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City University of New York (CUNY)

Modernism

Other History of Art, Architecture, and Archaeology

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Full-Text Articles in Arts and Humanities

Staging A Modern Nation: The Art And Architecture Of The Peruvian Pavilion At The 1939/40 New York World’S Fair, Alida R. Jekabson May 2019

Staging A Modern Nation: The Art And Architecture Of The Peruvian Pavilion At The 1939/40 New York World’S Fair, Alida R. Jekabson

School of Arts & Sciences Theses

At the 1939/40 New York World’s Fair, the Peruvian government installed a multimedia display of objects and products in a foreign pavilion. An examination of the building and its contents provides a basis to understand how art and commerce work together to construct narratives of authenticity, nationalism and modernity.


Fauve Masks: Rethinking Modern 'Primitivist' Uses Of African And Oceanic Art, 1905-8, Joshua I. Cohen Jun 2017

Fauve Masks: Rethinking Modern 'Primitivist' Uses Of African And Oceanic Art, 1905-8, Joshua I. Cohen

Publications and Research

Fauve painters “discovered” African and Oceanic sculpture beginning in 1905. From that time, Vlaminck first collected African art; Derain studied Oceanic works at the British Museum in spring 1906; and Matisse struggled to paint a Kongo-Vili statuette he purchased in fall 1906. Fauve interests in shallow-relief, relatively naturalistic, and surface-ornamented sculptural works suggest conformity with turn-of-the-century artistic and scientific ideas conflating heterogeneous strains of so-called “primitive” material culture. Nevertheless, the dominant conceptual framework of “primitivism” has tended to limit art-historical understandings of external formal influences on modernism, which can be gleaned here by investigating the particular objects the Fauves appropriated.