements are intertwined and the relationship between the two is intentionally kept vague. Within this created world, known as Middle Earth, good and evil are apparent, but the standard by which they are determined remains undefined. The free creatures living in Tolkien's world appear to have an intuitive ability to discern between good and evil, and each being generally exercises its free will in pursuit of one or the other though some personalities do combine the qualities. This innate …

A New Reading Of Ruth Suckow, Judith Pierson

Masters Theses

By 1950, after three decades of writing, Ruth Suckow (1892-1960) was a well-respected writer whose work seemed headed for a permanent position in the canon of American literature. Instead, Suckow's fiction steadily became less known through the following decades. The question of why her work came to be ignored and why such a position is unwarranted is addressed in A New Reading of Ruth Suckow. The conclusion is that a regionalist categorization and a related gender bias in the literary canon have adversely affected Suckow's works.

Gender bias is reflected in the critical assumptions which ascribe an inferior position to …

Expectations As Character Development In Chaucer's Clerk's Tale, Kevin Gorham

Masters Theses

The Clerk of Oxenford in Chaucer's Canterbury Tales is often maligned for lacking development as a literary character. Frequently, the Clerk has been dismissed as a stereotype or an ideal rather than a multi-dimensional character. The Clerk's character, much like the meaning of his tale, is concealed from the reader and veiled behind expectations.

Chaucer manipulates readers by exploiting expectations associated with fourteenth century clerks. These expectations derive from historical and literary stereotypes which constitute the General Prologue portrait of the Clerk. Because Chaucer's description of the Clerk is populated with stereotypes, the reader expects the Clerk to tell a …

A Woman's Quest For Happiness: O'Neill's "Private Myth", Andrea Ximena CampañA Garcia

Masters Theses

Following the approach used by James Hurt in his book Catiline's Dream to determine Henrik Ibsen's "private myth" which he retold in play after play, I have delineated O'Neill's "private myth" in a narrower way concentrating on his female characters. Examining parallel motifs in the lives of the dominant women in Desire Under the Elms, Strange Interlude, and Mourning Becomes Electra, I have detected this mythic pattern involving the O'Neillian woman: She goes through an early innocent and submissive state guided by an initial vision of happiness which can be regarded as fairly conventional. But when her …

Like He Would Jump Me With A Book: Black Humor In Sanctuary And Oliver Twist, Deborah Leclaire

Masters Theses

Although many critics have compared William Faulkner and Charles Dickens, no one has fully developed the resemblance between their uses of black humor. Using several critics' definitions of black humor, I examine several aspects of black humor in Faulkner's Sanctuary and Dickens' Oliver Twist: the presence of the wasteland in society, the irreverent treatment of death and religion, the presence of grotesques and perverse sexuality.

Like the humour noir of the French surrealist movement, black humor in both of these books is very much involved in these authors' indictment of society. Both Faulkner and Dickens use black humor to …

Rhetoric In Fiction: A Fantasy-Theme Analysis Of Conrad’S Heart Of Darkness, Thomas S. Caldwell

Masters Theses

This study meets three primary objectives.

First, it demonstrates how rhetorical theory and Iiterary criticism are compatible fields of study and explains how Ernest Bormann's rhetorical theory based on "fantasy-theme analysis" can be used as an appropriate method for the analysis of literary works.

Secondly, this study identifies a trend in late Nineteenth Century "adventure stories" in which travel to foreign lands and European influence on the cultures of those lands is portrayed as "good" and "philanthropic."

Finally, this study concludes with a fantasy-theme analysis of Joseph Conrad's Heart of Darkness which reveals that Conrad's adventure fiction breaks away from …